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Klassiek - Verschijnt op 21 februari 2020 | Signum Records

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Kamermuziek - Verschijnt op 14 februari 2020 | Signum Records

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Klassiek - Verschijnt op 31 januari 2020 | Signum Records

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Kamermuziek - Verschijnt op 24 januari 2020 | Signum Records

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Klassiek - Verschijnt op 8 januari 2020 | Signum Records

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Klassiek - Verschenen op 4 december 2019 | Signum Records

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Klassiek - Verschenen op 15 november 2019 | Signum Records

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Kamermuziek - Verschenen op 1 november 2019 | Signum Records

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Kamermuziek - Verschenen op 30 oktober 2019 | Signum Records

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Klassiek - Verschenen op 25 oktober 2019 | Signum Records

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Klassiek - Verschenen op 25 oktober 2019 | Signum Records

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Klassiek - Verschenen op 25 oktober 2019 | Signum Records

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Klassiek - Verschenen op 23 oktober 2019 | Signum Records

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Kamermuziek - Verschenen op 23 oktober 2019 | Signum Records

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Klassiek - Verschenen op 21 oktober 2019 | Signum Records

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Opera - Verschenen op 16 oktober 2019 | Signum Records

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Kamermuziek - Verschenen op 11 oktober 2019 | Signum Records

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Born in Weimar, Carl Philipp Emanuel (1714-88) was the fifth child and second surviving son of JS Bach and his first wife Maria Barbara. By his own account he had no other teacher for composition and keyboard except his father. Nevertheless, the majority of Emanuel’s earliest works owe more to the influence of Telemann and other exponents of the new galant style, while already suggesting his own progressive instinct. At the age of twenty-four, after seven years studying law, Emanuel decided to devote himself to music. In 1738 he accepted the position of keyboard player at the court of the Prussian crown prince – the future Frederick the Great. After nearly thirty years of royal service he left Berlin and moved to Hamburg, where he occupied the positions of Music Director and Cantor until his death. © Signum Records
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Opera - Verschenen op 11 oktober 2019 | Signum Records

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Kamermuziek - Verschenen op 9 oktober 2019 | Signum Records

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