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Rock - Verschenen op 1 december 2017 | Rhino - Warner Records

Hi-Res Onderscheidingen 4F de Télérama - The Qobuz Ideal Discography - Best New Reissue
After a magical first work of fairly rough alternative country (A.M.) that was conceived at the time of the turbulent separation of his group Uncle Tupelo, Jeff Tweedy took his time to release a second album with Wilco. Already, the work was ambitious as it was a double album. Blending all their musical similarities, this was an album that from the moment it was released in October 1996 led quite a few journalists to write that Tweedy had signed his own Exile On Main Street. Much like the Rolling Stones’ masterpiece, eclecticism is the crucial ingredient to this mix of basic rock’n’roll, bluegrass, country rock, psychedelia, folk and soul. With loose guitars, pedal steel, brass and unlimited instrumentals, Wilco weaves here an impressive web between the Rolling Stones from their golden age, The Replacements, The Beatles and Big Star from the album Third. Alternating between ballads and electronic soundstorms, Tweedy demonstrates above all else that with a timeless and classical base, he is taking the lead with his grandiose songs and the stunning architecture of his compositions… This remastered Deluxe Edition offers, as well as the original album, fifteen unpublished bonus tracks notably including alternative versions of I Got You and Say You Miss Me alongside a live recording from 12th November 1996 in Troubadour, Los Angeles and a session for the radio station Santa Monica KCRW taken the next day. © MZ/Qobuz
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Alternative en Indie - Verschenen op 23 september 2011 | dBpm Records

Onderscheidingen 4F de Télérama - 4 étoiles Rock and Folk
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Rock - Verschenen op 6 november 2020 | Rhino - Warner Records

Hi-Res Onderscheidingen Pitchfork: Best New Reissue
After the demise of the much-beloved Uncle Tupelo in 1994, Jeff Tweedy regrouped with three of his four bandmates as Wilco and promptly cut A.M., a debut that sounded like he had been stashing a bunch of his best songs. It was followed by the expansive and successful Being There which dropped the alt-countryisms for a more mainstream rock tone, indicating aims for a larger canvas. Those ambitions further morphed into experimental impulses on Wilco’s third album, summerteeth, signaling a band transcending genre and turning consequential. Now remastered and re-released with a selection of demos, outtakes, alternative tracks and an entire 1999 live show, summerteeth's internal churn—a pain and passion struggle between happy pop music and troubled, downbeat lyrics—begins immediately with the tuneful but bleak "Can't Stand It," where "Our prayers will never be answered again." Uncomfortable autobiography mixes with gorgeous baroque pop in "She's a Jar," where Tweedy ends with, "A pretty war/ With feelings hid/ She begs me not to hit her." Even the violins and rising chords of "A Shot in the Arm," don't hold any joy, as he wishes for "Something in my veins bloodier than blood." It would all be just scary narcissism if it wasn't for exuberant melodies like "Pieholden Suite" where a banjo flickers through before a blast of Beatles-y brass, or the jumpy Anglo-pop of "ELT." The light-dark dichotomy persists even in the album's hookiest moment, the Magical Mystery Tour-esque outtake, "Nothing'severgonnastandinmyway (Again)" where "love’s a weed" and "a kiss is all we need," but in the end, "I'm a bomb regardless." summerteeth's musical success owes much to multi-instrumentalist Jay Bennett's production and arrangement skills, and his added textures of Moog synthesizer, Farfisa organ, lap steel, drums and tambourine. In the post-Max Johnston and Ken Coomer, pre-Nils Cline and Pat Sansone version of Wilco, Bennett supplied the voltage that brought Tweedy's melodic though murky material to life. Never the excruciating struggle that the next album Yankee Hotel Foxtrot became, these are Bennett's finest moments on record, and along with Mitch Easter, he contributed to summerteeth's more defined mix and heightened sonics. While the demos are not revelatory being mostly guitar and voice—although Tweedy's dry, low tone on "Nothing'severgonnastandinmyway (Again)" is ominous—some of the alternates are choice, like the shrieking rant "Viking Dan." A funky, slow Fender Rhodes-led version of "Summer Teeth" is lounge jazz. The stripped down alternate take of "ELT" is the equal of the released take. And the "We're Just Friends / Yee Haw" soundcheck is a full tilt goof. The well-recorded live show is a telling snapshot of a band known for its roaring virtuosic performances, as they play most of their first three albums, delivering an especially strong "Passenger Side", "I Got You (At The End of the Century)" and "California Stars." A charismatic peek into an innovative, inspiring rock band evolving from eager contender to conflicted champion. © Robert Baird/Qobuz
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Rock - Verschenen op 16 april 2002 | Nonesuch

Hi-Res Onderscheidingen The Qobuz Ideal Discography
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Rock - Verschenen op 16 juli 2013 | Nonesuch

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Rock - Verschenen op 8 maart 1999 | Nonesuch

Onderscheidingen The Qobuz Ideal Discography
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Rock - Verschenen op 16 april 2002 | Nonesuch

Onderscheidingen The Qobuz Ideal Discography
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Rock - Verschenen op 16 juli 2013 | Nonesuch

