Categorias:
Carrinho de compras 0

Serviço indisponível no momento.

Alex Chilton|A Man Called Destruction  (Deluxe Version)

A Man Called Destruction (Deluxe Version)

Alex Chilton

Folheto digital

Disponível em
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escute agora este álbum em alta qualidade nos nossos aplicativos

Iniciar meu período de teste e começar a escutar este álbum

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Assinar

Curta este álbum nos aplicativos Qobuz com a sua assinatura

When Alex Chilton re-emerged as a recording artist in the mid-'80s, he seemed perversely proud to upend his audience's expectations, delivering scruffy but emphatic R&B-influenced material rather than the visionary pop music he created in Big Star. In many respects, 1995's A Man Called Destruction found Chilton following the same path as he did on Feudalist Tarts and High Priest with its no-frills production, live-in-the-studio attack, and set list that mixed idiosyncratic covers with quirky original tunes. But while his '80s work often sounded like the work of a man who was getting back on his feet as a musician, A Man Called Destruction is thoroughly confident, the work of a man indulging his stylistic eccentricities and having a splendid time doing it. Chilton cut A Man Called Destruction at his old Memphis stomping grounds, Ardent Studios, with a band made up of old studio hands and frequent collaborators, and with Alex at the helm they generate a great sense of groove, loosely tight in the great Southern manner rather than shambolic like Like Flies on Sherbert. Chilton's gutsy guitar playing is at the center of the arrangements, and his picking is angular but expressive, generating potent kicks at every turn. For the most part, the covers here outshine Chilton's originals, especially a raucous take on Chris Kenner's "Sick and Tired," a playful version of the Jan & Dean chestnut "The New Girl in School" (co-written by Brian Wilson), and the charmingly cheesy soul workout "What's Your Sign Girl." But the instrumental "Boplexity" generates the album's most exciting performance, with Charles Hodges delivering a wild organ solo as he squares off against Chilton's guitar, and the rollicking "You're Lookin' Good" and "Don't Stop" make it clear Alex always knew how to rock. A Man Called Destruction proved to be one of Chilton's final solo efforts, and it's a shame he didn't try this again -- by this time, he was slowly but surely turning jamming in the studio into some sort of an ragged-but-right art form.

© Mark Deming /TiVo

Mais informações

A Man Called Destruction (Deluxe Version)

Alex Chilton

launch qobuz app Já baixei o Qobuz para Windows / MacOS Abrir

download qobuz app Ainda não baixei o Qobuz para Windows / MacOS Baixar o aplicativo Qobuz

Você está escutando amostras.

Escute mais de 100 milhões de músicas com um plano de streaming ilimitado.

Escute esta playlist e mais de 100 milhões de músicas com os nossos planos de streaming ilimitado.

A partir de R$ 21,60/mês

1
Sick And Tired
00:03:07

Alex Chilton, MainArtist - Chris Kenner, Composer

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1995 Ardent Music LLC., under license to Omnivore Recordings

2
Devil Girl
00:02:58

Alex Chilton, Composer, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1995 Ardent Music LLC., under license to Omnivore Recordings

3
Lies
00:04:02

Alex Chilton, MainArtist - Keith Keller, Composer

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1995 Ardent Music LLC., under license to Omnivore Recordings

4
It's Your Funeral
00:01:33

Alex Chilton, Writer, MainArtist - Jim Spaker, Writer

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1995 Ardent Music LLC., under license to Omnivore Recordings

5
What's Your Sign Girl
00:04:39

Alex Chilton, MainArtist - Anthony Sepe, Composer - Daniel Pearson, Composer

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1995 Ardent Music LLC., under license to Omnivore Recordings

6
Il Ribelle
00:02:16

Alex Chilton, MainArtist - Adriano Celantano, Composer

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1995 Ardent Music LLC., under license to Omnivore Recordings

7
You Don't Have To Go
00:04:29

Jimmy Reed, Composer - Alex Chilton, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1995 Ardent Music LLC., under license to Omnivore Recordings

8
Boplexity
00:03:00

Alex Chilton, Composer, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1995 Ardent Music LLC., under license to Omnivore Recordings

9
New Girl In School
00:02:12

Brian Wilson, Writer - Alex Chilton, MainArtist - Roger Christian, Writer - Jan Berry, Writer - BOB NORMAN, Writer

