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Jazz - Verschenen op 1 juni 2015 | Bethlehem Records

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Jazz - Verschenen op 1 april 2015 | Bethlehem Records

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Blues - Verschenen op 1 april 2015 | Bethlehem Records

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Jazz - Verschenen op 1 april 2015 | Bethlehem Records

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Jazz - Verschenen op 1 maart 2015 | Bethlehem Records

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Jazz - Verschenen op 1 maart 2015 | Bethlehem Records

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Jazz - Verschenen op 1 maart 2015 | Bethlehem Records

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Jazz - Verschenen op 1 maart 2015 | Bethlehem Records

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Jazz - Verschenen op 25 februari 2015 | Bethlehem Records

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Vocale jazz - Verschenen op 1 februari 2015 | Bethlehem Records

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Jazz - Verschenen op 1 februari 2015 | Bethlehem Records

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Jazz - Verschenen op 1 januari 2015 | Bethlehem Records

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Jazz - Verschenen op 18 november 2014 | Bethlehem Records

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Jazz - Verschenen op 18 november 2014 | Bethlehem Records

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Jazz - Verschenen op 18 november 2014 | Bethlehem Records

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Jazz - Verschenen op 18 november 2014 | Bethlehem Records

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Pop - Verschenen op 18 november 2014 | Bethlehem Records

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Vocale jazz - Verschenen op 30 september 2014 | Bethlehem Records

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Vocale jazz - Verschenen op 22 februari 1957 | Bethlehem Records

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More than two years after recording his first-ever concert LP, Live at the Crescendo for Coral, Mel Tormé returned to the Los Angeles nightclub for the Bethlehem release At the Crescendo, cut February 22, 1957. Backed by a small combo comprised of pianist/arranger Marty Paich, trumpeter Don Fagerquist, vibraphonist Larry Bunker, bassist Max Bennett, and drummer Mel Lewis, Tormé approaches familiar material like "One for My Baby," "It's Only a Paper Moon," and "I'm Beginning to See the Light" with a matchless combination of sensitivity and sass -- as always, Paich's nimble arrangements inspire Tormé's most adventurous vocals, and the sheer imagination and soulfulness on display throughout the set laid to rest any lingering question of whether he was a jazz artist or merely an easy listening balladeer. © Jason Ankeny /TiVo
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Vocale jazz - Verschenen op 30 september 2014 | Bethlehem Records

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