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Alternative en Indie - Verschenen op 18 oktober 1985 | Beggars Banquet

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Alternative en Indie - Verschenen op 7 april 1997 | Beggars Banquet

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Alternative en Indie - Verschenen op 7 april 1997 | Beggars Banquet

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Rock - Verschenen op 18 oktober 1985 | Beggars Banquet

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Alternative en Indie - Verschenen op 23 september 1996 | Beggars Banquet

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Alternative en Indie - Verschenen op 5 juni 2000 | Beggars Banquet

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Alternative en Indie - Verschenen op 20 oktober 1997 | Beggars Banquet

Alternative en Indie - Verschenen op 10 april 1989 | Beggars Banquet

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Alternative en Indie - Verschenen op 18 januari 1999 | Beggars Banquet

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Alternative en Indie - Verschenen op 23 september 1991 | Beggars Banquet

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Rock - Verschenen op 5 februari 2016 | Cooking Vinyl

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Alternative en Indie - Verschenen op 21 oktober 2000 | Beggars Banquet

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Alternative en Indie - Verschenen op 5 juni 2001 | Lava - Atlantic

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Rock - Verschenen op 2 oktober 2007 | Roadrunner Records

Booklet
Ever since 1987's Rick Rubin-produced Electric, the Cult have never shied away from reveling in the trashiest aspects of rock & roll culture. No doubt, Ian Astbury's sojourn replacing Jim Morrison in the Doors -- or, as they were litigated into calling themselves, Riders on the Storm -- must have caused the '60s to resonate with him much more than singing a tribute to Edie Sedgwick, as he did on the Cult's Sonic Temple. So in 2007, an age when pure hard rock was nothing to be ashamed of, the Cult roared back with the back-to-basics record Born into This. (As in the past, Ian Astbury and Billy Duffy are the Cult; bassist Chris Wyse and drummer John Tempesta are nothing more than hired guns here.) From the beginning of the first track, it's clear that Born into This is going to rock as hard as Electric or 1989's Sonic Temple. The Cult have obviously quit the experimentalism and art rock asides of the '90s and 2000s, in favor of something that fits in well with both Astbury's time fronting the Doors and Duffy's unapologetic metal side project, Circus Diablo. Aside from the occasional flourish of their post-punk gothic past, most of the record is the dirtiest and heaviest hard rock they've recorded since the '80s, like the trailer single "Dirty Little Rockstar" or the similarly trashy "Diamonds." Astbury's vocals are as muscular as they've ever been, although his quavering vibrato on the ballad "Holy Mountain" marks it as a latter-day Cult song. Duffy's songwriting edge may have dulled slightly, but his lead guitar and the production of longtime British associate Youth make up for any inadequacy. © John Bush /TiVo
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Alternative en Indie - Verschenen op 16 februari 1987 | Beggars Banquet

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Alternative en Indie - Verschenen op 20 april 1987 | Beggars Banquet

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Rock - Verschenen op 31 maart 2020 | Vox Humana

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Alternative en Indie - Verschenen op 18 januari 1993 | Beggars Banquet

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Alternative en Indie - Verschenen op 26 juni 1989 | Beggars Banquet

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Rock - Verschenen op 22 mei 2012 | Cooking Vinyl