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Vocale muziek (wereldlijk en religieus) - Verschenen op 31 mei 2017 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica - Choc Classica de l'année - 5 Sterne Fono Forum Klassik
After an album of French songs (Néère) that earned her a "Gramophone Award" in 2016, Véronique Gens presents her new recital, this time with orchestra, which gives her an opportunity to display the maturity of her ‘Falcon’ soprano, the central tessitura typical of French Romantic opera, which takes its name from Cornélie Falcon, who created the works of Meyerbeer and Halévy staged in the 1830s. She pays tribute here to a number of composers whose unknown operas she was the first to reveal in projects mounted by the Palazzetto Bru Zane, including David, Godard, Saint-Saëns and Halévy. The programme selects arias from all the genres in vogue in the Romantic era: opera (Saint-Saëns, Halévy, Godard, Février), opéra-comique (David), oratorio (Franck, Massenet) and the cantata for the Prix de Rome (Bizet, Bruneau). A nod to Wagner and his Tannhäuser – in its French translation of the 1860s – completes this programme conducted by a longstanding colleague of the soprano, one of the leading specialists in French music, Hervé Niquet. © Alpha Classics
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Vocale muziek (wereldlijk en religieus) - Verschenen op 5 juni 2012 | Ondine

Hi-Res Booklet Onderscheidingen 4F de Télérama - 4 étoiles Classica - Hi-Res Audio - La Clef du mois RESMUSICA
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Liederen (Frankrijk) - Verschenen op 20 oktober 2015 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice
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Klassiek - Verschenen op 1 maart 2019 | Alpha

Hi-Res Booklet Onderscheidingen 4F de Télérama - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
Ernest Chausson is a most unusual figure in French music, positioned at the crossroads where the romanticism of Berlioz and Franck meet the language of Wagner and the symbolism of the young Debussy. His Poème de l’amour et de la mer is a unique score for the period and certainly his greatest work; simultaneously a profane, naturistic cantata, a monologue, and a song cycle, it was composed between 1882 and 1892. Véronique Gens is recording this cycle for the first time, although she has already issued Le temps des lilas with Susan Manoff at the piano ("Néère"), about which Ernst Van Bek wrote in Classiquenews: « it mesmerises with the nuancing of its colours, the allusive precision of every sung word ». Véronique Gens’ talent is equally on display in this recording too, with the Orchestre National de Lille – an orchestra she already knows well – under Alexandre Bloch, its new chief conductor, whose appointment and first concerts and recordings have already caused a sensation… The Symphony in B-flat major completes this programme: a summit of French symphonic writing, for some a milestone as important as the Symphony in D of Chausson’s teacher César Franck! © Outhere Music
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Liederen - Verschenen op 30 oktober 2007 | Naxos

Hi-Res Booklet Onderscheidingen Diapason d'or - 4 étoiles du Monde de la Musique
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Liederen (Frankrijk) - Verschenen op 3 april 2020 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or
As the symbiosis between the art of the poet and that of the composer, the French mélodie became the jewel of the salons of the ‘Belle Époque’. By placing a string quartet and a piano around the singer, Chausson’s Chanson perpétuelle, Lekeu’s Nocturne and Fauré’s La Bonne Chanson oscillate between chamber musical intimacy and orchestral ambition. Alongside these famous pioneering pieces, this programme devised by the Palazzetto Bru Zane champions a return to the art of transcription, so popular in the nineteenth century, with the aim of expanding the repertory for voice, strings and piano in order to unearth some forgotten treasures. Hence Hahn, Berlioz, Saint-Saëns, Massenet, La Tombelle, Ropartz, Louiguy and Messager all appear in a programme whose guiding thread is the emotions of nocturnal abandonment: the charms of twilight, the trajectory of dreams, the terror of nightmare or the exhilaration of festive occasions. Alexandre Dratwicki has made these arrangements in the style of the nineteenth century. Appropriately enough, the programme ends with La Vie en rose, for this music offers a kaleidoscope of all the colours of human feeling. The texture of solo strings and piano sets Véronique Gens’s incomparable storytelling artistry in a new ligh. © Alpha Classics
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Liederen - Verschenen op 1 november 2004 | Naxos

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 1 februari 2000 | Warner Classics

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Klassiek - Verschenen op 25 november 2005 | Warner Classics

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Klassiek - Verschenen op 15 november 2000 | Warner Classics

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Klassiek - Verschenen op 1 januari 2000 | Decca Music Group Ltd.

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Klassiek - Verschenen op 1 mei 2006 | Warner Classics

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Klassiek - Verschenen op 6 september 2010 | Warner Classics

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Opera - Verschenen op 1 januari 2004 | Dynamic

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Klassiek - Verschenen op 1 januari 2004 | Universal Music Division Decca Records France

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Opera - Verschenen op 3 januari 2012 | Dynamic

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Klassiek - Verschenen op 1 augustus 1999 | Warner Classics

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Klassiek - Verschenen op 19 december 2001 | Warner Classics