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Klassiek - Verschenen op 12 november 2021 | B Records

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Every year, the Orléans International Piano Competition recognises a young male or female pianist and, through their performance, also acknowledges the best there is in composition. Mikhaïl Bouzine is a person who has great passion for the contemporary repertoire he envisions, demonstrating exceptional, keen musicianship. In collaboration with B Records, he presents a stunning, unique programme on this album. © B Records
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Klassiek - Verschenen op 24 september 2021 | B Records

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The Miroirs Étendus Company is a strong proponent of open-minded creation with a focus on the audience. Throughout this amazing album, they follow a sensitive line of thought. From Wagner to contemporary music, through to Debussy, the young composer Othman Louati gives this fascinating programme an atmosphere of extraordinary gentleness. © B Records
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Klassiek - Verschenen op 10 september 2021 | B Records

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For the seventieth anniversary of Olivier Greif’s birth, B Records and the Deauville Festival invite you to discover his remarkable works, some of which have never been released before. They were composed at dazzling speed, nurtured by Early Music, literature and the composer’s obsession with death and mysticism. Two symphonic works are interpreted for us by passionate, young musicians and have been recorded live so that you can experience the "dangers" and delights of reverie, and an archive recording from the "Festival de Pâques" with Olivier Greif himself on the piano. © B Records
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Klassiek - Verschenen op 27 augustus 2021 | B Records

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Every year, in partnership with the Musée d’Orsay, Royaumont Abbey welcomes duos of young singers and pianists who have come to study art song and Lied. In this very unusual year when working as an artist has been made particularly difficult, the Abbey has also become a refuge. Once again, the B Records label has come over to lend an attentive ear, producing a recording with a programme brimming with great classics and new discoveries. © B Records
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Klassiek - Verschenen op 25 juni 2021 | B Records

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With a cover illustrated by Simon Bailly, which looks like something out of a Blake and Mortimer comic, this production from the Frivolités Parisiennes, under the direction of Dylan Corlay, presents Le Diable à Paris by Marcel Lattès, a pleasant operetta which was written as a cynical, biting satire on Faust. All the characters are idiots and villains, and the devil himself is ridiculed by human perfidy.Unfortunately the devil undoubtedly got the better of the series of shows planned at the Théâtre de l'Athénée in Paris in the wake of the global pandemic. For this recorded version, the long passages of dialogue which didn't make the grade have been cut out and replaced with a narrator summarising the action.Although he is now forgotten, Marcel Lattès was a French composer who died in 1943 after being arrested as a Jew by the police of his own country and languishing for several months in the transit camps of Compiègne and Drancy. Initially released thanks to Sacha Guitry's intervention with the German authorities, he was arrested a second time, deported and gassed upon his arrival in the Auschwitz extermination camp. We owe him a dozen operettas and the music for about thirty films by Pabst, Abel Gance, Maurice Tourneur and Marcel L'Herbier.His melodic and light sound, worthy of the best pages of André Messager, bursts forth in Le Diable à Paris, an operetta first performed in 1927 with Dranem and Raimu and reproduced here in a version full of verve, by a troupe of singers with perfect diction, in a resolutely contemporary and natural style that blows away any cobwebs that might be clinging to the work. © François Hudry/Qobuz
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Klassiek - Verschenen op 25 juni 2021 | B Records

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Klassiek - Verschenen op 14 mei 2021 | B Records

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We know that Brahms was a great enthusiast of the keyboard and yet he composed few works exclusively for piano. Accordingly, the Variations on a Theme by Joseph Haydn and Sonata for Two Pianos are all the more precious with their scores containing the full harmonic complexity and tonal diversity of his music, made sublime by the nimble fingers of Éric Le Sage and Théo Fouchenneret. This is a pivotal milestone in the huge endeavour of producing the "Complete Works of Brahms" undertaken by B Records since 2017.
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Klassiek - Verschenen op 26 maart 2021 | B Records

