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Budapest Failoni Chamber Orchestra|Best Of Opera, Vol. 3

Best Of Opera, Vol. 3

BEST OF OPERA, VOL. 3

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Idioma disponível: inglês

The appeal of Naxos' The Best of Opera, Vol. 3, will depend on the purchaser's expectations. For the listener simply looking to listen to music whose common denominator is that it was all taken from operas, this CD should generally work fine. The listener interested in more detail, such as the identity of the performers, will be disappointed; it's surprising that a label as meticulous and user-friendly as Naxos would produce a CD that offers no indication of the performers. It does list the Naxos catalog number for the release from which each excerpt was taken, but tracking down the information on the CD and figuring out from its credits who is singing and which orchestra is playing is more work than any but the most highly motivated listener is likely to be willing to do. Then again, this type of compilation isn't targeted at the highly motivated opera fan. For the casual listener, the collection offers mostly adequate, but few stellar performances, of a seemingly random group of popular arias, ensembles, choruses, and orchestral selections. Only a few are truly mediocre or worse: the slurpy rendition of the "Flower Song" from Carmen, and the pallid "Catalogue Aria" from Don Giovanni are the most egregious offenders. One drawback of this kind of compilation of excerpts from complete operas is the fact that the selections sometimes don't have a clearly defined beginning or ending, so some fade in or fade out inconclusively and annoyingly. The sound is mostly fine, but the volume between tracks is variable, and may require the listener to do some fiddling to find a comfortable level.

© TiVo

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Best Of Opera, Vol. 3

Budapest Failoni Chamber Orchestra

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Il barbiere di Siviglia (The Barber of Seville) * (Gioachino Rossini)

1
Il Barbiere di Siviglia: Overture
Budapest Failoni Chamber Orchestra
00:06:46

1995 Naxos 1995 Naxos

Tosca, S. 69 (Giacomo Puccini)

2
Tosca: Recondita armonia
00:04:31

1995 Naxos 1995 Naxos

Die Zauberflöte, K. 620 (Wolfgang Amadeus Mozart)

3
Die Zauberflote (The Magic Flute), K. 620, Act II: Ach, ich fuhl's (Pamina)
00:04:19

1995 Naxos 1995 Naxos

La Bohême (Giacomo Puccini)

4
La bohème, Act I: O soave fanciulla (Love Duet)
00:03:45

1995 Naxos 1995 Naxos

Orphee et Euridice (Paris version) (Christoph Willibald von Gluck)

5
Orfeo ed Euridice: Dance of the Blessed Spirits
00:06:12

1995 Naxos 1995 Naxos

Lakmé (Léo Delibes)

6
Lakme: Viens, Mallika... Dome epais, "Flower Duet"
00:06:41

1995 Naxos 1995 Naxos

Carmen, WD 31 (Georges Bizet)

7
Carmen: La fleur que tu m'avais jetee
00:07:50

1995 Naxos 1995 Naxos

Madama Butterfly (Giacomo Puccini)

8
Madama Butterfly: Humming Chorus
00:02:51

1995 Naxos 1995 Naxos

Don Giovanni, K. 527 (Wolfgang Amadeus Mozart)

9
Don Giovanni: Madamina!
00:05:47

1995 Naxos 1995 Naxos

Martha (Friedrich von Flotow)

10
Martha: M'appari, tutt'amor
00:03:17

1995 Naxos 1995 Naxos

La Traviata (Giuseppe Verdi)

11
La Traviata: Prelude to Act III
00:04:08

1995 Naxos 1995 Naxos

La forza del destino (Giuseppe Verdi)

12
La forza del destino: Pace, pace mio Dio
00:05:34

1995 Naxos 1995 Naxos

Andrea Chenier (Umberto Giordano)

13
Andrea Chenier: Come un bel di maggio
00:03:00

1995 Naxos 1995 Naxos

Otello (Giuseppe Verdi)

14
Otello: Era la notte... Si pel ciel
00:06:46

1995 Naxos 1995 Naxos

Il Trovatore (Giuseppe Verdi)

15
Il Trovatore: Vedi! le fosche notturne
00:03:06

1995 Naxos 1995 Naxos

Die Walküre, WWV 86B (Richard Wagner)

16
Die Walkure: Ride of the Valkyries
00:05:22

1995 Naxos 1995 Naxos

Resenha do Álbum

The appeal of Naxos' The Best of Opera, Vol. 3, will depend on the purchaser's expectations. For the listener simply looking to listen to music whose common denominator is that it was all taken from operas, this CD should generally work fine. The listener interested in more detail, such as the identity of the performers, will be disappointed; it's surprising that a label as meticulous and user-friendly as Naxos would produce a CD that offers no indication of the performers. It does list the Naxos catalog number for the release from which each excerpt was taken, but tracking down the information on the CD and figuring out from its credits who is singing and which orchestra is playing is more work than any but the most highly motivated listener is likely to be willing to do. Then again, this type of compilation isn't targeted at the highly motivated opera fan. For the casual listener, the collection offers mostly adequate, but few stellar performances, of a seemingly random group of popular arias, ensembles, choruses, and orchestral selections. Only a few are truly mediocre or worse: the slurpy rendition of the "Flower Song" from Carmen, and the pallid "Catalogue Aria" from Don Giovanni are the most egregious offenders. One drawback of this kind of compilation of excerpts from complete operas is the fact that the selections sometimes don't have a clearly defined beginning or ending, so some fade in or fade out inconclusively and annoyingly. The sound is mostly fine, but the volume between tracks is variable, and may require the listener to do some fiddling to find a comfortable level.

© TiVo

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