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Electronic - Verschenen op 10 juli 2020 | Virgin Music UK

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Alternative en Indie - Verschenen op 9 maart 2020 | Virgin Music UK

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Alternative en Indie - Verschenen op 20 december 2019 | Virgin Music UK

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Alternative en Indie - Verschenen op 16 oktober 2019 | Virgin Music UK

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Rock - Verschenen op 28 juni 2019 | Virgin Music UK

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Alternative en Indie - Verschenen op 28 juni 2019 | Virgin Music UK

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Rock - Verschenen op 24 mei 2019 | Virgin Music UK

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Rock - Verschenen op 17 mei 2019 | Virgin Music UK

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Alternative en Indie - Verschenen op 16 mei 2019 | Virgin Music UK

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Alternative en Indie - Verschenen op 30 november 2018 | Virgin Music UK

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Rock - Verschenen op 19 oktober 2018 | Virgin Music UK

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Alternative en Indie - Verschenen op 28 september 2018 | Virgin Music UK

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Alternative en Indie - Verschenen op 31 augustus 2018 | Virgin Music UK

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For ten years, Sophie Hunger has been making enchanting folk music. A woman with hybrid tastes, the Swiss musician sometimes even steps out into jazz, when she isn't touring pop or rock. Today, her curiosity is taking her even further afield, with this album, written in Berlin and full of electro sounds. Molecules is a pleasing work that opens strongly with a politically-conscious track: She Makes The President. Given that she wrote the soundtrack to My Life as a Zucchini, this number sounds like it comes straight from an American blockbuster. And with good reason! Written before the election of Donald Trump, Sophie Hunger is imagining the victory of a badass woman in the Presidential race. A prog beat, a minimalist, catchy chorus, and subsequent political developments give the album greater weight. Then the film plunges ahead, each scene more surprising than the last. A double agent on acoustic guitar (Silver Lane), a chase scene with phantom beats (Tricks), African rhythms (I Open A Bar) and a romantic Franglais finale (Coucou). Sophie Hunger's music makes for living tableaux that swarm with details. This is a record halfway between work of art and scientific experiment. © Clara Bismuth/Qobuz
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Alternative en Indie - Verschenen op 31 augustus 2018 | Virgin Music UK

For ten years, Sophie Hunger has been making enchanting folk music. A woman with hybrid tastes, the Swiss musician sometimes even steps out into jazz, when she isn't touring pop or rock. Today, her curiosity is taking her even further afield, with this album, written in Berlin and full of electro sounds. Molecules is a pleasing work that opens strongly with a politically-conscious track: She Makes The President. Given that she wrote the soundtrack to My Life as a Zucchini, this number sounds like it comes straight from an American blockbuster. And with good reason! Written before the election of Donald Trump, Sophie Hunger is imagining the victory of a badass woman in the Presidential race. A prog beat, a minimalist, catchy chorus, and subsequent political developments give the album greater weight. Then the film plunges ahead, each scene more surprising than the last. A double agent on acoustic guitar (Silver Lane), a chase scene with phantom beats (Tricks), African rhythms (I Open A Bar) and a romantic Franglais finale (Coucou). Sophie Hunger's music makes for living tableaux that swarm with details. This is a record halfway between work of art and scientific experiment. © Clara Bismuth/Qobuz
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Electronic - Verschenen op 27 juli 2018 | Virgin Music UK

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Electronic - Verschenen op 6 juli 2018 | Virgin Music UK

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Electronic - Verschenen op 6 juli 2018 | Virgin Music UK

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Alternative en Indie - Verschenen op 8 juni 2018 | Virgin Music UK

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Electronic - Verschenen op 1 juni 2018 | Virgin Music UK

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Alternative en Indie - Verschenen op 4 mei 2018 | Virgin Music UK

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The former leader of Supergrass, Gareth Michael Coombes a.k.a. Gaz Coombes, went back into hibernation in his Oxford studio to record his third solo album, in co-production with Ian Davenport, with whom he had already collaborated on Matador. Following his half-melancholic half-psychedelic pop exaltations cradled between Goat and Radiohead, World’s Strongest Man features eleven tracks of lavish yet nebulous orchestration (Wounded Egos, Weird Dreams), even strange at times (The Oaks). On Oxygen Mask, Gaz Coombes reminds us he can also produce a classy, minimalist ballad. Relying on an emasculated lyricism close to Cascadeur’s or Woodkid’s, where galloping rhythms jolt into other loops, Gaz Coombes continues his formidable solo breakthrough. And deals with his anxieties and chronic depression. While at first hard to apprehend, the opus reveals his richness over multiple listens. Complex and radiant. © Charlotte Saintoin/Qobuz