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Aleksandra Kurzak|Desire

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Aleksandra Kurzak

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The Polish diva Aleksandra Kurzak, tenor Roberto Alagna’s muse, has published an album testifying to the breadth of her voice, allowing her to take on heavier and more dramatic roles vocally, such as Tosca, Adriana Lecouvreur and the great Verdian tragedians Leonora from Il Trovatore or Elvira from Ernani. In fact, it was while singing Verdi that the soprano made her highly acclaimed debuts at the Metropolitan Opera in New York in Violetta (La Traviata) and at the Opéra Bastille in Paris as a fiery Elisabetta (Don Carlo).
With her splendid timbre, Aleksandra Kurzak's voice has fleshed out. She launches her highs triumphantly, giving a lot of character to the dozen arias chosen from operas in Italian (Verdi, Puccini, Cilea, Leoncavallo) and French (the "Air des contrebandiers" from the opera Carmen), as well as taking incursions into the Czech language with the sublime "Song to the Moon" from Rusalka, composed by Antonín Dvořák a few months after the creation of Tosca and which Puccini would probably not have eschewed. Perfectly polyglot, Aleksandra Kurzak sings in Polish (an aria from Moniuszko's Halka) and in Russian (the famous "Letter Scene" from the first act of this perfect masterpiece that is Tchaikovsky's Eugene Onegin, based on Pushkin's novel in verse). So many amorous desires of heroines who are always disappointed, betrayed and even sacrificed by men. © François Hudry/Qobuz

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1
Adriana Lecouvreur, Act I Scene 3: Ecco, respiro appena... Io son l'umile ancella
00:03:45

Francesco Cilea, Composer - Nicolas Bartholomée, Producer - Frederic Chaslin, Conductor - Arturo Colautti, Librettist - Aleksandra Kurzak, Soprano, MainArtist - Maximilien Ciup, Recording Engineer - Morphing Chamber Orchestra, Orchestra

(P) 2020 Sony Music Entertainment

2
Ernani, Act I Scene 3: Surta è la notte... Ernani! Ernani, involami
00:07:31

Giuseppe Verdi, Composer - Nicolas Bartholomée, Producer - Francesco Maria Piave, Librettist - Frederic Chaslin, Conductor - Aleksandra Kurzak, Soprano, MainArtist - Maximilien Ciup, Recording Engineer - Morphing Chamber Orchestra, Orchestra

(P) 2020 Sony Music Entertainment

3
Tosca, Act II Scene 5: Vissi d'arte
00:03:11

Giacomo Puccini, Composer - Luigi Illica, Librettist - Giuseppe Giacosa, Librettist - Nicolas Bartholomée, Producer - Frederic Chaslin, Conductor - Aleksandra Kurzak, Soprano, MainArtist - Maximilien Ciup, Recording Engineer - Morphing Chamber Orchestra, Orchestra

(P) 2020 Sony Music Entertainment

4
Carmen, Act III Scene 5: C'est des contrabandiers le refuge ordinaire... Je dis, que rien ne m'épouvante
00:06:35

Georges Bizet, Composer - Nicolas Bartholomée, Producer - Henri Meilhac, Librettist - Ludovic Halevy, Librettist - Frederic Chaslin, Conductor - Aleksandra Kurzak, Soprano, MainArtist - Maximilien Ciup, Recording Engineer - Morphing Chamber Orchestra, Orchestra

(P) 2020 Sony Music Entertainment

5
Pagliacci, Act I Scene 2: Qual fiamma aveva nel guardo!... Hui! Stridono lassù
00:04:38

Ruggero Leoncavallo, Composer, Librettist - Nicolas Bartholomée, Producer - Frederic Chaslin, Conductor - Aleksandra Kurzak, Soprano, MainArtist - Maximilien Ciup, Recording Engineer - Morphing Chamber Orchestra, Orchestra

(P) 2020 Sony Music Entertainment

6
Rusalka, Act I: Mesicku na nebi hlubokém
00:06:02

Antonín Dvorák, Composer - Nicolas Bartholomée, Producer - Frederic Chaslin, Conductor - Jaroslav Kvapil, Librettist - Aleksandra Kurzak, Soprano, MainArtist - Maximilien Ciup, Recording Engineer - Morphing Chamber Orchestra, Orchestra

