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Ricercar Consort|Da Pacem

Da Pacem

Ricercar Consort, Philippe Pierlot

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Idioma disponível: inglês

Director Philippe Pierlot and the Ricercar Consort here set Heinrich Schütz's music against the background of the Thirty Years' War that raged over much of his career, suggesting that "[Schütz's] music conveyed people's hopes for a fair and lasting peace that can still resonate in our ears today." It is not crystal clear that Schütz's hearers would have understood the pieces this way, but it is possible, and it is worth accepting for the sake of argument as the Schütz portion of the program begins with the motet Da pacem. Pierlot and company use one person per part throughout, draining energy from the Geistliche Chormusik and Cantiones Sacrae pieces but working well enough in the simple short motets that are at the heart of this program. One might reflect that there was a war on, and even if Schütz's music was performed this way, that might not have been what he would have wanted. Nevertheless, this is a matter of listener choice; the small motets are quite powerful, and each set of Schütz pieces is elegantly introduced by a five-part instrumental work of Johann Schein. Mirare's sound from the Abbaye de La Lucerne gives the whole a luminous quality. Listeners who like the madrigalistic, more delicate type of one-per-part release will be delighted with this release, which inarguably does its bit for world peace.

© James Manheim /TiVo

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1
Intrada à 5
00:01:02

Philippe Pierlot, Conductor, MainArtist - Johann Hermann Schein, Composer - Ricercar Consort, MainArtist, MusicalEnsemble

2023 Mirare 2023 Mirare

2
Da pacem, Domine, SWV 465
00:05:50

Philippe Pierlot, Conductor, MainArtist - Heinrich Schütz, Composer - Ricercar Consort, MainArtist, MusicalEnsemble - Matthias Vieweg, MainArtist, BassVocals - Hanna Bayodi-Hirt, MainArtist, SopranoSolo - Hugo Hymas, MainArtist, TenorSolo - Olivier Coiffet, MainArtist, TenorSolo - Yetzabel Arias, MainArtist, SopranoSolo

2023 Mirare 2023 Mirare

3
Symphoniæ Sacræ II, Op. 10, SWV 341-367: Was betrübst du dich, SWV 353
00:05:56

Philippe Pierlot, Conductor, MainArtist - Heinrich Schütz, Composer - Ricercar Consort, MainArtist, MusicalEnsemble - Hanna Bayodi-Hirt, MainArtist, SopranoSolo - Yetzabel Arias, MainArtist, SopranoSolo

2023 Mirare 2023 Mirare

4
Geistliche Chormusik, Op. 11, SWV 369-397: Die mit Tränen säen, SWV 378
00:03:14

Philippe Pierlot, Conductor, MainArtist - Heinrich Schütz, Composer - Ricercar Consort, MainArtist, MusicalEnsemble - Matthias Vieweg, MainArtist, BassVocals - Hanna Bayodi-Hirt, MainArtist, SopranoSolo - Hugo Hymas, MainArtist, TenorSolo - Olivier Coiffet, MainArtist, TenorSolo - Yetzabel Arias, MainArtist, SopranoSolo

2023 Mirare 2023 Mirare

5
Herr, nun lässest Du Deinen Diener, SWV 352a
00:04:08

Philippe Pierlot, Conductor, MainArtist - Heinrich Schütz, Composer - Ricercar Consort, MainArtist, MusicalEnsemble - Matthias Vieweg, MainArtist, BassVocals

2023 Mirare 2023 Mirare

6
Cantiones sacræ, Op. 4, SWV 53-93: No. 6, Psalm Domine, ne in furore tuo arguas me, SWV 85
00:02:51

Philippe Pierlot, Conductor, MainArtist - Heinrich Schütz, Composer - Ricercar Consort, MainArtist, MusicalEnsemble - Matthias Vieweg, MainArtist, BassVocals - Hanna Bayodi-Hirt, MainArtist, SopranoSolo - Hugo Hymas, MainArtist, TenorSolo - Olivier Coiffet, MainArtist, TenorSolo - Yetzabel Arias, MainArtist, SopranoSolo

2023 Mirare 2023 Mirare

7
Corollarium. Canzon à 5
00:04:09

Philippe Pierlot, Conductor, MainArtist - Johann Hermann Schein, Composer - Ricercar Consort, MainArtist, MusicalEnsemble

