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Idioma disponível: inglês
Since the 1920, Castelnuovo-Tedesco found himself closely linked to the cello, as he would accompany many of the most famous soloists of the day at recitals. Casals, Feuermann, Földesy, Cassadó and in particular Piatigorsky. This latter commissioned our composer to write a concerto: a major work, which, like the cellist himself, was full of intense virtuosity, and showcased his talents. The first performance in 1935 was given by the dedicatee, conducted by Toscanini; and another great soloist, Brinton Averil Smith, plays it here, live in concert. To round off the programme, Smith helps us to rediscover several transcriptions signed by the same Castelnuovo-Tedesco, meant for Piatigorsky, for example great baritone arias written for cello, extracts from Don Giovanni, The Marriage of Figaro and The Barber of Seville, re-written here for cello and piano. "Re-written", because this is more than a simple transcription, but a re-composition, where virtuosity is distributed evenly between the cello and the piano. The two transcriptions after Ravel are for the same line-up, but they are much more unusual: Alborada del grazioso and La Vallée des cloches, but in this instance Castelnuovo-Tedesco has scrupulously respected the text and hasn't added a single note or harmony that didn't come from Ravel. And yet the result is completely new, and stunning. © SM/Qobuz
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Cello Concerto, Op. 72 (Mario Castelnuovo-Tedesco)
Mario Castelnuovo-Tedesco, Composer - Kazuki Yamada, Conductor - Houston Symphony, Orchestra - Brinton Averil Smith, Artist, MainArtist - Brad Sayles, Producer
(C) 2018 Naxos (P) 2018 Naxos
Mario Castelnuovo-Tedesco, Composer - Kazuki Yamada, Conductor - Houston Symphony, Orchestra - Brinton Averil Smith, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Mario Castelnuovo-Tedesco, Composer - Kazuki Yamada, Conductor - Houston Symphony, Orchestra - Brinton Averil Smith, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Don Giovanni, K. 527 (Wolfgang Amadeus Mozart)
Evelyn Chen, Artist - Wolfgang Amadeus Mozart, Composer - Mario Castelnuovo-Tedesco, Composer - Brinton Averil Smith, Artist, MainArtist - Brad Sayles, Producer
(C) 2018 Naxos (P) 2018 Naxos
Cherubino, 2 Arias from The Marriage of Figaro by Mozart (Arr. B.A. Smith for Cello & Piano) (Mario Castelnuovo-Tedesco)
Evelyn Chen, Artist - Mario Castelnuovo-Tedesco, Composer - Brinton Averil Smith, Composer, Artist, MainArtist - Brad Sayles, Producer
(C) 2018 Naxos (P) 2018 Naxos
Evelyn Chen, Artist - Mario Castelnuovo-Tedesco, Composer - Brinton Averil Smith, Composer, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Miroirs, M. 43 (Excerpts Arr. M. Castelnuovo-Tedesco for Cello & Piano) (Maurice Ravel)
Evelyn Chen, Artist - Maurice Ravel, Composer - Mario Castelnuovo-Tedesco, Composer - Brinton Averil Smith, Artist, MainArtist - Brad Sayles, Producer
(C) 2018 Naxos (P) 2018 Naxos
Evelyn Chen, Artist - Maurice Ravel, Composer - Mario Castelnuovo-Tedesco, Composer - Brinton Averil Smith, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Rossini - Figaro from the Barber of Seville (arr. B.A. Smith for cello and piano) (Mario Castelnuovo-Tedesco)
Evelyn Chen, Artist - Mario Castelnuovo-Tedesco, Composer - Brinton Averil Smith, Composer, Artist, MainArtist - Brad Sayles, Producer
(C) 2018 Naxos (P) 2018 Naxos
Shakespeare Songs, Op. 24, Vol. 6: No. 2. Arise, "Sea Murmurs" (arr. J. Heifetz for cello and piano) (Jascha Heifetz)
Evelyn Chen, Artist - Mario Castelnuovo-Tedesco, Composer - Jascha Heifetz, Composer - Brinton Averil Smith, Artist, MainArtist - Brad Sayles, Producer
(C) 2018 Naxos (P) 2018 Naxos
Resenha do Álbum
Since the 1920, Castelnuovo-Tedesco found himself closely linked to the cello, as he would accompany many of the most famous soloists of the day at recitals. Casals, Feuermann, Földesy, Cassadó and in particular Piatigorsky. This latter commissioned our composer to write a concerto: a major work, which, like the cellist himself, was full of intense virtuosity, and showcased his talents. The first performance in 1935 was given by the dedicatee, conducted by Toscanini; and another great soloist, Brinton Averil Smith, plays it here, live in concert. To round off the programme, Smith helps us to rediscover several transcriptions signed by the same Castelnuovo-Tedesco, meant for Piatigorsky, for example great baritone arias written for cello, extracts from Don Giovanni, The Marriage of Figaro and The Barber of Seville, re-written here for cello and piano. "Re-written", because this is more than a simple transcription, but a re-composition, where virtuosity is distributed evenly between the cello and the piano. The two transcriptions after Ravel are for the same line-up, but they are much more unusual: Alborada del grazioso and La Vallée des cloches, but in this instance Castelnuovo-Tedesco has scrupulously respected the text and hasn't added a single note or harmony that didn't come from Ravel. And yet the result is completely new, and stunning. © SM/Qobuz
Sobre o álbum
- 1 disco(s) - 10 faixa(s)
- Duração total: 00:58:06
- 1 Folheto digital
- Artistas principais: Brinton Averil Smith Houston Symphony Evelyn Chen Kazuki Yamada
- Compositor: Various Composers
- Gravadora: Naxos
- Género: Clássica
(C) 2018 Naxos (P) 2018 Naxos
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