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Klassiek - Verschenen op 24 april 2020 | Evidence

Hi-Res Booklet
For their new recording, Ensemble Gilles Binchois seizes Claude Le Jeune’s Le Printemps, a collection of airs and chansons of the 16th century. Its modernity and refinement make this piece one of the masterworks of the century. Blending airs, ballades and chansons, Claude Le Jeune builds a colorful fresco and demonstrates the extent of his musical skills. Ensemble Gilles Binchois echoes to that ability, whether the musicians sing in two, four or six parts: with this performance, we can see blooming in front of us the incredible music of Claude Le Jeune in all its splendour. © Evidence
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Klassiek - Verschenen op 10 april 2020 | Evidence

Hi-Res Booklet
"The Blue Hour" is the moment between the end of the night and the daybreak, when one can see it appear before it has risen: this little breach through time allow us to foresee. Marianne Piketty and the Concert Idéal gather several works written by visionary composers: the mystical chants of Hildegard von Bingen, known for having experienced visions and Hartmann’s Concerto Funebre which announces the horrors of the nazis. Philippe Hersant and Dmitri Shostakovich complement the programme as their works echoes to these musical visions. After the success of "Le Fil d’Ariane", Marianne Piketty and Le Concert Idéal continue their exploration of time as they unite these works overthe ages, for a prophetic recording. © Evidence
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Kamermuziek - Verschenen op 6 maart 2020 | Evidence

Hi-Res Booklet
Even from their album cover in which the two musicians are running through the ferns, it’s evident that violinist Fanny Robilliard and pianist Paloma Kouider are a charming duo. The image, which is perhaps anecdotal, is conjured up at the beginning of their latest album when listening to “Mid leidenschaflichem Ausdruck” (With passionate expression). It runs through the entire initial movement of Robert Schumann’s First Sonata for Violin and Piano, premiered by Ferdinand David and Clara on the piano during a celebratory “Schumann Week” in Leipzig, in 1852. This uplifting album has been designed and dedicated entirely to the love and friendship that united the Schumann couple and the young Brahms. It also features the work of Albert Dietrich, the third member of this trio of composers who composed the F-A-E Sonata but who is often forgotten. That particular sonata was written for Joseph Joachin and was a musical cryptogram based on his motto in life, ‘Frei aber einsam’ (‘Free but alone’). At its premiere, with Clara on the piano once again, Joachim had to match each composer to their movement, which he managed to do without a moment’s hesitation. As is well known, Clara was always at the heart of these friendly interchanges. It is only fitting, therefore, to find her at the centre of this album which features the splendid Three Romances for Violin and Piano, Op. 22, whose movements have been divided among the works of the other composers. Among them is also the benevolent Joseph Joachim, whose memory is echoed in all of the works of this beautiful album. © François Hudry/Qobuz
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Klassiek - Verschenen op 14 februari 2020 | Evidence

Hi-Res Booklet
For her first record, Adélaïde Ferrière sheds light on the contemporary percussion. As a remarkable percussionist, and nominated for a "Victoire de la Musique" award in 2017, she brings out the surprising features of her instruments for an album and a programme that perfectly suits her: radiant, powerful and striking. Whether she chooses Xenakis or Hurel, Adélaïde Ferrière keeps displaying grace and a spectacular virtuosity: her playful performance is a delight, as much as it is an ode to rhythm and verve. Contemporary music is more alive than ever. © Aparté
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Vocale muziek (wereldlijk en religieus) - Verschenen op 13 december 2019 | Evidence

Booklet
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Concertmuziek - Verschenen op 1 november 2019 | Evidence

Hi-Res Booklet
This recording does not only honor the beauty and the magnificence of the instrument, it is also, indeed, a tribute to the works that forged its history. Fascinated by the organ since he was a child, Jae-Hyuck Cho chose, for this album, the Great Organ of the Madeleine in Paris, whose superb timbre still exerts its magnetism and power over composers and artists. Right next to that mythical instrument stands Johann Sebastian Bach and his work, which, from the Toccata BWV 565 to Fantasy and Fugue on a BACH theme, imbues this program. Jae-Hyuck Cho sets his playing approach on a clear lineage that widely acknowledges the past and its figures, but also looks forward. Far from restricting to the limits of musical tradition, Cho offers Pahdo, a work that he commissioned to the Korean composer Texu Kim. With such a vision, musical history is an everlasting ongoing story that keeps grounding in its roots. © Evidence
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Klassiek - Verschenen op 25 oktober 2019 | Evidence

Hi-Res Booklet
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Klassiek - Verschenen op 11 oktober 2019 | Evidence

