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Countertenor Max Emanuel Cencic has emerged as a new star of the specialty partly through fearless programming, and this collection of Arie Napoletane, Neapolitan arias or arias from Naples, is no exception. There really isn't a "Neapolitan school." Rather, Naples was on the musical cutting edge in the second quarter of the 18th century, and the arias here represent both a classic opera seria style, in the pieces by the massively prolific Alessandro Scarlatti, and music by the composers who pointed the way toward the melodically simpler future of Gluck and eventually Mozart, like Leonardo Leo and Leonardo Vinci. These latter are hardly household names, and Cencic, offering several recorded premieres, renders a valuable service simply by finding and choosing the deliberate and sensuous arias heard here. Moreover, the album's stylistic contrasts play to Cencic's strengths. Countertenors have their specialties, but Cencic does it all well, from big heroic pieces like Nicola Porpora's "Quel vasto, quel fiero" (track one) from the opera Polifemo, to Leo's "No, non vedete mai" (track eight), from Siface. The next step, as with Handel and Vivaldi, is to mount a modern production of one of these pieces -- Cencic has laid all the groundwork in introducing the repertory. A curious feature of the album is the inclusion at the end of a Harpsichord Concerto in D major, credited to Domenico Auletta. The birth and death dates given for this composer actually correspond to those of that composer's father, Pietro Auletta. Nothing about this work appears in the album notes, and it seems to have been tacked on at the end, performed by the album's conductor, Maxim Emelyanychev, whose ensemble Il Pomo d'Oro is beautifully matched to Cencic's range of skills. The concerto form seems more likely for the younger Auletta, but whoever composed the thematically expansive work, it's another unique discovery on an album with a lot of them.
© TiVo
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Polifemo (Nicola Porpora)
Nicola Porpora, Composer - Max Emanuel Cencic, Counter-Tenor, MainArtist, AssociatedPerformer - Paolo Antonio Rolli, Author - Il Pomo d'Oro, Orchestra, MainArtist - Giovanni Prosdocimi, Producer, Recording Producer - Maxim Emelyanychev, Conductor, MainArtist - Florent Ollivier, Recording Engineer, StudioPersonnel
℗ 2015 Parnassus Arts Productions
Demetrio (Leonardo Leo)
Pietro Metastasio, Author - Max Emanuel Cencic, Counter-Tenor, MainArtist, AssociatedPerformer - Leonardo Leo, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Giovanni Prosdocimi, Producer, Recording Producer - Maxim Emelyanychev, Conductor, MainArtist - Florent Ollivier, Recording Engineer, StudioPersonnel
℗ 2015 Parnassus Arts Productions
Eraclea (Leonardo Vinci)
Max Emanuel Cencic, Counter-Tenor, MainArtist, AssociatedPerformer - Leonardo Vinci, Composer - Silvio Stampiglia, Author - Il Pomo d'Oro, Orchestra, MainArtist - Giovanni Prosdocimi, Producer, Recording Producer - Maxim Emelyanychev, Conductor, MainArtist - Florent Ollivier, Recording Engineer, StudioPersonnel
℗ 2015 Parnassus Arts Productions
Il Prigioniero Fortunato (Alessandro Scarlatti)
ALESSANDRO SCARLATTI, Composer - Max Emanuel Cencic, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Orchestra, MainArtist - Giovanni Prosdocimi, Producer, Recording Producer - Francesco Maria Paglia, Author - Maxim Emelyanychev, Conductor, MainArtist - Florent Ollivier, Recording Engineer, StudioPersonnel
℗ 2015 Parnassus Arts Productions
Cambise (Alessandro Scarlatti)
ALESSANDRO SCARLATTI, Composer - Domenico Lalli, Author - Max Emanuel Cencic, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Orchestra, MainArtist - Giovanni Prosdocimi, Producer, Recording Producer - Maxim Emelyanychev, Conductor, MainArtist - Florent Ollivier, Recording Engineer, StudioPersonnel
℗ 2015 Parnassus Arts Productions
L'Olimpiade (Giovanni Battista Pergolesi)
Giovanni Battista Pergolesi, Composer - Pietro Metastasio, Author - Max Emanuel Cencic, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Orchestra, MainArtist - Giovanni Prosdocimi, Producer, Recording Producer - Maxim Emelyanychev, Conductor, MainArtist - Florent Ollivier, Recording Engineer, StudioPersonnel
℗ 2015 Parnassus Arts Productions
Scipione nelle Spagne (Leonardo Leo)
Pietro Metastasio, Author - Max Emanuel Cencic, Counter-Tenor, MainArtist, AssociatedPerformer - Leonardo Leo, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Giovanni Prosdocimi, Producer, Recording Producer - Maxim Emelyanychev, Conductor, MainArtist - Florent Ollivier, Recording Engineer, StudioPersonnel
