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Klassiek - Verschijnt op 25 oktober 2019 | harmonia mundi

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Klassiek - Verschijnt op 25 oktober 2019 | harmonia mundi

Hi-Res Booklet
HI-RES€ 17,49
CD€ 12,49

Klassiek - Verschijnt op 25 oktober 2019 | harmonia mundi

Hi-Res Booklet
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Klassiek - Verschijnt op 25 oktober 2019 | harmonia mundi

Hi-Res Booklet
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Klassiek - Verschijnt op 18 oktober 2019 | harmonia mundi

Hi-Res Booklet
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Klassiek - Verschijnt op 18 oktober 2019 | harmonia mundi

Hi-Res Booklet
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Klassiek - Verschenen op 27 september 2019 | harmonia mundi

Hi-Res Booklet
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Klassiek - Verschenen op 27 september 2019 | harmonia mundi

Hi-Res Booklet
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Klassiek - Verschenen op 20 september 2019 | harmonia mundi

Hi-Res Booklet
The two splendid works on this album resulted from Manuel de Falla's encounter with the husband-and-wife team of dramatists Martínez Sierra-Lejárraga: El amor brujo, whose eminently ‘gypsy’ inspiration takes us to the very heart of the flamenco repertory, here magnificently embodied under the direction of maestro Pablo Heras-Casado; and the brilliant pantomime El sombrero de tres picos, for which Picasso designed the sets and costumes – exactly 100 years ago! © harmonia mundi
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Klassiek - Verschenen op 20 september 2019 | harmonia mundi

Hi-Res Booklet
Alternating between transcendentally inspired secular music and sacred music embodied in theatrical fashion, Geoffroy Jourdain invites us to explore the multiple expressions of human passions: this new adventure of Les Cris de Paris, built around several settings of the ‘Crucifixus’ (including Lotti’s extraordinarily intense versions), urges us to follow a bold Via Dolorosa to the very heart of Venetian Baroque music. © harmonia mundi
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Klassiek - Verschenen op 13 september 2019 | harmonia mundi

Hi-Res Booklet
The United States of America, a promised land? "Free America!" celebrates the ideas and hopes which preoccupied the young American Republic in the years 1770-1860: the need for freedom of assembly, a willingness to rebel and go into battle fully aware of the cost, but above all, a desire for a new harmony whose songs, hymn tunes, and marches accompany the long journey to a new “promised land.” A powerful message, informing the first collaboration between harmonia mundi and Anne Azéma, now leading the Boston Camerata. © harmonia mundi
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Klassiek - Verschenen op 6 september 2019 | harmonia mundi

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Klassiek - Verschenen op 6 september 2019 | harmonia mundi

Hi-Res Booklet
Brahms’s Requiem, completed in 1868, draws on the legacy of his forerunners, Heinrich Schütz and Johann Sebastian Bach. In setting texts from the German Bible, it deliberately departs from the models of the Catholic liturgy and imposes a sorrowing yet consolatory meditation on death and the Last Judgment, in the manner of a poignant and grandiose cradle song for the dead. © harmonia mundi
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Operafragmenten - Verschenen op 30 augustus 2019 | harmonia mundi

Hi-Res Booklets Onderscheidingen Choc de Classica
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Klassiek - Verschenen op 30 augustus 2019 | harmonia mundi

Hi-Res Booklet
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Jazz - Verschenen op 30 augustus 2019 | harmonia mundi

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Klassiek - Verschenen op 23 augustus 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama
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Klassiek - Verschenen op 19 juli 2019 | harmonia mundi

Booklet

Klassiek - Verschenen op 12 juli 2019 | harmonia mundi

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Opera - Verschenen op 24 mei 2019 | harmonia mundi

Hi-Res Booklet
A great admirer of the brilliant painter Francisco de Goya, who he saw as one of the most worthy representatives of the Spanish identity, Enrique Granadas composed a cycle of piano pieces in 1911, the Goyescas, in tribute to the Madrid painter. “I am enamored with the psychology of Goya,” writes Granados, “with his palette, with him, with his muse the Duchess of Alba… That whitish pink of the cheeks, contrasting with the blend of black velvet; those subterranean creatures, hands of mother-of-pearl and jasmine resting on jet trinkets, have possessed me.”Granados composed this short opera at the request of the Paris Opera, based on his own piano pieces, which he then orchestrated and expanded. The First World War jeopardized the project, and it was finally the Metropolitan Opera of New York that, with the approval of the Paris Opera, saw the creation of this rich opera in 1916, with elegant and refined writing. There is no trace of Andalusian or Arab-Andalusian music, but rather an inspiration from the culture and music of Madrid in the Goya era, between the end of the 18th and the beginning of the 19th century. Granados develops a popular style by revitalizing historical models.Recorded live at a concert at the Barbican Center in London in January 2018, under the direction of Josep Pons, to whom we owe so many remarkable recordings of Spanish music, this pleasant opera benefits from an Iberian cast and an English orchestra, that of the BBC. Once again, the versatility of London's bands is to be applauded, as they are able to adapt to all styles with ease and virtuosity. © François Hudry/Qobuz