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Klassiek - Verschenen op 8 januari 2021 | B Records

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Every year, The Orsay-Royaumont Academy welcomes duos of young singers and pianists who work under the artistic aegis of their elders, thus perfecting and honing their passion for art songs and Lieder. Once again, B Records makes the most of this trans-disciplinary competitive spirit to provide us with an exquisite, poetic record – a divine journey through some little masterpieces of chamber music. © B Records
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Klassiek - Verschenen op 13 november 2020 | B Records

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Intimidated by his grandiose predecessors and petrified by expectations, Johannes Brahms hesitated before publishing his First Trio, a masterpiece in Viennese romanticism. Its two 'siblings' composed later would put the finishing touches to meticulous dramaturgy and technique. Pierre Fouchenneret (violin), François Salque (cello) and Éric Le Sage (piano) have recorded here an inspired and powerful album, captured passionately by B Records. © B Records
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Klassiek - Verschenen op 12 juni 2020 | B Records

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Jazz - Verschenen op 10 april 2020 | B Records

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Klassiek - Verschenen op 27 maart 2020 | B Records

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For Johannes Brahms, the essence and defining feature of chamber music resided in the string quartet, and the form commanded so much respect and rigour from him that he burnt dozens of his first attempts at the genre. This shows how much the three quartets brought together here, and added to quite naturally by the sublime piano quintet, represent the quintessence of that great resident of Vienna. It is a magical climax to this outstanding collection of Brahms’s complete chamber music works released by B Records, still under the auspices of La Belle Saison. © B Records
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Klassiek - Verschenen op 13 maart 2020 | B Records

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Two centuries ago Die Schöne Mullerin founded the German romanticism. Since then, the great story of this young man and its tragic and poetic love keeps all its emotionnal strengh: this heart touching version recorded live in the Théâtre de l’Athénee in Paris renews the Schubert masterpiece thanks to Thomas Oliemans vibrating voice and the sensitive touch of Malcolm Martineau. © B Records
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Klassiek - Verschenen op 24 januari 2020 | B Records

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Klassiek - Verschenen op 6 december 2019 | B Records

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Klassiek - Verschenen op 8 november 2019 | B Records

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For years now the Concours International de piano d’Orléans is the time and the place of piano excellency and repertoire boldness. There we can hear the great works of the twentieth century and contemporary treasures. That’s what the young Maroussia Gentet does with this first disc published by B Records, invoking every nature strengths, from the lightest pianissimo to the most telluric furioso. © B Records
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Klassiek - Verschenen op 27 september 2019 | B Records

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Throughout the year , the Royaumont Abbey has welcomed, along with the Musée d'Orsay, young duets who work on their musical complicity with mélodie and lied undisputed masters such as Véronique Gens or Stéphane Degout, associating visual arts and music. B Records launched a new collection and therefore also joined this beautiful companonship, with a first disc which will take you from Schumann to Ravel, from languishing German romantism to biting French poetry. © B Records
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Klassiek - Verschenen op 14 juni 2019 | B Records

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The sonatas for violin and piano, which were composed on holidays to lakeside forests in the midst of sublime nature where Brahms loved to spend his summers, contain all the contradictions unique to the man who described himself as a wanderer: daring and discipline, naïveté and sagacity, melancholy and joy. Pierre Fouchenneret and Eric Le Sage embark fervently on this adventure, as a new stage in this crazy journey through Brahms’s complete chamber music works, charted by B Records. © B Records
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Klassiek - Verschenen op 24 mei 2019 | B Records

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This autumn, intermingled melodies could be heard under the round arches of Noirlac Abbey, amongst which the strains of both Schubert’s “Trout” and Ellington’s famous “Take the ‘A’ Train” were recognisable. Karen Vourc’h, Thomas Savy, Louis Rodde and Guillaume de Chassy enjoyed navigating between the waters of the Lied and the Jazz Standard to produce this outstanding project connecting two geniuses of melody with intelligent arrangements and improvisational extravagance. © B Records