Booklet
© Evidence/Little Tribeca
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Concertmuziek - Verschenen op 4 oktober 2019 | Evidence

Hi-Res Booklet
For her first solo recording, Alexandra Luiceanu designed a Russian and romantic program that echoes intimate roots. It is a kind of homage to childhood where music resonates like a reminiscence of a primal language, forever present and understood. Fascinating and mysterious, the disc is entitled Matriochka because the works follow one another like so many faces of Romantic Russia: the sad smile of Mussorgsky, the painful intensity of Rachmaninov, the voluptuousness of Erdely, the tenderness of Ivanov. They all come alive thanks to the richness of the harp’s timbres. Alexandra Luiceanu depicts the many facets of the Russian soul like those cute Russian dolls one after another. Her virtuosity sounds natural in these original pieces and transcriptions. Thus, effacing itself behind the music, the harp becomes poetry. © Evidence/Little Tribeca
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Klassiek - Verschenen op 10 mei 2019 | Evidence

Hi-Res Booklet
Such as Theseus unrolls the thread given by Ariadne to find his way through the labyrinth, Marianne Piketty tries to find her way through the labyrinth of time by inventing a path from Baroque to present. She thus gives shape and life to Ariadne by crossing the voices of Pietro Locatelli and Alex Nante. The myth has indeed inspired and still inspires artists. Violinist and composer Locatelli, as prodigious as Vivaldi, set to music the abandonment of Ariadne: "Il Pianto d'Arianna" expresses the pain and the freedom at the same time in a virtuoso way, reflective of the power of imagination. Marianne Piketty is an audacious music-broker: she gives substance to this time journey by reinventing the relevant form of the concert, be it live or recorded. With the musicians of her ensemble, named Le Concert Idéal, she tries to realize a dream that this new album concretizes! © Aparté
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Klassiek - Verschenen op 3 mei 2019 | Evidence

Hi-Res Booklet
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Klassiek - Verschenen op 21 december 2018 | Evidence

Hi-Res Booklet
HI-RES€ 8,09€ 13,49(40%)
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Klassiek - Verschenen op 20 juli 2018 | Evidence

Hi-Res Booklet
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Klassiek - Verschenen op 23 maart 2018 | Evidence

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 10 november 2017 | Evidence

Hi-Res Booklet
By joining forces in a violin and piano duo, Fanny Robilliard and Paloma Kouider succeed in expressing perfect harmony between their two personalities, much like they had done as chamber musicians in Trio Karénine. Conceived with subtle tastes tinted with originality, their 2017 debut album features the very best sonatas of Debussy and Reval. The album sheds a new light on their works without debasing them and provides us with an alternative outlook on the masterpieces of these two giants of French music from the early nineteenth century.In the midst of the First World War, a sickened and diminished Debussy demonstrated his ‘Frenchness’ by composing his Sonata for violin and piano. The sonata paid homage to the 18th century through exhibiting the composer’s fantastic and imaginative side while communicating a sense of intense modernity, void of parody or pastiche. Weary of the classical reputation attributed to him, Ravel composed his Sonata for violin and piano (n°2) in the 1920s under the influence of the jazz that he had discovered in New York in the company of George Gershwin. Enamoured by classical culture, Karol Szymanowski conceived at the same time her three Mythes poems, a kind of sonata in disguise inspired by ambiant impressionism. On a completely different note, Reynaldo Hahn’s Nocturne works to skilfully weave together feeling of Antiquity and “American” modernity. © François Hudry/Qobuz
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Klassiek - Verschenen op 10 november 2017 | Evidence

Hi-Res Booklet
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Kamermuziek - Verschenen op 26 mei 2017 | Evidence

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Klassiek - Verschenen op 10 maart 2017 | Evidence

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Klassiek - Verschenen op 4 november 2016 | Evidence

Hi-Res Booklet
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Kamermuziek - Verschenen op 7 oktober 2016 | Evidence

Hi-Res Booklet
Some years before the release of his Incantation, in which a number of colleagues from the Royal Philharmonic Orchestra joined him to champion the great works of French violin music, the debut album from violinist Virgil Boutellis-Taft, under the label Evidence, offered a somewhat bizarre journey merging well-known works from the repertoire of chamber music like the Sonatas of Janáček and Claude Debussy and even Chausson’s Poème. But what’s immediately interesting here are the unusual works of Komitas, André Hossein and even Philippe Hersant, who has few recordings to his name. Pianist Guillaume Vincent acts an attentive partner who proves his musicality here and talents as a chamber musician. © Qobuz