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1995 Ardent Music LLC., under license to Omnivore Recordings

10
You're Lookin' Good
00:02:58

Alex Chilton, Composer, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1995 Ardent Music LLC., under license to Omnivore Recordings

11
Don't Know Anymore
00:03:32

Alex Chilton, Composer, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1995 Ardent Music LLC., under license to Omnivore Recordings

12
Don't Stop
00:02:50

Alex Chilton, Composer, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 1995 Ardent Music LLC., under license to Omnivore Recordings

13
Devil Girl (Double Track Vocal)
00:02:57

Alex Chilton, Composer, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 Ardent Music LLC., under license to Omnivore Recordings

14
Don't Know Anymore (Rough Mix)
00:03:53

Alex Chilton, Composer, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 Ardent Music LLC., under license to Omnivore Recordings

15
Give It To Me Baby (Take 3)
00:02:56

Alex Chilton, Composer, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 Ardent Music LLC., under license to Omnivore Recordings

16
You're My Favorite
00:03:57

Alex Chilton, Composer, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 Ardent Music LLC., under license to Omnivore Recordings

17
But I Do
00:03:43

Alex Chilton, MainArtist - Robert Guidry, Writer - Paul Gayton, Writer

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 Ardent Music LLC., under license to Omnivore Recordings

18
Please Pass Me My Walkin' Shoes
00:02:42

Alex Chilton, Composer, MainArtist

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 Ardent Music LLC., under license to Omnivore Recordings

19
Why Should I Care/It's Your Funeral
00:03:58

Alex Chilton, Writer, MainArtist - John Addison, Writer - Jim Spake, Writer

© 2017 Omnivore Recordings, a division of Omnivore Entertainment Group ℗ 2017 Ardent Music LLC., under license to Omnivore Recordings

Resenha do Álbum

When Alex Chilton re-emerged as a recording artist in the mid-'80s, he seemed perversely proud to upend his audience's expectations, delivering scruffy but emphatic R&B-influenced material rather than the visionary pop music he created in Big Star. In many respects, 1995's A Man Called Destruction found Chilton following the same path as he did on Feudalist Tarts and High Priest with its no-frills production, live-in-the-studio attack, and set list that mixed idiosyncratic covers with quirky original tunes. But while his '80s work often sounded like the work of a man who was getting back on his feet as a musician, A Man Called Destruction is thoroughly confident, the work of a man indulging his stylistic eccentricities and having a splendid time doing it. Chilton cut A Man Called Destruction at his old Memphis stomping grounds, Ardent Studios, with a band made up of old studio hands and frequent collaborators, and with Alex at the helm they generate a great sense of groove, loosely tight in the great Southern manner rather than shambolic like Like Flies on Sherbert. Chilton's gutsy guitar playing is at the center of the arrangements, and his picking is angular but expressive, generating potent kicks at every turn. For the most part, the covers here outshine Chilton's originals, especially a raucous take on Chris Kenner's "Sick and Tired," a playful version of the Jan & Dean chestnut "The New Girl in School" (co-written by Brian Wilson), and the charmingly cheesy soul workout "What's Your Sign Girl." But the instrumental "Boplexity" generates the album's most exciting performance, with Charles Hodges delivering a wild organ solo as he squares off against Chilton's guitar, and the rollicking "You're Lookin' Good" and "Don't Stop" make it clear Alex always knew how to rock. A Man Called Destruction proved to be one of Chilton's final solo efforts, and it's a shame he didn't try this again -- by this time, he was slowly but surely turning jamming in the studio into some sort of an ragged-but-right art form.

© Mark Deming /TiVo

Sobre o álbum

Melhorar as informações do álbum
Mais sobre o Qobuz
Por Alex Chilton

Stuff

Alex Chilton

Stuff Alex Chilton

My Rival

Alex Chilton

My Rival Alex Chilton

Cubist Blues

Alex Chilton

Cubist Blues Alex Chilton

Like Flies On Sherbert

Alex Chilton

Like Flies On Sherbert Alex Chilton

Feudalist Tarts [Expanded]

Alex Chilton

Você também pode gostar...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

All Born Screaming

St. Vincent

All Born Screaming St. Vincent

In Times New Roman...

Queens Of The Stone Age

In Times New Roman... Queens Of The Stone Age

OK Computer OKNOTOK 1997 2017

Radiohead

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish