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Klassiek - Verschijnt op 22 oktober 2021 | naïve

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Pop - Verschijnt op 22 oktober 2021 | naïve

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Klassiek - Verschenen op 24 september 2021 | naïve

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Klassiek - Verschenen op 24 september 2021 | naïve

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Pop - Verschenen op 14 september 2021 | naïve

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Klassiek - Verschenen op 10 september 2021 | naïve

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Jazz - Verschenen op 30 juli 2021 | naïve

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Pop - Verschenen op 16 juni 2021 | naïve

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Pop - Verschenen op 19 mei 2021 | naïve

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Wereldmuziek - Verschenen op 30 april 2021 | naïve

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Noa, an iconic Israeli singer of Yemeni heritage, opens up the "American Songbook", digs out some great jazz standards and then pastes in a few pages of her own. We get This Masquerade by Leon Russell, and also some personal creations in a jazzy vein (Eyes of Rain, Waltz for Neta). This project was born in the midst of the global lockdown, which kept people isolated, and inspired many to return to their fundamental values. The singer and her musical partner of 30 years, guitarist and arranger Gil Dor, found themselves working together on a collection of songs which had made profound impressions on them. The album starts with an intimate performance of the legendary My Funny Valentine by Rodgers and Hart. These two legendary songwriters are soon joined by Cole Porter (Anything Goes and Every Time We Say Goodbye, an obvious choice to close out the album) as well as the composers Jimmy Van Heusen (But Beautiful, Darn That Dream) and Billy Strayhorn (Lush Life). These masterpieces from the 30s and 40s sit alongside Something Coming which Leonard Bernstein wrote for West Side Story in the early 60s; and a composition by Pat Metheny named Calling Home, with added lyrics by Noa. Gil Dor also arranges a musical setting of some verses by the Israeli poet Leah Goldberg. Goldberg is a source of inspiration for the duo on Oh Lord, on which the singer gets an opportunity to do some scatting. The Afterallogy project enjoys judicious, no-frills production, and it is intended to be adapted by bands of varying size. The pair plan to follow it up with a release which draws more heavily on rock'n'roll. © Benjamin MiNiMuM/Qobuz
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Jazz - Verschenen op 16 april 2021 | naïve

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Wereldmuziek - Verschenen op 19 maart 2021 | naïve

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Jazz - Verschenen op 5 maart 2021 | naïve

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Latijns-Amerika - Verschenen op 3 maart 2021 | naïve

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Pop - Verschenen op 23 februari 2021 | naïve

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Wereldmuziek - Verschenen op 12 februari 2021 | naïve

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Wereldmuziek - Verschenen op 18 december 2020 | naïve

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Wereldmuziek - Verschenen op 18 december 2020 | naïve

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Jazz - Verschenen op 4 december 2020 | naïve

As he celebrates his 50th birthday, Avishai Cohen takes a look back. Spotted in the early 90s by pianist Chick Corea who would make him an essential member of his bands Origin and Chick Corea New Trio, the Israeli double bass player quickly offered a glimpse of the originality of his style and the eclecticism of his work. Before long, his fans were legion. And they are the creators of this 50 Gold Collection. In a 2019 poll, they voted for their favourite tracks, and the winners are gathered here. And so we travel from 1998 to 2019 in Avishai Cohen's protean universe, worked together with the most daring mixtures and the most original fusions. Whether the bassist is playing in a duet, a trio, with a string quartet or in a flamenco setting, he is always speaking the same language. That is, the language of a certain jazz tradition, influenced by oriental and Mediterranean music. And as we slalom through the highlights of his albums Seven Seas, From Darkness, Gently Disturbed, Aurora, Continuo or Arvoles, a strong work emerges which is unlike any other. © Clotilde Maréchal/Qobuz
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Jazz - Verschenen op 4 december 2020 | naïve

As he celebrates his 50th birthday, Avishai Cohen takes a look back. Spotted in the early 90s by pianist Chick Corea who would make him an essential member of his bands Origin and Chick Corea New Trio, the Israeli double bass player quickly offered a glimpse of the originality of his style and the eclecticism of his work. Before long, his fans were legion. And they are the creators of this 50 Gold Collection. In a 2019 poll, they voted for their favourite tracks, and the winners are gathered here. And so we travel from 1998 to 2019 in Avishai Cohen's protean universe, worked together with the most daring mixtures and the most original fusions. Whether the bassist is playing in a duet, a trio, with a string quartet or in a flamenco setting, he is always speaking the same language. That is, the language of a certain jazz tradition, influenced by oriental and Mediterranean music. And as we slalom through the highlights of his albums Seven Seas, From Darkness, Gently Disturbed, Aurora, Continuo or Arvoles, a strong work emerges which is unlike any other. Note that on this Commented Version, Avishai explains the origins of some tracks. © Clotilde Maréchal/Qobuz