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Rock - Verschenen op 8 maart 1999 | Nonesuch

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Rock - Verschenen op 4 oktober 2019 | dBpm Records

Pop, country, rock, experimental, folk, a little bit of everything! Since 1994, Wilco have released all kinds of different albums and yet always managed to retain their sense of identity. It’s no wonder that the Chicagoan band led by Jeff Tweedy has built itself an impressive fan base that stays loyal no matter what the musical flavour of the day. Over drinks between indie-rock geeks there may be a ‘Wilco moment’ when the band’s hard-core aficionados have it out with their fiercest critics, but there is disputing the fact that the band has its own sense of style; a combination of nostalgia, sadness, humour and a passion for the history of rock ‘n’ roll and folk music, like a quirky version of classic rock. Ode to joy is the band’s first album since Schmilco (2016), as well as Tweedy’s solo escapade (Warm in 2018) and the release of his fascinating memoir (Let’s Go (So We Can Get Back)). He has heavily influenced the album which, at certain points, brings to mind to the personal approach of Sky Blue Sky that readers of Tweedy’s book would be able to understand on a deeper level. The album is mainly acoustic with a classical rhythm sung in the style of a confession and gives the fans exactly what they want, without straying too far off the beaten track. The hypnotic Quiet Amplifier is 100% Wilco and Nels Cline adds his own personal touch as noise guitarist on We Were Lucky, reminding us that he is still the experimental guru. As for the melodies, (especially the fantastic One and a Half Stars), Ode to Joy easily surpasses their two previous albums, Star Wars and Schmilco. Even in their fifties with a 25-year career under their belts, the group dispels any age-related doubts you may have had and are still very much on the ball. A good vintage that could well become a great vintage over time. © Marc Zisman/Qobuz
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Rock - Verschenen op 21 juni 2004 | Nonesuch

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Alternative en Indie - Verschenen op 9 september 2016 | Anti - Epitaph

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Rock - Verschenen op 16 juli 2013 | Nonesuch

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Rock - Verschenen op 16 juli 2013 | Nonesuch

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Rock - Verschenen op 17 november 2014 | Nonesuch

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Rock - Verschenen op 1 december 2017 | Rhino - Warner Records

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At the beginning of the ‘80s, Green On Red (a group that emerged out of the Paisley Underground scene) rehabilitated the most rebellious country music. A few years later, other American indie rock groups enjoyed reviving the flame of this plague-stricken genre. Filtered over time and with a lo-fi aesthetic, this alternative country mixes the heritage of Gram Parsons with the Flying Burrito Brothers, Neil Young, the Byrds from their Sweetheart Of The Rodeo period and the Rolling Stones from Exile On Main Street. Led by Jay Farrar and Jeff Tweedy, Uncle Tupelo affirm themselves as one of the most gifted representatives of the genre. But the duo split, with Farrar leaving to found Son Volt and Tweedy heading off down the Wilco path. With A.M., the first shining album from his new combo which appeared in 1995, the songwriter from Illinois confirmed his talent in the art of fusing all his roots influences from the past by giving them a sound that’s considerably rougher and more contemporary. Above all, Jeff Tweedy writes with a pen made of hardened steel. It follows that compositions such as I Must Be High, Casino Queen, Box Full Of Letters and Passenger Side are quick to forget their heavy influences (Stones, Parsons, Young…) and underline the talent of the gentleman. As well as the original album, this remastered Deluxe Edition offers eight bonus unpublished tracks such as first versions of Outtasite (Outta Mind) and When You Find Trouble, in fact being the last studio recording for Uncle Tupelo. © MZ/Qobuz
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Rock - Verschenen op 17 november 2014 | Nonesuch

Hi-Res Booklet
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Rock - Verschenen op 1 december 2017 | Rhino - Warner Records

After a magical first work of fairly rough alternative country (A.M.) that was conceived at the time of the turbulent separation of his group Uncle Tupelo, Jeff Tweedy took his time to release a second album with Wilco. Already, the work was ambitious as it was a double album. Blending all their musical similarities, this was an album that from the moment it was released in October 1996 led quite a few journalists to write that Tweedy had signed his own Exile On Main Street. Much like the Rolling Stones’ masterpiece, eclecticism is the crucial ingredient to this mix of basic rock’n’roll, bluegrass, country rock, psychedelia, folk and soul. With loose guitars, pedal steel, brass and unlimited instrumentals, Wilco weaves here an impressive web between the Rolling Stones from their golden age, The Replacements, The Beatles and Big Star from the album Third. Alternating between ballads and electronic soundstorms, Tweedy demonstrates above all else that with a timeless and classical base, he is taking the lead with his grandiose songs and the stunning architecture of his compositions… This remastered Deluxe Edition offers, as well as the original album, fifteen unpublished bonus tracks notably including alternative versions of I Got You and Say You Miss Me alongside a live recording from 12th November 1996 in Troubadour, Los Angeles and a session for the radio station Santa Monica KCRW taken the next day. © MZ/Qobuz
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Rock - Verschenen op 15 november 2005 | Nonesuch

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Rock - Verschenen op 17 november 2014 | Nonesuch

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Wilco in het magazine