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Symfonieën - Verschenen op 16 juni 2017 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Record of the Month - 4 étoiles Classica - 5 Sterne Fono Forum Klassik
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Symfonieën - Verschenen op 1 januari 2014 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice - Hi-Res Audio
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Missen, passies, requiems - Verschenen op 16 maart 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
Mass by Bernstein, first performed in 1971, defies classification. It is not really a mass in the strict sense, but more of a kind of deconstruction of a traditional mass; after all, the full title is MASS: A Theatre Piece for Singers, Players, and Dancers and the theme resembles a divine service which turns sour before finally discovering universal peace. At the outset, the world seems to be at one, but then "street musicians" begin questioning the need for, or even the very existence of, a god. Cacophony reigns until the cataclysmic elevation of the host, when finally peace breaks out, when the Celebrant brings everyone together around the holy spirit, before intoning a final "go in peace". Bernstein's score brings together all the myriad elements of 20th century music: jazz, blues, rock, Broadway, expressionism, dodecaphonism, modernism with a hint of Britten, street music, fanfares, classical song mixed with rock and jazz voices and Gospel recitations: a veritable Tower of Babel which is hard even to list in a single breath. But Yannick Nézet-Séguin can be trusted to knit all these disparate elements together. Note also that this is a live concert recording, with a breathtaking spatial distribution. Putting history aside, the FBI – never one to miss out on a chance to look ridiculous – decided that Mass was pacifist, anti-establishment propaganda and begged Nixon to boycott its opening night. After all, the work had been commissioned by Jackie Kennedy for the inauguration of the Washington Kennedy Center for the Arts, when America was in the middle of its Vietnamese quagmire...© SM/Qobuz
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Symfonische muziek - Verschenen op 1 februari 2011 | ATMA Classique

Booklet Onderscheidingen Gramophone Editor's Choice
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Symfonische muziek - Verschenen op 4 oktober 2011 | ATMA Classique

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 17 januari 2020 | Deutsche Grammophon (DG)

Hi-Res Booklet
Due to its need for eight soloists and the vast headcount Mahler insisted on for the choir and the orchestra, the 8th Symphony is rarely played in concert halls simply for financial reasons: in fact, it is nicknamed the Symphony of a Thousand, further emphasising its monstrous reputation. Berlioz-esque in its boundless ambition, this symphony can be just as bold in its glowing orchestration, especially when led by a conductor with as much verve as Yannick Nézet-Seguin, who knows how to favour refinement, instrumental finesse, measure, transparency and the obvious power that are all part and parcel of this momentous score. The Canadian conductor is something of a regular with this particular symphony having performed it several times, including on 4 consecutive nights in Philadelphia in March 2016, but also in Europe in Rotterdam and in Brussels two years later. This recording was taken during the Philadelphia concerts, which were commemorating the 100th anniversary of the first American performance of the work in 1916 with Leopold Stokowski conducting the same orchestra in the same city. Benefiting from the best soloists on the scene, a top-tier choir and the famous “Philadelphia sound” of the orchestra, Nézet-Seguin has 400 singers and instrumentalists under his direction. Together they offer us a very eloquent vision of a masterpiece which treads the line between symphony, cantata and oratorio. © François Hudry/Qobuz
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Klassiek - Verschenen op 2 november 2009 | Warner Classics

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Symfonische muziek - Verschenen op 7 april 2015 | BIS

Booklet
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Symfonische muziek - Verschenen op 1 februari 2011 | BIS

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Concertmuziek - Verschenen op 1 februari 2003 | ATMA Classique

Booklet
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Klassiek - Verschenen op 18 november 2020 | UMG Recordings, Inc.

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Symfonische muziek - Verschenen op 2 augustus 2011 | BIS

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Symfonieën - Verschenen op 8 juni 2018 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 1 januari 2007 | ATMA Classique

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Klassiek - Verschenen op 18 september 2015 | ATMA Classique

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Klassiek - Verschenen op 2 maart 2018 | ATMA Classique

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With his Fifth Symphony, Bruckner smashed the glass ceiling that capped the length of major musical works at one hour: it comes in at a touch under an hour and twenty minutes, whereas even the most imposing of its predecessors generally stuck at around an hour. But the counterpoint, the intertwined themes, the digressions, developments and modulations in the direction of the furthest harmonic shores all need longer to fully unfold. The work was finished in 1878 and unlike many of his symphonies, this one wasn't re-written a hundred times: he wrote one original and definitive version, and that was that. Was this in part because Bruckner was never able to see the work performed in its orchestral version, and so it was never influenced by well-intentioned but foolish observers? He was able to hear it once in public, in an arrangement for two pianos: the orchestral version was first performed in 1894 but the composer was too ill to attend. And that's just as well, because he would surely have had a heart attack had he heard the insufferable, insolent alterations, reorchestrations, cuts and additions inflicted on the work by conductor Franz Schalk, who perhaps thought he was doing good — how wrong he was! But it's the original version that Yannnick Nézet-Séguin gives us here, at the head of the Montreal Metropolitan Orchestra, also known as the orchestra of the Opéra de Montréal, a troupe that's managed to haul itself up onto the world stage, whereas the town's other big orchestra... Well, that's another story. © SM/Qobuz
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Symfonische muziek - Verschenen op 1 januari 2006 | ATMA Classique

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Klassiek - Verschenen op 16 maart 2018 | Deutsche Grammophon (DG)

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Symfonische muziek - Verschenen op 21 juni 2010 | ATMA Classique

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Symfonische muziek - Verschenen op 21 juni 2010 | ATMA Classique