2023 Mirare 2023 Mirare

8
Erbarm dich mein, o Herre Gott, SWV 447
00:04:32

Philippe Pierlot, Conductor, MainArtist - Heinrich Schütz, Composer - Ricercar Consort, MainArtist, MusicalEnsemble - Yetzabel Arias, MainArtist, SopranoSolo

2023 Mirare 2023 Mirare

9
Geistliche Chormusik, Op. 11, SWV 369-397: So fahr ich hin, SWV 379
00:03:06

Philippe Pierlot, Conductor, MainArtist - Heinrich Schütz, Composer - Ricercar Consort, MainArtist, MusicalEnsemble - Matthias Vieweg, MainArtist, BassVocals - Hanna Bayodi-Hirt, MainArtist, SopranoSolo - Hugo Hymas, MainArtist, TenorSolo - Olivier Coiffet, MainArtist, TenorSolo - Yetzabel Arias, MainArtist, SopranoSolo

2023 Mirare 2023 Mirare

10
No. 133, Psalm Siehe, wie fein und lieblich ists, SWV 48
00:07:18

Philippe Pierlot, Conductor, MainArtist - Heinrich Schütz, Composer - Ricercar Consort, MainArtist, MusicalEnsemble - Matthias Vieweg, MainArtist, BassVocals - Hanna Bayodi-Hirt, MainArtist, SopranoSolo - Hugo Hymas, MainArtist, TenorSolo - Olivier Coiffet, MainArtist, TenorSolo - Yetzabel Arias, MainArtist, SopranoSolo

2023 Mirare 2023 Mirare

11
Teutoniam dudum belli, SWV 338
00:05:29

Philippe Pierlot, Conductor, MainArtist - Heinrich Schütz, Composer - Ricercar Consort, MainArtist, MusicalEnsemble - Matthias Vieweg, MainArtist, BassVocals - Hanna Bayodi-Hirt, MainArtist, SopranoSolo - Hugo Hymas, MainArtist, TenorSolo - Olivier Coiffet, MainArtist, TenorSolo - Yetzabel Arias, MainArtist, SopranoSolo

2023 Mirare 2023 Mirare

12
Geistliche Chormusik, Op. 11, SWV 369-397: Verley uns Frieden genädiglich, SWV 372
00:02:18

Philippe Pierlot, Conductor, MainArtist - Heinrich Schütz, Composer - Ricercar Consort, MainArtist, MusicalEnsemble - Matthias Vieweg, MainArtist, BassVocals - Hanna Bayodi-Hirt, MainArtist, SopranoSolo - Hugo Hymas, MainArtist, TenorSolo - Olivier Coiffet, MainArtist, TenorSolo - Yetzabel Arias, MainArtist, SopranoSolo

2023 Mirare 2023 Mirare

13
No. 8, Psalm, Herr unser Herrscher, SWV 449
00:07:07

Philippe Pierlot, Conductor, MainArtist - Heinrich Schütz, Composer - Ricercar Consort, MainArtist, MusicalEnsemble - Matthias Vieweg, MainArtist, BassVocals - Hanna Bayodi-Hirt, MainArtist, SopranoSolo - Hugo Hymas, MainArtist, TenorSolo - Olivier Coiffet, MainArtist, TenorSolo - Yetzabel Arias, MainArtist, SopranoSolo

2023 Mirare 2023 Mirare

Resenha do Álbum

Director Philippe Pierlot and the Ricercar Consort here set Heinrich Schütz's music against the background of the Thirty Years' War that raged over much of his career, suggesting that "[Schütz's] music conveyed people's hopes for a fair and lasting peace that can still resonate in our ears today." It is not crystal clear that Schütz's hearers would have understood the pieces this way, but it is possible, and it is worth accepting for the sake of argument as the Schütz portion of the program begins with the motet Da pacem. Pierlot and company use one person per part throughout, draining energy from the Geistliche Chormusik and Cantiones Sacrae pieces but working well enough in the simple short motets that are at the heart of this program. One might reflect that there was a war on, and even if Schütz's music was performed this way, that might not have been what he would have wanted. Nevertheless, this is a matter of listener choice; the small motets are quite powerful, and each set of Schütz pieces is elegantly introduced by a five-part instrumental work of Johann Schein. Mirare's sound from the Abbaye de La Lucerne gives the whole a luminous quality. Listeners who like the madrigalistic, more delicate type of one-per-part release will be delighted with this release, which inarguably does its bit for world peace.

© James Manheim /TiVo

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