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Klassiek - Verschenen op 29 mei 2007 | Naxos

Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - 4 étoiles du Monde de la Musique - 10 de Classica-Répertoire
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Klassiek - Verschenen op 30 maart 2010 | Naxos

Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - Uitzonderlijke Geluidsopnamen
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Klassiek - Verschenen op 3 januari 2012 | Naxos

Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Klassiek - Verschenen op 17 november 2009 | Naxos

Booklet Onderscheidingen Diapason d'or - 4 étoiles Classica
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Klassiek - Verschenen op 29 april 2008 | Naxos

Booklet Onderscheidingen 5 de Diapason - 4 étoiles du Monde de la Musique
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Klassiek - Verschenen op 1 september 2012 | Naxos

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 30 mei 2000 | Naxos

Onderscheidingen 5 de Diapason
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Opera - Verschenen op 7 april 2015 | Naxos

Hi-Res Booklet Onderscheidingen 4 étoiles Classica
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Klassiek - Verschenen op 18 juli 1996 | Naxos

Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 1 mei 2012 | Naxos

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 6 december 2011 | Naxos

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 26 november 1998 | Naxos

Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 5 maart 2013 | Naxos

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 30 oktober 2020 | Chandos

Hi-Res Booklet
Neeme Järvi returns to the Royal Scottish National Orchestra for a dazzling album of suites from the ballets Sylvia, La Source, and Coppélia by Delibes. Born into a musical family, Delibes enrolled at the Paris Conservatoire aged twelve, studying under several professors including Adolphe Adam. He spent the 1850s and early 1860s composing light operettas and working as a church organist, before achieving public recognition for his music for the ballet La Source in 1866. His later ballets Coppélia and Sylvia were key works in the development of modern ballet, giving the music much greater importance than was previously the case. Typical of the period, the plots for these ballets are obscure, convoluted, and complex, but it’s certainly Delibes’s talent for lyrical melody and musical expression of a mood or feeling that elevates all three of these scores above their contemporaries – indeed Coppélia went on to become the most frequently performed ballet at the Paris Opéra. Delibes was at the forefront of creating orchestral suites from his ballet music (much to the envy of Tchaikovsky, among others), and thus were indeed envisaged to be performed without staging or dancers. On this album Neeme Järvi adds several additional movements to expand upon the suites which appeared in Delibes’s lifetime. © Chandos
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Klassiek - Verschenen op 9 oktober 2020 | Naxos

Hi-Res Booklet
Jules Massenet’s numerous operas (notably Manon and Werther) have somewhat overshadowed his symphonic works, not to mention his oratorios and melodies. At the head of the Royal Scottish National Orchestra, French conductor Jean-Luc Tingaud brings some of his forgotten manuscripts back to life.Visions is a symphonic poem modelled on works by Liszt – particularly his famous Preludes. It was inspired by his travels, as Massenet said himself: “The last hour of the day, in the high and sad solitudes of Simplon. The traveller there has fallen asleep, but his sleep is disturbed by visions that are calm or agitated, smiling or terrible. He wakes up. Around him it is night...he no longer dreams, he listens and thinks he hears a voice dear to his memory.”Brumaire was written for a historical drama commemorating Napoleon’s coup d'etat that ended the 'Directoire' period. The Overture for “Phaedra”, written at the Pasdeloup Orchestra’s request, is considered one of Massenet’s best instrumental works and has long been included in the symphonic repertoire. The incidental music for Les Erinnyes and his ballet Espada show Massenet’s appeal for exoticism – something that was fashionable at the time. This aspect of his music is still largely undiscovered. © François Hudry/Qobuz
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Klassiek - Verschenen op 25 januari 2019 | Evidence

Hi-Res Booklet
The scores of composer Michael Fine are born from his improvisations on the piano and are nourished by his travels and his readings: his music derives from a poetic imagination and carries therefore lots of visual evocations. From Korea and its palaces (At the Gate) to Scotland and the writer Alexander McCall Smith (Brother Fox), the world and its landscapes pass by over the seasons (Seasonal Rites) as you listen to it. A sound immersion all the more successful that Michael Fine is also a Grammy-winning producer for his expertise in sound recording. What’s more, as himself a performer, Michael Fine has written music for musicians. And this recording is the faithful testimony of a collective adventure where musicians share their pleasure to play and then offer it to the public. © Evidence
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Klassiek - Verschenen op 3 juli 2015 | Naxos Special Projects

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Klassiek - Verschenen op 24 juni 2008 | Naxos

Booklet
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Klassiek - Verschenen op 25 september 2015 | Chandos

Hi-Res Booklet
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Klassiek - Verschenen op 1 maart 2004 | Naxos

Booklet