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Cellist Sheku Kanneh-Mason, just 20 years old when this album was recorded in 2019, can be forgiven for taking a bit of a breather with this, his sophomore release. After all, he had been riding a wave of celebrity nearly unprecedented for a young classical musician: an appearance with his siblings on "Britain's Got Talent" in 2015, the BBC Young Musician award (the first black player so honored) the following year and a performance before an audience of three billion at the wedding of Prince Harry and Meghan Markle in 2018. The Elgar album largely follows the pattern of Kanneh-Mason's debut, Inspiration, which featured a 20th century repertory concerto (there, the Shostakovich Cello Concerto No. 1 in E flat major, Op. 107, here, the Elgar Cello Concerto in E minor, Op. 85) surrounded by smaller works. Here, the encore-type pieces are laid on a bit thick: most are arranged from their original form. It's true the cello repertory is a bit sparse, but the chamber cello arrangements on this album have a certain sentimental sameness. However, there is no doubting the talents of Kanneh-Mason. He already has a unique dark, warm tone that commands attention on his terms, and his performance in the Elgar Cello Concerto, sensitively backed by the London Symphony under Sir Simon Rattle, is solid. Kanneh-Mason has said that he was inspired to take up the work by Jacqueline du Pré's classic 1960s recording, but he does not mimic her highly emotional approach. Instead, he applies his burnished tone evenly and seeks longer lines, unearthed through repeated performances of the concerto before he recorded it. It's certainly a worthwhile and original reading of the concerto, and it whets the listener's appetite to hear Kanneh-Mason in Beethoven, Dvořák, and the rest of the standard cello repertory that he has easily earned the right to address.
© TiVo
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Blow the Wind Southerly (Traditional)
Sheku Kanneh-Mason, Cello & Arranger - Traditional - Jonathan Allen, Producer - Jonathan Stokes, Recording Engineer
℗ 2020 Decca Music Group Limited
Variations on an Original Theme, Op. 36 "Enigma" (Edward Elgar)
Sheku Kanneh-Mason, Cello - Josephine Knight, Cello - Caroline Dearnley, Cello - Ashok Klouda, Cello - Ben Davies, Cello - Hannah Roberts, Cello - Sir Edward Elgar, Composer - Simon Parkin, Work Arranger - Jonathan Allen, Producer - Jonathan Stokes, Recording Engineer
℗ 2019 Decca Music Group Limited
Cello Concerto in E Minor, Op. 85 (Edward Elgar)
Sheku Kanneh-Mason, Cello - London Symphony Orchestra - Simon Rattle, Conductor - Sir Edward Elgar, Composer - Jonathan Allen, Producer - Jonathan Stokes, Recording Engineer
℗ 2020 Decca Music Group Limited
Sheku Kanneh-Mason, Cello - London Symphony Orchestra - Simon Rattle, Conductor - Sir Edward Elgar, Composer - Jonathan Allen, Producer - Jonathan Stokes, Recording Engineer
℗ 2020 Decca Music Group Limited
Sheku Kanneh-Mason, Cello - London Symphony Orchestra - Simon Rattle, Conductor - Sir Edward Elgar, Composer - Jonathan Allen, Producer - Jonathan Stokes, Recording Engineer
℗ 2020 Decca Music Group Limited
Sheku Kanneh-Mason, Cello - London Symphony Orchestra - Simon Rattle, Conductor - Sir Edward Elgar, Composer - Jonathan Allen, Producer - Jonathan Stokes, Recording Engineer
℗ 2020 Decca Music Group Limited
Romance for Bassoon in D Minor, Op. 62 (Edward Elgar)
Sheku Kanneh-Mason, Cello - The Heath Quartet (Oliver Heath, Violin - Sara Wolstenholme, Violin - Gary Pomeroy, Viola - Chris Murray, Cello) - Toby Hughes, Double Bass - Sir Edward Elgar, Composer - Simon Parkin, Work Arranger - Jonathan Allen, Producer - Jonathan Stokes, Recording Engineer
℗ 2020 Decca Music Group Limited
4 Short Pieces, H. 104 (Frank Bridge)
Sheku Kanneh-Mason, Cello - The Heath Quartet (Oliver Heath, Violin - Sara Wolstenholme, Violin - Gary Pomeroy, Viola - Chris Murray, Cello) - Frank Bridge, Composer - Simon Parkin, Work Arranger - Jonathan Allen, Producer - Jonathan Stokes, Recording Engineer
