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Klassiek - Verschijnt op 25 september 2020 | La Dolce Volta

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Klassiek - Verschenen op 24 april 2020 | La Dolce Volta

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At just 25 years of age, pianist Théo Fouchenneret boldly presents a Beethoven programme of extreme variety with the "Waldstein" Sonata, No. 21, which, with its massive textures and dynamic contrasts, seems to want to rival the sound of the orchestra, whereas No. 29, "Hammerklavier", is marked by its savage onslaughts. In these works which pianists generally tackle very late in their career, Théo Fouchenneret displays astonishing authority. The power of his playing, full-toned and intense, invites us into a genuine, marvellously expressive interpretation with an astonishing range of timbres. © La Dolce Volta
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Klassiek - Verschenen op 17 april 2020 | La Dolce Volta

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Three large-scale works for viola and orchestra feature on the new recording by violist Adrien La Marca with the Liège Royal Philharmonic. Musically, a programme must tell a story: here the viola becomes the central hero of each work, in an almost cinematographic adventure. A hero who roams from the heart of Russian ballet music with Prokofiev’s Romeo and Juliet, through the lyricism of interwar English music with Walton’s Viola Concerto, to music of today by the Belgian composer Gwenaël Mario Grisi, whose On the Reel is literally ‘scripted’, written directly from analysis of film scenarios. Epic sweep, passions, contrasts . . . Everything you might expect from a great adventure movie is there in this music. Moments of powerful lyricism, love and tenderness, inner struggles, combats or doubts. © La Dolce Volta
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Piano solo - Verschenen op 27 maart 2020 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Klassiek - Verschenen op 10 maart 2020 | La Dolce Volta

Hi-Res Booklet
Medtner, Rachmaninoff and Scriabin. Three prodigious personalities of Slavonic culture whose works followed very different paths. Nevertheless, from the very first bars of the scores recorded here, there is no doubt that this is Russian music . . . After attracting attention as one of the finalists at the 2015 Chopin Competition, Dmitry Shishkin took First Prize at the 2018 Geneva Competition, then Second Prize at the Tchaikovsky Competition in 2019. This twenty-seven-year-old Russian comes from the Urals, like Nureyev, whose elegance and inner fire he shares. © La Dolce Volta
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Piano solo - Verschenen op 17 januari 2020 | La Dolce Volta

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama
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Trio´s - Verschenen op 29 november 2019 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Choc de Classica
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Duo´s - Verschenen op 25 oktober 2019 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Piano solo - Verschenen op 27 september 2019 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason
Michel Dalberto has had a unique career journey. An expert of French repertoire, exemplified with his tetralogy published on Aparté (Debussy, Fauré, Franck and Ravel), he also recorded the somewhat neglected first sonatas by Beethoven in a compilation published by Erato in the 1980s. However, he thereafter dedicated himself mainly to Schubert, saving the Appassionata, Moonlight and Opus 111 for later. This album signals the end of the wait for these iconic pieces in the year of an important anniversary for Beethoven, presenting them to the listener in chronological order. From the Pathétique to Sonata n°32, op. 111, Michel Dalberto seems determined to portray Beethoven as a classical and not a pre-romantic composer, as the musical history books are often known to do. There is a real emphasis on the thematic and motivic logic of the music here. Thus the deliberately slow tempo of the Allegretto of the Sonata n°14, op. 27 manages to deconstruct the score without totally stripping it of its substance. It’s followed by the Presto Agitato, a delirious sprint with devilish articulation which is divinely transparent despite the apprehension in the highs and lows. The formidable changes in register in Beethoven’s opus are interwoven seamlessly thanks to the narrative genius of the performer (Schubert’s influence is not too far away). Indeed, Opus 111’s first movement is remarkable. The Steinway is expectedly robust, cutting even, as the pianist creates moments of orchestral sonority and weightless playing. A result which leaves the listener awestruck. © Elsa Siffert/Qobuz
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Piano solo - Verschenen op 20 september 2019 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason
For his second album for the French label La Dolce Volta, following the magnificent “Album d'un voyageur” where he led us on a magnificent journey through Europe, travelling from Spain to Poland and exploring everything from the popular rhythms of Paul Ladmirault (Variations sur des airs de biniou) to Szymanowski’s Danses, here Florian Noack returns to Russian music - something which he has loved since his adolescence. Prokofiev has been haunting him since that age, when he watched the television broadcasts of the Queen Elisabeth Competition in 2003 and saw Prokofiev’s Second Concerto being performed by Severin von Eckardstein (who would later go on to win First Prize), marking a historic date in the history of the competition. With this new recording, Florian Noack composes a programme that alternates between relatively rare works (Tales of an old grandmother, Quatre Études, Op. 2) and more famous scores, in this case two absolute masterpieces of Prokofiev’s piano work. Composed between 1915 and 1917, the Visions fugitives form a catalogue of twenty short piano pieces inspired by the symbolist poet Constantin Balmont. The Belgian pianist’s interpretation is more tender and dreamy rather than sarcastic (Raekallio, Ondine 1989), worried (Gourari, ECM 2014, with her melancholic poignancy) or fierce (Mustonen, Decca). He concludes his recital with Piano Sonata No. 6, Op. 82, the first of the “war sonatas”, giving a performance with moderate but nevertheless firm contrasts. © Pierre- Yves Lascar/Qobuz
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Klassiek - Verschenen op 22 maart 2019 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice
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Kamermuziek - Verschenen op 15 maart 2019 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 22 februari 2019 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
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Kinderen - Verschenen op 22 november 2018 | La Dolce Volta

Hi-Res Booklet
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Piano solo - Verschenen op 26 oktober 2018 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 étoiles de Classica
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Concerten voor cello - Verschenen op 5 oktober 2018 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 28 september 2018 | La Dolce Volta

Hi-Res Booklet
HI-RES€ 23,09
CD€ 16,49

Klassiek - Verschenen op 28 september 2018 | La Dolce Volta

Hi-Res Booklet
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Klassiek - Verschenen op 21 september 2018 | La Dolce Volta

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Klassiek - Verschenen op 14 september 2018 | La Dolce Volta

Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Grand Prix de l'Académie Charles Cros - Choc de Classica