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Jakub Józef Orliński|Anima Sacra (Fago, Zelenka, Hasse, Durante, Feo...)

Anima Sacra (Fago, Zelenka, Hasse, Durante, Feo...)

Jakub Józef Orliński

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The countertentor Jakub Józef Orliński emerged as a vocal phenomenon in 2017 and 2018. There were several reasons for this: he comes from Poland, which has no tradition of countertenor singing; he has charisma to burn (he is a competition-level breakdancer in his spare time); and, above all, he has a creamy tone that diverges from the muscular castrato evocations that have become the norm. With his debut solo release, Anima Sacra, he adds yet more reasons to like him. Instead of playing it safe with the usual Handel arias, he has chosen, with the help of researcher Yannis François, sacred music by a group of composers who will be mostly unfamiliar even to hardcore Baroque hounds. The album would be worth your time for these alone, even if they were sung in a pedestrian way, for they include material to which other singers will want to return as soon as possible. Those by the Taranto-born Neapolitan Nicola Fago are especially nice, and you may want to sample "Inititum sapentiae timor Comini, from the motet Confitebor tibi, Domine, to get an idea of the music and also of Orliński's way of making a single note seem exciting (try the initial vocal entrance). The sacred material also fits Orliński marvelously well. In the more operatic pieces he's clean and effective, but where he really shines is in long melodic lines in the midrange that allow the listener to luxuriate in sheer vocal beauty. There's a bit of trying to cover all the bases here: Orliński has himself pictured shirtless in a kind of shower curtain effect, but also goes for a scholarly image with the unusual material. And in some of the longer pieces the line is lost. But this will all clear up with time, and the presence of the superb historical-instrument group Il Pomo d'Oro under Maxim Emelyanychev gives you an idea of the excitement that is rightly surrounding this young countertenor.

© TiVo

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Anima Sacra (Fago, Zelenka, Hasse, Durante, Feo...)

Jakub Józef Orliński

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Il Faraone sommerso (Nicola Fago)

1
'Alla gente a Dio diletta' (World Premiere Recording)
00:04:45

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Nicola Fago, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

Confitebor Tibi Domine (World Premiere Recording) (Nicola Fago)

2
I. 'Confitebor Tibi Domine'
00:03:11

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Nicola Fago, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

3
II. 'Memoriam fecit - Escam dedit'
00:04:45

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Nicola Fago, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

4
III. 'Fidelia omnia mandata ejus'
00:02:46

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Nicola Fago, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

5
IV. 'Sanctum et terribile'
00:02:10

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Nicola Fago, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

6
V. 'Initium sapentiae timor Domini'
00:01:18

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Nicola Fago, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

7
VI. 'Intellectus bonus omnibus - Gloria'
00:01:33

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Nicola Fago, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

8
VII. 'Sicut erat in principio - Amen'
00:02:09

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Nicola Fago, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

Alma Redemptoris Mater, S. 22 (Johann David Heinichen)

9
I. 'Alma Redemptoris Mater'
00:02:56

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Johann David Heinichen, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

10
II. 'Tu quae genuisti'
00:01:05

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Johann David Heinichen, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

11
III. 'Gabrielis ab ore'
00:02:14

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Johann David Heinichen, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

Dixit Dominus in G Major (Domènec Terradellas)

12
'Donec ponam' (World Premiere Recording)
00:03:19

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Domènec Terradellas, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

'Tam non splendet sol Creatus' in F Major (World Premiere Recording) (Nicola Fago)

13
I. Aria : 'Tam non splendet sol Creatus'
00:03:37

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Nicola Fago, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

14
II. Recitativo : 'O nox clara ?'
00:00:59

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Nicola Fago, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

15
III. Aria : 'Dum infans iam dormit'
00:05:39

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Nicola Fago, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

16
IV. 'Alleluia'
00:01:52

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Nicola Fago, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

Messa a 5 voci in F Major (Domenico Sarro)

17
'Laudamus te' (World Premiere Recording)
00:03:28

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Domenico Sarro, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

Dies Irae in C Minor (Francesco Feo)

18
'Juste Judex ultionis' (World Premiere Recording)
00:01:41

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Francesco Feo, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

Gesu al Calvario, ZWV 62 (Jan Dismas Zelenka)

19
'Smanie di dolci affetti... '
00:00:43

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Jan Dismas Zelenka, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

20
'S'una sol lagrima'
00:11:05

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Jan Dismas Zelenka, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

Sanctus Petrus et Sancta Maria Magdalena (Johann Adolf Hasse)

21
'Mea tormenta, properate !'
00:06:48

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Johann Adolf Hasse, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

Maria Vergine al Calvario (Gaetano Maria Schiassi)

22
'L'agnelletta timidetta' (World Premiere Recording)
00:05:30

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Maxim Emelyanychev, Conductor - Gaetano Maria Schiassi, Composer

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

Messa a 5 voci in C Major (Francesco Durante)

23
'Domine Fili unigenite' (World Premiere Recording)
00:01:53

Jakub Józef Orliński, Counter-Tenor - Il Pomo d'Oro - Francesco Durante, Composer - Maxim Emelyanychev, Conductor

© 2018 Parlophone Records Limited, a Warner Music Group Company A Warner Classics/Erato Release, ℗ 2018 Parlophone Records Limited

Resenha do Álbum

The countertentor Jakub Józef Orliński emerged as a vocal phenomenon in 2017 and 2018. There were several reasons for this: he comes from Poland, which has no tradition of countertenor singing; he has charisma to burn (he is a competition-level breakdancer in his spare time); and, above all, he has a creamy tone that diverges from the muscular castrato evocations that have become the norm. With his debut solo release, Anima Sacra, he adds yet more reasons to like him. Instead of playing it safe with the usual Handel arias, he has chosen, with the help of researcher Yannis François, sacred music by a group of composers who will be mostly unfamiliar even to hardcore Baroque hounds. The album would be worth your time for these alone, even if they were sung in a pedestrian way, for they include material to which other singers will want to return as soon as possible. Those by the Taranto-born Neapolitan Nicola Fago are especially nice, and you may want to sample "Inititum sapentiae timor Comini, from the motet Confitebor tibi, Domine, to get an idea of the music and also of Orliński's way of making a single note seem exciting (try the initial vocal entrance). The sacred material also fits Orliński marvelously well. In the more operatic pieces he's clean and effective, but where he really shines is in long melodic lines in the midrange that allow the listener to luxuriate in sheer vocal beauty. There's a bit of trying to cover all the bases here: Orliński has himself pictured shirtless in a kind of shower curtain effect, but also goes for a scholarly image with the unusual material. And in some of the longer pieces the line is lost. But this will all clear up with time, and the presence of the superb historical-instrument group Il Pomo d'Oro under Maxim Emelyanychev gives you an idea of the excitement that is rightly surrounding this young countertenor.

© TiVo

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