℗ 2020 Decca Music Group Limited
Scarborough Fair (Traditional)
Sheku Kanneh-Mason, Cello - Plinio Fernandes, Guitar - Traditional - Simon Parkin, Work Arranger - Jonathan Allen, Producer - Jonathan Stokes, Recording Engineer
℗ 2020 Decca Music Group Limited
Braimah Kanneh-Mason, Violin - Ayla Sahin, Violin - Alinka Rowe, Viola - Sheku Kanneh-Mason, Cello - Ernest Bloch, Composer - Jonathan Allen, Producer - Jonathan Stokes, Recording Engineer
℗ 2020 Decca Music Group Limited
From Jewish Life, B 54 (Ernest Bloch)
Braimah Kanneh-Mason, Violin & Work Arranger - Sheku Kanneh-Mason, Cello - Ernest Bloch, Composer - Jonathan Allen, Producer - Jonathan Stokes, Recording Engineer
℗ 2020 Decca Music Group Limited
Élégie in C Minor, Op. 24 (Gabriel Fauré)
Sheku Kanneh-Mason, Cello - Chris Murray, Cello - Josephine Knight, Cello - Caroline Dearnley, Cello - Ashok Klouda, Cello - Hannah Roberts, Cello - Robert Max, Cello - Rowena Calvert, Cello - Nicholas Trygstad, Cello - Desmond Neysmith, Cello - Gabriel Fauré, Composer - Simon Parkin, Work Arranger - Jonathan Allen, Producer - Jonathan Stokes, Recording Engineer
℗ 2019 Decca Music Group Limited
Hymnus, Op. 57 (Julius Klengel)
Sheku Kanneh-Mason, Cello - Chris Murray, Cello - Josephine Knight, Cello - Caroline Dearnley, Cello - Ashok Klouda, Cello - Ben Davies, Cello - Hannah Roberts, Cello - Robert Max, Cello - Jo Cole, Cello - Rowena Calvert, Cello - Nicholas Trygstad, Cello - Desmond Neysmith, Cello - Julius Klengel, Composer - Jonathan Allen, Producer - Jonathan Stokes, Recording Engineer
℗ 2020 Decca Music Group Limited
Resenha do Álbum
Cellist Sheku Kanneh-Mason, just 20 years old when this album was recorded in 2019, can be forgiven for taking a bit of a breather with this, his sophomore release. After all, he had been riding a wave of celebrity nearly unprecedented for a young classical musician: an appearance with his siblings on "Britain's Got Talent" in 2015, the BBC Young Musician award (the first black player so honored) the following year and a performance before an audience of three billion at the wedding of Prince Harry and Meghan Markle in 2018. The Elgar album largely follows the pattern of Kanneh-Mason's debut, Inspiration, which featured a 20th century repertory concerto (there, the Shostakovich Cello Concerto No. 1 in E flat major, Op. 107, here, the Elgar Cello Concerto in E minor, Op. 85) surrounded by smaller works. Here, the encore-type pieces are laid on a bit thick: most are arranged from their original form. It's true the cello repertory is a bit sparse, but the chamber cello arrangements on this album have a certain sentimental sameness. However, there is no doubting the talents of Kanneh-Mason. He already has a unique dark, warm tone that commands attention on his terms, and his performance in the Elgar Cello Concerto, sensitively backed by the London Symphony under Sir Simon Rattle, is solid. Kanneh-Mason has said that he was inspired to take up the work by Jacqueline du Pré's classic 1960s recording, but he does not mimic her highly emotional approach. Instead, he applies his burnished tone evenly and seeks longer lines, unearthed through repeated performances of the concerto before he recorded it. It's certainly a worthwhile and original reading of the concerto, and it whets the listener's appetite to hear Kanneh-Mason in Beethoven, Dvořák, and the rest of the standard cello repertory that he has easily earned the right to address.
© TiVo
Sobre o álbum
- 1 disco(s) - 13 faixa(s)
- Duração total: 01:08:51
- 1 Folheto digital
- Artistas principais: Sheku Kanneh-Mason London Symphony Orchestra Sir Simon Rattle
- Compositor: Various Composers
- Gravadora: Decca Music Group Ltd.
- Área: Angleterre
- Género: Clássica
- Época: Música pós-romântica
© 2019 Decca Music Group Limited ℗ 2020 Decca Music Group Limited
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