(P) 2020 Sony Music Entertainment

7
Halka, Act IV Scene 8: Ha! Dzieciatko nam umiera... O moj malenki
00:06:04

Nicolas Bartholomée, Producer - Frederic Chaslin, Conductor - Stanislaw Moniuszko, Composer - Aleksandra Kurzak, Soprano, MainArtist - Wlodzimierz Wolski, Librettist - Maximilien Ciup, Recording Engineer - Morphing Chamber Orchestra, Orchestra

(P) 2020 Sony Music Entertainment

8
Madama Butterfly, Act II Scene 1: Un bel dì vedremo
00:04:13

Giacomo Puccini, Composer - Luigi Illica, Librettist - Giuseppe Giacosa, Librettist - Nicolas Bartholomée, Producer - Frederic Chaslin, Conductor - Aleksandra Kurzak, Soprano, MainArtist - Maximilien Ciup, Recording Engineer - Morphing Chamber Orchestra, Orchestra

(P) 2020 Sony Music Entertainment

9
I vespri siciliani, Act V Scene 2: Mercè, dilette amiche
00:03:34

Giuseppe Verdi, Composer - Nicolas Bartholomée, Producer - Eugene Scribe, Librettist - Frederic Chaslin, Conductor - Charles Duveyrier, Librettist - Aleksandra Kurzak, Soprano, MainArtist - Maximilien Ciup, Recording Engineer - Morphing Chamber Orchestra, Orchestra

(P) 2020 Sony Music Entertainment

10
Il trovatore, Act IV Scene 1: Timor di me?... D'amor sull ali rosee
00:05:02

Leone Emanuele Bardare, Librettist - Giuseppe Verdi, Composer - Nicolas Bartholomée, Producer - Frederic Chaslin, Conductor - Aleksandra Kurzak, Soprano, MainArtist - Salvadore Cammarano, Librettist - Maximilien Ciup, Recording Engineer - Morphing Chamber Orchestra, Orchestra

(P) 2020 Sony Music Entertainment

11
Turandot, Act I Scene 2: Signore, ascolta!
00:02:39

Giacomo Puccini, Composer - Giuseppe Adami, Librettist - Nicolas Bartholomée, Producer - Renato Simoni, Librettist - Frederic Chaslin, Conductor - Aleksandra Kurzak, Soprano, MainArtist - Maximilien Ciup, Recording Engineer - Morphing Chamber Orchestra, Orchestra

(P) 2020 Sony Music Entertainment

12
Eugene Onegin, Act I Scene 2: Puskay pogibnu ya
00:12:33

Nicolas Bartholomée, Producer - Pyotr Ilyich Tchaikovsky, Composer, Librettist - Frederic Chaslin, Conductor - Konstantin Shilovsky, Librettist - Aleksandra Kurzak, Soprano, MainArtist - Maximilien Ciup, Recording Engineer - Morphing Chamber Orchestra, Orchestra

(P) 2020 Sony Music Entertainment

Resenha do Álbum

The Polish diva Aleksandra Kurzak, tenor Roberto Alagna’s muse, has published an album testifying to the breadth of her voice, allowing her to take on heavier and more dramatic roles vocally, such as Tosca, Adriana Lecouvreur and the great Verdian tragedians Leonora from Il Trovatore or Elvira from Ernani. In fact, it was while singing Verdi that the soprano made her highly acclaimed debuts at the Metropolitan Opera in New York in Violetta (La Traviata) and at the Opéra Bastille in Paris as a fiery Elisabetta (Don Carlo).
With her splendid timbre, Aleksandra Kurzak's voice has fleshed out. She launches her highs triumphantly, giving a lot of character to the dozen arias chosen from operas in Italian (Verdi, Puccini, Cilea, Leoncavallo) and French (the "Air des contrebandiers" from the opera Carmen), as well as taking incursions into the Czech language with the sublime "Song to the Moon" from Rusalka, composed by Antonín Dvořák a few months after the creation of Tosca and which Puccini would probably not have eschewed. Perfectly polyglot, Aleksandra Kurzak sings in Polish (an aria from Moniuszko's Halka) and in Russian (the famous "Letter Scene" from the first act of this perfect masterpiece that is Tchaikovsky's Eugene Onegin, based on Pushkin's novel in verse). So many amorous desires of heroines who are always disappointed, betrayed and even sacrificed by men. © François Hudry/Qobuz

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