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Evie Sands|Estate Of Mind

Estate Of Mind

Evie Sands

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Idioma disponível: inglês

Evie Sands had written a set of songs for a new album by the time she met those who would work with her on it, including the production team of Dennis Lambert and Brian Potter. Lambert and Potter helped her to plug into a high-level rank of studio musicians, including Michael Omartian (keyboards), Ernie Watts (horns and arrangements), and Dean Parks (most guitar work), and produced and arranged the album to mid-'70s standards. Thanks to Sands' songs, which were amenable, and the gel of her harmony vocals with Lambert himself, Estate of Mind was one of the better pop/rock albums of the mid-'70s. (It certainly deserved better than its poor sales performance.) Sands' originals included "Love in the Afternoon" (which appeared one year before "Afternoon Delight" and deserved to be a bigger hit), and several more red-hot songs -- including the mid-level hits "You Brought the Woman out of Me" and "I Love Makin' Love to You" -- all of which matched Sands' sultry expression on the cover of the album.

© John Bush /TiVo

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Estate Of Mind

Evie Sands

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1
A Woman's Work Is Never Done
00:03:41

Dennis Lambert, Producer, ComposerLyricist - Brian Potter, Producer, ComposerLyricist - Evie Sands, MainArtist

℗ 1974 Capitol Records, LLC

2
Love In The Afternoon
00:03:06

Dennis Lambert, Producer - Brian Potter, Producer - Ben Weisman, ComposerLyricist - Richard Germinaro, ComposerLyricist - Evie Sands, MainArtist, ComposerLyricist

℗ 1974 Capitol Records, LLC

3
You Brought The Woman Out Of Me
00:03:40

Dennis Lambert, Producer, ComposerLyricist - Brian Potter, Producer, ComposerLyricist - Evie Sands, MainArtist

℗ 1974 Capitol Records, LLC

4
Take It Or Leave It
00:03:23

Dennis Lambert, Producer - Brian Potter, Producer - Ben Weisman, ComposerLyricist - Richard Germinaro, ComposerLyricist - Evie Sands, MainArtist, ComposerLyricist

℗ 1974 Capitol Records, LLC

5
Call Me Home Again
00:04:51

Dennis Lambert, Producer - Brian Potter, Producer - Evie Sands, MainArtist, ComposerLyricist

℗ 1974 Capitol Records, LLC

6
One Thing On My Mind
00:03:32

Dennis Lambert, Producer - Brian Potter, Producer - Richard Germinaro, ComposerLyricist - Evie Sands, MainArtist, ComposerLyricist

℗ 1974 Capitol Records, LLC

7
Yesterday Can't Hurt Me
00:03:40

Dennis Lambert, Producer, ComposerLyricist - Brian Potter, Producer, ComposerLyricist - Evie Sands, MainArtist

℗ 1974 Capitol Records, LLC

8
I Love Makin' Love To You
00:04:10

Dennis Lambert, Producer - Brian Potter, Producer - Ben Weisman, ComposerLyricist - Richard Germinaro, ComposerLyricist - Evie Sands, MainArtist, ComposerLyricist

℗ 1974 Capitol Records, LLC

9
Early Morning Sunshine
00:03:29

Dennis Lambert, Producer - Brian Potter, Producer - Ben Weisman, ComposerLyricist - Richard Germinaro, ComposerLyricist - Evie Sands, MainArtist, ComposerLyricist

℗ 1974 Capitol Records, LLC

10
(Am I) Crazy Cause I Believe
00:03:07

Dennis Lambert, Producer - Brian Potter, Producer - R. Germinaro, ComposerLyricist - Evie Sands, MainArtist, ComposerLyricist

℗ 1974 Capitol Records, LLC

Resenha do Álbum

Evie Sands had written a set of songs for a new album by the time she met those who would work with her on it, including the production team of Dennis Lambert and Brian Potter. Lambert and Potter helped her to plug into a high-level rank of studio musicians, including Michael Omartian (keyboards), Ernie Watts (horns and arrangements), and Dean Parks (most guitar work), and produced and arranged the album to mid-'70s standards. Thanks to Sands' songs, which were amenable, and the gel of her harmony vocals with Lambert himself, Estate of Mind was one of the better pop/rock albums of the mid-'70s. (It certainly deserved better than its poor sales performance.) Sands' originals included "Love in the Afternoon" (which appeared one year before "Afternoon Delight" and deserved to be a bigger hit), and several more red-hot songs -- including the mid-level hits "You Brought the Woman out of Me" and "I Love Makin' Love to You" -- all of which matched Sands' sultry expression on the cover of the album.

© John Bush /TiVo

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