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I Bassifondi|Alfabeto falso

Alfabeto falso

I Bassifondi and Simone Vallerotonda

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After the success of ‘L’ultimo romano’, his album of music for archlute from the 1718 collection of the Roman composer Giovanni Zamboni, Simone Vallerotonda presents something totally new with his Baroque ‘power trio’ I Bassifondi: ‘Alfabeto falso’. Their debut album is devoted to Italian and Spanish music for guitar and theorbo from the first half of the seventeenth century. A little-known repertory, characterised by rhythmic oddities and harmonic extravagances that challenge those of contemporary jazz. Ordinary ‘alfabeto’ (alphabet) was the system used by guitarists of the period to mark chords: each letter corresponded to a single chord. But, in the ‘false alphabet’, those letters which were marked with a slash indicated chords containing dissonances, often very bold. The trio, comprising guitar/theorbo, percussion instruments and colachon, reconstructs an ensemble typical of the seventeenth century. Breathtaking rhythms, ‘dirty’ chords, improvisations and variations: these are the colours they seek to convey in their sound. The beauty and the challenge of this disc lie precisely in providing an interpretation that respects everything notated in the score, and in the choice of arrangements and timbres. This music sounds modern and perhaps slightly provocative to us, but all of it was written around 1640! © Outhere Music

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Alfabeto falso

I Bassifondi

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1
Toccata detta l’innamorata
I Bassifondi
00:01:25

I Bassifondi, Performer - Simone Vallerotonda, Performer - Giovanni Paolo Foscarini, Composer

2017 Outhere Music France 2017 Outhere Music France

2
Gagliarda francese
I Bassifondi
00:01:26

I Bassifondi, Performer - Simone Vallerotonda, Performer - Giovanni Paolo Foscarini, Composer

2017 Outhere Music France 2017 Outhere Music France

3
Passacaglio per la O
I Bassifondi
00:02:22

I Bassifondi, Performer - Simone Vallerotonda, Performer - Giovanni Paolo Foscarini, Composer

2017 Outhere Music France 2017 Outhere Music France

4
Impro #1
Simone Vallerotonda
00:00:34

Copyright Control, MusicPublisher - Simone Vallerotonda, Composer, MainArtist

2017 Outhere Music France 2017 Outhere Music France

5
Sfessania
I Bassifondi
00:01:23

I Bassifondi, Performer - Simone Vallerotonda, Performer - Hieronimus Kapsberger, Composer

2017 Outhere Music France 2017 Outhere Music France

6
Passacaglia
I Bassifondi
00:04:52

I Bassifondi, Performer - Simone Vallerotonda, Performer - Hieronimus Kapsberger, Composer

2017 Outhere Music France 2017 Outhere Music France

7
Scaramanzie
I Bassifondi
00:02:21

I Bassifondi, Performer - Simone Vallerotonda, Performer - Antonio Carbonchi, Composer

2017 Outhere Music France 2017 Outhere Music France

8
Folias Gallegas
I Bassifondi
00:02:32

I Bassifondi, Performer - Simone Vallerotonda, Performer - Santiago de Murcia, Composer

2017 Outhere Music France 2017 Outhere Music France

9
Capona
I Bassifondi
00:02:33

I Bassifondi, Performer - Simone Vallerotonda, Performer - Ferdinando Valdambrini, Composer

2017 Outhere Music France 2017 Outhere Music France

10
Toccata cromatica
Simone Vallerotonda
00:03:15

Simone Vallerotonda, Performer - Alessandro Piccinini, Composer

2017 Outhere Music France 2017 Outhere Music France

11
Impro #2
Josep María Martí Duran
00:00:54

Copyright Control, MusicPublisher - Josep María Martí Duran, Composer, MainArtist

2017 Outhere Music France 2017 Outhere Music France

12
Partite sopra l'aria francese detta l’alemanna
I Bassifondi
00:01:32

I Bassifondi, Performer - Simone Vallerotonda, Performer - Alessandro Piccinini, Composer

2017 Outhere Music France 2017 Outhere Music France

13
Corrente VI sopra l’alemanna
I Bassifondi
00:01:21

I Bassifondi, Performer - Simone Vallerotonda, Performer - Alessandro Piccinini, Composer

2017 Outhere Music France 2017 Outhere Music France

14
Impro #3
Simone Vallerotonda
00:00:19

Copyright Control, MusicPublisher - Simone Vallerotonda, Composer, MainArtist

2017 Outhere Music France 2017 Outhere Music France

15
Cumbées
I Bassifondi
00:02:07

I Bassifondi, Performer - Simone Vallerotonda, Performer - Santiago de Murcia, Composer

2017 Outhere Music France 2017 Outhere Music France

16
Passacaglia per la D
I Bassifondi
00:03:06

I Bassifondi, Performer - Simone Vallerotonda, Performer - Angelo Michele Bartolotti, Composer

2017 Outhere Music France 2017 Outhere Music France

17
Passacaglia per la X
Simone Vallerotonda
00:02:46

Simone Vallerotonda, Performer - Francesco Corbetta, Composer

2017 Outhere Music France 2017 Outhere Music France

18
Kapsberger
I Bassifondi
00:02:19

I Bassifondi, Performer - Simone Vallerotonda, Performer - Hieronimus Kapsberger, Composer

2017 Outhere Music France 2017 Outhere Music France

19
Corrente VII
I Bassifondi
00:01:04

I Bassifondi, Performer - Simone Vallerotonda, Performer - Hieronimus Kapsberger, Composer

2017 Outhere Music France 2017 Outhere Music France

20
Aria di Firenze
I Bassifondi
00:01:57

I Bassifondi, Performer - Simone Vallerotonda, Performer - Giovanni Paolo Foscarini, Composer

2017 Outhere Music France 2017 Outhere Music France

21
Colascione
I Bassifondi
00:03:33

I Bassifondi, Performer - Simone Vallerotonda, Performer - Hieronimus Kapsberger, Composer

2017 Outhere Music France 2017 Outhere Music France

22
Los Impossibles
I Bassifondi
00:03:32

I Bassifondi, Performer - Simone Vallerotonda, Performer - Santiago de Murcia, Composer

2017 Outhere Music France 2017 Outhere Music France

23
Impro #4
I Bassifondi
00:02:39

I Bassifondi, Composer, Performer - Simone Vallerotonda, Composer, Performer

2017 Outhere Music France 2017 Outhere Music France

Resenha do Álbum

After the success of ‘L’ultimo romano’, his album of music for archlute from the 1718 collection of the Roman composer Giovanni Zamboni, Simone Vallerotonda presents something totally new with his Baroque ‘power trio’ I Bassifondi: ‘Alfabeto falso’. Their debut album is devoted to Italian and Spanish music for guitar and theorbo from the first half of the seventeenth century. A little-known repertory, characterised by rhythmic oddities and harmonic extravagances that challenge those of contemporary jazz. Ordinary ‘alfabeto’ (alphabet) was the system used by guitarists of the period to mark chords: each letter corresponded to a single chord. But, in the ‘false alphabet’, those letters which were marked with a slash indicated chords containing dissonances, often very bold. The trio, comprising guitar/theorbo, percussion instruments and colachon, reconstructs an ensemble typical of the seventeenth century. Breathtaking rhythms, ‘dirty’ chords, improvisations and variations: these are the colours they seek to convey in their sound. The beauty and the challenge of this disc lie precisely in providing an interpretation that respects everything notated in the score, and in the choice of arrangements and timbres. This music sounds modern and perhaps slightly provocative to us, but all of it was written around 1640! © Outhere Music

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