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Johnny Marr|Call The Comet

Call The Comet

Johnny Marr

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Idioma disponível: inglês

Working once again with producer Doviak for 2018's Call the Comet, Johnny Marr adheres to the meticulously sculpted soundscapes he patented on his 2013 solo debut, The Messenger, but the guitarist's perspective has shifted. Faced with the political tumult of the late 2010s, Marr concentrates on essential humanist traits, crafting songs that aren't so much protests as wishes for a better, kinder world. Empathy is the engine of Call the Comet and the characteristic that separates the album from its two predecessors, The Messenger and Playland. Take away these open-hearted pleas and Call the Comet is virtually identical to its cousins, a gleaming collection of old-fashioned college rock that fuses the skyscraping six-string theatrics of the Smiths with the cool, stylish affectations of Electronic. Marr doesn't disguise the skill fueling his craft, so Call the Comet is more accomplished than compelling, but there is pleasure in hearing how all the parts fit together so tidily.

© Stephen Thomas Erlewine /TiVo

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Call The Comet

Johnny Marr

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1
Rise
00:05:03

Johnny Marr, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist - Jack Mitchell, Drums - Claudias Mittendorf, Mixer - Doviak, Producer, Keyboards, Vocals - Iwan Grownow, Bass Guitar, Vocals

© 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited ℗ 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited

2
The Tracers
00:04:35

Johnny Marr, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist - Jack Mitchell, Drums - Claudias Mittendorf, Mixer - Doviak, Producer, Keyboards, Vocals - Iwan Grownow, Bass Guitar, Vocals

© 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited ℗ 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited

3
Hey Angel
00:05:37

Johnny Marr, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist - Jack Mitchell, Drums - Claudias Mittendorf, Mixer - Doviak, Producer, Keyboards, Vocals - Iwan Grownow, Bass Guitar, Vocals

© 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited ℗ 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited

4
Hi Hello
00:04:23

Johnny Marr, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist - Jack Mitchell, Drums - Claudias Mittendorf, Mixer - Doviak, Producer, Keyboards, Vocals - Iwan Grownow, Bass Guitar, Vocals

© 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited ℗ 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited

5
New Dominions
00:04:24

Johnny Marr, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist - Jack Mitchell, Drums - Claudias Mittendorf, Mixer - Doviak, Producer, Keyboards, Vocals - Iwan Grownow, Bass Guitar, Vocals

© 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited ℗ 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited

6
Day In Day Out
00:04:43

Johnny Marr, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist - Jack Mitchell, Drums - Claudias Mittendorf, Mixer - Doviak, Producer, Keyboards, Vocals - Iwan Grownow, Bass Guitar, Vocals

© 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited ℗ 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited

7
Walk Into The Sea
00:06:02

Johnny Marr, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist - Jack Mitchell, Drums - Sonny Marr, Backing Vocals - Claudias Mittendorf, Mixer - Doviak, Producer, Keyboards, Vocals - Iwan Grownow, Bass Guitar, Vocals

© 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited ℗ 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited

8
Bug
00:04:39

Johnny Marr, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist - Jack Mitchell, Drums - Claudias Mittendorf, Mixer - Doviak, Producer, Keyboards, Vocals - Iwan Grownow, Bass Guitar, Vocals

© 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited ℗ 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited

9
Actor Attractor
00:05:36

Johnny Marr, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist - Jack Mitchell, Drums - Claudias Mittendorf, Mixer - Doviak, Producer, Keyboards, Vocals - Iwan Grownow, Bass Guitar, Vocals

© 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited ℗ 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited

10
Spiral Cities
00:04:07

Johnny Marr, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist - Jack Mitchell, Drums - Sonny Marr, Backing Vocals - Claudias Mittendorf, Mixer - Doviak, Producer, Keyboards, Vocals - Iwan Grownow, Bass Guitar, Vocals

© 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited ℗ 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited

11
My Eternal
00:03:16

Johnny Marr, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist - Jack Mitchell, Drums - Claudias Mittendorf, Mixer - Doviak, Producer, Keyboards, Vocals - Iwan Grownow, Bass Guitar, Vocals

© 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited ℗ 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited

12
A Different Gun
00:05:26

Johnny Marr, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist - Jack Mitchell, Drums - Claudias Mittendorf, Mixer - Doviak, Producer, Keyboards, Vocals - Iwan Grownow, Bass Guitar, Vocals

© 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited ℗ 2018 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited

Resenha do Álbum

Working once again with producer Doviak for 2018's Call the Comet, Johnny Marr adheres to the meticulously sculpted soundscapes he patented on his 2013 solo debut, The Messenger, but the guitarist's perspective has shifted. Faced with the political tumult of the late 2010s, Marr concentrates on essential humanist traits, crafting songs that aren't so much protests as wishes for a better, kinder world. Empathy is the engine of Call the Comet and the characteristic that separates the album from its two predecessors, The Messenger and Playland. Take away these open-hearted pleas and Call the Comet is virtually identical to its cousins, a gleaming collection of old-fashioned college rock that fuses the skyscraping six-string theatrics of the Smiths with the cool, stylish affectations of Electronic. Marr doesn't disguise the skill fueling his craft, so Call the Comet is more accomplished than compelling, but there is pleasure in hearing how all the parts fit together so tidily.

© Stephen Thomas Erlewine /TiVo

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