Streaming ilimitado
Escute agora este álbum em alta qualidade nos nossos aplicativos
Iniciar meu período de teste e começar a escutar este álbumCurta este álbum nos aplicativos Qobuz com a sua assinatura
AssinarCurta este álbum nos aplicativos Qobuz com a sua assinatura
R.E.M. began to move toward mainstream record production on Lifes Rich Pageant, but they didn't have a commercial breakthrough until the following year's Document. Ironically, Document is a stranger, more varied album than its predecessor, but co-producer Scott Litt -- who would go on to produce every R.E.M. album in the following decade -- is a better conduit for the band than Don Gehman, giving the group a clean sound without sacrificing their enigmatic tendencies. "Finest Worksong," the stream-of-conscious rant "It's the End of the World as We Know It (And I Feel Fine)," and the surprise Top Ten single "The One I Love" all crackle with muscular rhythms and guitar riffs, but the real surprise is how political the mid-tempo jangle pop of "Welcome to the Occupation," "Disturbance at the Heron House," and "King of Birds" is. Where Lifes Rich Pageant sounded a bit like a party record, Document is a fiery statement, and its memorable melodies and riffs are made all the more indelible by its righteous anger. In other words, it's not only a commercial breakthrough, but a creative breakthrough as well, offering evidence of R.E.M.'s growing depth and maturity, and helping usher in the P.C. era in the process.
© Stephen Thomas Erlewine /TiVo
Você está escutando amostras.
Escute mais de 100 milhões de músicas com um plano de streaming ilimitado.
Escute esta playlist e mais de 100 milhões de músicas com os nossos planos de streaming ilimitado.
A partir de R$ 21,60/mês
R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer
(C) 1987 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC
R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer
(C) 1987 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC
R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer
(C) 1987 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC
R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer
(C) 1987 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC
R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer
(C) 1987 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC
R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer
(C) 1987 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC
R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer
(C) 1987 Capitol Records, Inc. ℗ 1987 Capitol Records Inc.
R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer
(C) 1987 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC
R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer
(C) 1987 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC
R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer
(C) 1987 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC
R.E.M., Producer - Bob Ludwig, Mastering Engineer - Scott Litt, Producer - Scott Litt, Engineer - Gary Laney, Additional Engineer - Steve Catania, Additional Engineer - Todd Sholar, Assistant Engineer - Tom Der, Assistant Engineer - Toni Greene, Assistant Engineer - Ted Pattison, Assistant Engineer
(C) 1987 Capitol Records, Inc. ℗ 1987 Capitol Records, LLC
Resenha do Álbum
R.E.M. began to move toward mainstream record production on Lifes Rich Pageant, but they didn't have a commercial breakthrough until the following year's Document. Ironically, Document is a stranger, more varied album than its predecessor, but co-producer Scott Litt -- who would go on to produce every R.E.M. album in the following decade -- is a better conduit for the band than Don Gehman, giving the group a clean sound without sacrificing their enigmatic tendencies. "Finest Worksong," the stream-of-conscious rant "It's the End of the World as We Know It (And I Feel Fine)," and the surprise Top Ten single "The One I Love" all crackle with muscular rhythms and guitar riffs, but the real surprise is how political the mid-tempo jangle pop of "Welcome to the Occupation," "Disturbance at the Heron House," and "King of Birds" is. Where Lifes Rich Pageant sounded a bit like a party record, Document is a fiery statement, and its memorable melodies and riffs are made all the more indelible by its righteous anger. In other words, it's not only a commercial breakthrough, but a creative breakthrough as well, offering evidence of R.E.M.'s growing depth and maturity, and helping usher in the P.C. era in the process.
© Stephen Thomas Erlewine /TiVo
Sobre o álbum
- 1 disco(s) - 11 faixa(s)
- Duração total: 00:39:39
- Artistas principais: R.E.M.
- Compositor: Various Composers
- Gravadora: IRS
- Género: Rock Alternativo & Indie
© 1987 Capitol Records Inc. ℗ 1987 Capitol Records Inc.
Melhorar as informações do álbum