℗ 2015 Parnassus Arts Productions
Siface (Leonardo Leo)
Pietro Metastasio, Author - Max Emanuel Cencic, Counter-Tenor, MainArtist, AssociatedPerformer - Leonardo Leo, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Giovanni Prosdocimi, Producer, Recording Producer - Maxim Emelyanychev, Conductor, MainArtist - Florent Ollivier, Recording Engineer, StudioPersonnel
℗ 2015 Parnassus Arts Productions
Il Tigrane (Alessandro Scarlatti)
ALESSANDRO SCARLATTI, Composer - Domenico Lalli, Author - Max Emanuel Cencic, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Orchestra, MainArtist - Giovanni Prosdocimi, Producer, Recording Producer - Maxim Emelyanychev, Conductor, MainArtist - Florent Ollivier, Recording Engineer, StudioPersonnel
℗ 2015 Parnassus Arts Productions
Germanico in Germania (Nicola Porpora)
Nicola Porpora, Composer - Max Emanuel Cencic, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Orchestra, MainArtist - Nicolò Coluzzi, Author - Giovanni Prosdocimi, Producer, Recording Producer - Maxim Emelyanychev, Conductor, MainArtist - Florent Ollivier, Recording Engineer, StudioPersonnel
℗ 2015 Parnassus Arts Productions
Massimo Puppieno (Alessandro Scarlatti)
ALESSANDRO SCARLATTI, Composer - Max Emanuel Cencic, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Orchestra, MainArtist - Nicolò Coluzzi, Author - Giovanni Prosdocimi, Producer, Recording Producer - Maxim Emelyanychev, Conductor, MainArtist - Florent Ollivier, Recording Engineer, StudioPersonnel
℗ 2015 Parnassus Arts Productions
Concerto in D Major for Harpsichord, Two Violins & Continuo (Domenico Auletta)
Il Pomo d'Oro, Orchestra, MainArtist - Giovanni Prosdocimi, Producer, Recording Producer - Maxim Emelyanychev, Conductor, MainArtist - Domenico Auletta, Composer - Florent Ollivier, Recording Engineer, StudioPersonnel
℗ 2015 Parnassus Arts Productions
Il Pomo d'Oro, Orchestra, MainArtist - Giovanni Prosdocimi, Producer, Recording Producer - Maxim Emelyanychev, Conductor, MainArtist - Domenico Auletta, Composer - Florent Ollivier, Recording Engineer, StudioPersonnel
℗ 2015 Parnassus Arts Productions
Il Pomo d'Oro, Orchestra, MainArtist - Giovanni Prosdocimi, Producer, Recording Producer - Maxim Emelyanychev, Conductor, MainArtist - Domenico Auletta, Composer - Florent Ollivier, Recording Engineer, StudioPersonnel
℗ 2015 Parnassus Arts Productions
Resenha do Álbum
Countertenor Max Emanuel Cencic has emerged as a new star of the specialty partly through fearless programming, and this collection of Arie Napoletane, Neapolitan arias or arias from Naples, is no exception. There really isn't a "Neapolitan school." Rather, Naples was on the musical cutting edge in the second quarter of the 18th century, and the arias here represent both a classic opera seria style, in the pieces by the massively prolific Alessandro Scarlatti, and music by the composers who pointed the way toward the melodically simpler future of Gluck and eventually Mozart, like Leonardo Leo and Leonardo Vinci. These latter are hardly household names, and Cencic, offering several recorded premieres, renders a valuable service simply by finding and choosing the deliberate and sensuous arias heard here. Moreover, the album's stylistic contrasts play to Cencic's strengths. Countertenors have their specialties, but Cencic does it all well, from big heroic pieces like Nicola Porpora's "Quel vasto, quel fiero" (track one) from the opera Polifemo, to Leo's "No, non vedete mai" (track eight), from Siface. The next step, as with Handel and Vivaldi, is to mount a modern production of one of these pieces -- Cencic has laid all the groundwork in introducing the repertory. A curious feature of the album is the inclusion at the end of a Harpsichord Concerto in D major, credited to Domenico Auletta. The birth and death dates given for this composer actually correspond to those of that composer's father, Pietro Auletta. Nothing about this work appears in the album notes, and it seems to have been tacked on at the end, performed by the album's conductor, Maxim Emelyanychev, whose ensemble Il Pomo d'Oro is beautifully matched to Cencic's range of skills. The concerto form seems more likely for the younger Auletta, but whoever composed the thematically expansive work, it's another unique discovery on an album with a lot of them.
© TiVo
Sobre o álbum
- 1 disco(s) - 14 faixa(s)
- Duração total: 01:15:30
- 1 Folheto digital
- Artistas principais: Max Emanuel Cencic Il Pomo D'oro Maxim Emelyanychev
- Compositor: Various Composers
- Gravadora: Decca Music Group Ltd.
- Género: Clássica
© 2015 Decca Music Group Limited ℗ 2015 Parnassus Arts Productions
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