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Ahmad Jamal|Chamber Music Of The New Jazz

Chamber Music Of The New Jazz

Ahmad Jamal

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Idioma disponível: inglês

This album is unusual in two ways. Because pianist Ahmad Jamal would soon become famous for his piano/bass/drums trios, it is often forgotten that, up until 1956, his group consisted of bassist Israel Crosby and guitarist Ray Crawford. Crawford's percussive hitting of his guitar would soon be utilized by Herb Ellis in Oscar Peterson's Trio. And, although it is know that Miles Davis listened closely to Jamal and often "borrowed" his repertoire, few probably realize that Gil Evans based some of his famous arrangements on Jamal's interpretations. A comparison of "New Rumba" and "Medley" (which is really "I Don't Want To Be Kissed") on this album with Evans' version for Miles Ahead in 1957 sounds nearly identical despite the very different personnel. It is a pity that Jamal would soon change his group's instrumentation since his communication with Crawford and Crosby (heard here on such tunes as "A Foggy Day," "All of You," "I Get a Kick out of You" and "Spring Is Here") was often magical, but he would soon gain great popularity with the upcoming guitarless trio (which was just as telepathic).

© Scott Yanow /TiVo

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Chamber Music Of The New Jazz

Ahmad Jamal

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1
New Rhumba
00:04:39

Ahmad Jamal, MainArtist, ComposerLyricist - Israel Crosby, Bass Guitar, AssociatedPerformer - Ray Crawford, Guitar, AssociatedPerformer

℗ 1955 UMG Recordings, Inc.

2
A Foggy Day
00:04:23

George Gershwin, ComposerLyricist - Ira Gershwin, Author - Ahmad Jamal, MainArtist - Israel Crosby, Upright Bass, AssociatedPerformer - Ray Crawford, Guitar, AssociatedPerformer - Dave Usher, Producer

℗ 1955 UMG Recordings, Inc.

3
All Of You
00:03:15

Cole Porter, ComposerLyricist - Ahmad Jamal, MainArtist - Israel Crosby, Upright Bass, AssociatedPerformer - Ray Crawford, Guitar, AssociatedPerformer - Dave Usher, Producer

℗ 1955 UMG Recordings, Inc.

4
It Ain't Necessarily So
00:03:00

George Gershwin, Composer - Ira Gershwin, Author - Ahmad Jamal, MainArtist - Israel Crosby, Upright Bass, AssociatedPerformer - Ray Crawford, Guitar, AssociatedPerformer - Dave Usher, Producer

℗ 1955 UMG Recordings, Inc.

5
I Don't Wanna Be Kissed
00:03:26

Harold Spina, ComposerLyricist - Ahmad Jamal, MainArtist - Israel Crosby, Upright Bass, AssociatedPerformer - John Elliott, ComposerLyricist - Ray Crawford, Guitar, AssociatedPerformer - Dave Usher, Producer

℗ 1955 UMG Recordings, Inc.

6
I Get A Kick Out Of You
00:04:50

Cole Porter, ComposerLyricist - Ahmad Jamal, MainArtist - Israel Crosby, Upright Bass, AssociatedPerformer - Ray Crawford, Guitar, AssociatedPerformer - Dave Usher, Producer

℗ 1955 UMG Recordings, Inc.

7
Jeff
00:04:52

Ahmad Jamal, MainArtist - Israel Crosby, Upright Bass, AssociatedPerformer - Ray Crawford, Guitar, AssociatedPerformer, ComposerLyricist - Dave Usher, Producer

℗ 1955 UMG Recordings, Inc.

8
Darn That Dream
00:03:10

Jimmy Van Heusen, ComposerLyricist - Eddie Delange, ComposerLyricist - Ahmad Jamal, MainArtist - Israel Crosby, Upright Bass, AssociatedPerformer - Ray Crawford, Guitar, AssociatedPerformer - Dave Usher, Producer

℗ 1955 UMG Recordings, Inc.

9
Spring Is Here
00:04:01

Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - Ahmad Jamal, MainArtist - Israel Crosby, Upright Bass, AssociatedPerformer - Ray Crawford, Guitar, AssociatedPerformer - Dave Usher, Producer

℗ 1955 UMG Recordings, Inc.

Resenha do Álbum

This album is unusual in two ways. Because pianist Ahmad Jamal would soon become famous for his piano/bass/drums trios, it is often forgotten that, up until 1956, his group consisted of bassist Israel Crosby and guitarist Ray Crawford. Crawford's percussive hitting of his guitar would soon be utilized by Herb Ellis in Oscar Peterson's Trio. And, although it is know that Miles Davis listened closely to Jamal and often "borrowed" his repertoire, few probably realize that Gil Evans based some of his famous arrangements on Jamal's interpretations. A comparison of "New Rumba" and "Medley" (which is really "I Don't Want To Be Kissed") on this album with Evans' version for Miles Ahead in 1957 sounds nearly identical despite the very different personnel. It is a pity that Jamal would soon change his group's instrumentation since his communication with Crawford and Crosby (heard here on such tunes as "A Foggy Day," "All of You," "I Get a Kick out of You" and "Spring Is Here") was often magical, but he would soon gain great popularity with the upcoming guitarless trio (which was just as telepathic).

© Scott Yanow /TiVo

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