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Marko Ylonen|Chopin, F. / Rachmaninov, S.: Sonatas for Cello and Piano

Chopin, F. / Rachmaninov, S.: Sonatas for Cello and Piano

Marko Ylonen

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The cello sonatas of Frédéric Chopin and Sergey Rachmaninov are both treasured anomalies. Neither of the pianist/composers wrote much in the way of chamber music, and neither wrote any other sonatas for instruments other than solo piano. Despite their relative inexperience in writing for the cello, both brilliantly capture the instrument's ability to play long, flowing, lyrical passages and exploited the cello's broad range. Both sonatas are tours de force for the piano but still manage to relinquish a great deal of the melodic work to the cello. Performing these two richly romantic sonatas on this Alba album is Finnish-born cellist Marko Ylönen and pianist Arto Satukangas. Listeners will immediately notice the power and intensity that Ylönen coaxes from his Goffriller cello, easily setting this album apart for the ease of hearing -- even feeling -- the cello throughout. Apart from the sheer power of his sound, Ylönen also plays with incredible finesse, a broad array of tone colors, vibrant dynamics, and arresting vibrato. His left hand is precisely in tune throughout and his right arm is articulate and tireless. Satukangas adopts a similar "no holds barred" approach to his playing and can easily do so without worrying about covering the cello. Together, the duo offers gripping, insightful interpretations of these two beloved contributions to the literature
© TiVo

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Chopin, F. / Rachmaninov, S.: Sonatas for Cello and Piano

Marko Ylonen

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Cello Sonata in G minor, Op. 65 (Frédéric Chopin)

1
I. Allegro moderato
00:15:33

Marko Ylonen, Performer - Arto Satukangas, Performer - Fryderyk Chopin, Composer

(C) 2013 Alba (P) 2013 Alba

2
II. Scherzo - Allegro con brio
00:04:45

Marko Ylonen, Performer - Arto Satukangas, Performer - Fryderyk Chopin, Composer

(C) 2013 Alba (P) 2013 Alba

3
III. Largo
00:03:22

Marko Ylonen, Performer - Arto Satukangas, Performer - Fryderyk Chopin, Composer

(C) 2013 Alba (P) 2013 Alba

4
IV. Finale - Allegro
00:06:37

Marko Ylonen, Performer - Arto Satukangas, Performer - Fryderyk Chopin, Composer

(C) 2013 Alba (P) 2013 Alba

Cello Sonata in G minor, Op. 19 (Serge Rachmaninoff)

5
I. Lento - Allegro moderato
00:13:10

Marko Ylonen, Performer - Arto Satukangas, Performer - Serge Rachmaninov, Composer

(C) 2013 Alba (P) 2013 Alba

6
II. Allegro scherzando
00:06:00

Marko Ylonen, Performer - Arto Satukangas, Performer - Serge Rachmaninov, Composer

(C) 2013 Alba (P) 2013 Alba

7
III. Andante
00:05:12

Marko Ylonen, Performer - Arto Satukangas, Performer - Serge Rachmaninov, Composer

(C) 2013 Alba (P) 2013 Alba

8
IV. Allegro mosso
00:10:30

Marko Ylonen, Performer - Arto Satukangas, Performer - Serge Rachmaninov, Composer

(C) 2013 Alba (P) 2013 Alba

14 Songs, Op. 34 (Serge Rachmaninoff)

9
14. Vocalise in E Minor (arr. for cello and piano)
00:06:00

Marko Ylonen, Performer - Arto Satukangas, Performer - Serge Rachmaninov, Composer

(C) 2013 Alba (P) 2013 Alba

Resenha do Álbum

The cello sonatas of Frédéric Chopin and Sergey Rachmaninov are both treasured anomalies. Neither of the pianist/composers wrote much in the way of chamber music, and neither wrote any other sonatas for instruments other than solo piano. Despite their relative inexperience in writing for the cello, both brilliantly capture the instrument's ability to play long, flowing, lyrical passages and exploited the cello's broad range. Both sonatas are tours de force for the piano but still manage to relinquish a great deal of the melodic work to the cello. Performing these two richly romantic sonatas on this Alba album is Finnish-born cellist Marko Ylönen and pianist Arto Satukangas. Listeners will immediately notice the power and intensity that Ylönen coaxes from his Goffriller cello, easily setting this album apart for the ease of hearing -- even feeling -- the cello throughout. Apart from the sheer power of his sound, Ylönen also plays with incredible finesse, a broad array of tone colors, vibrant dynamics, and arresting vibrato. His left hand is precisely in tune throughout and his right arm is articulate and tireless. Satukangas adopts a similar "no holds barred" approach to his playing and can easily do so without worrying about covering the cello. Together, the duo offers gripping, insightful interpretations of these two beloved contributions to the literature
© TiVo

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