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Religieuze vocale muziek - Verschenen op 12 oktober 2010 | harmonia mundi

Hi-Res Onderscheidingen Diapason d'or - Choc de Classica - Uitzonderlijke Geluidsopnamen - Hi-Res Audio
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Religieuze vocale muziek - Verschenen op 26 augustus 2013 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - Hi-Res Audio
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Klassiek - Verschenen op 14 april 2009 | harmonia mundi

Onderscheidingen 5 de Diapason - Gramophone Award - Choc de Classica
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Religieuze vocale muziek - Verschenen op 16 januari 2007 | harmonia mundi

Onderscheidingen Diapason d'or de l'année - Diapason d'or - Choc du Monde de la Musique
This gorgeous release by the young English unaccompanied vocal group Stile Antico would be worth your time and money simply for the quiet, perfectly intoned singing on display here. But the album accomplishes more than vocal virtuosity. Stile Antico presents music by three generations of English choral composers, all of it from the Catholic sphere and all of it written for the late-evening Compline services of the liturgical day. That programming decision results in a collection of music that wouldn't have been heard in the sixteenth century (the older music of Sheppard probably wouldn't have lasted until the century's end) but that does make sense to the modern listener trying to learn to hear this music with Renaissance ears. The reason is that the program is ideally structured to lead the listener from Sheppard (and his contemporary Hugh Aston) to Thomas Tallis and his musical heir, William Byrd. The disc opens with a two-section "Libera nos" by Sheppard, rich and dense. It moves on to one of Byrd's sparsest compositions, the hymn "Christe, qui lux es et dies," which ironically seems to have been influenced by the severe homophony of Anglican service music. Sheppard is generously represented, and this disc is strongly recommended to anyone who has been intrigued with his music but has felt overwhelmed by an entire disc's worth of it -- it seems to give the modern listener little to hang on to, but when placed in contrast with the more ordered works of Tallis and Byrd it seems luxuriant. The program is tied together as well by the Compline themes, which lend the entire album a meditative cast that will appeal to casual listeners as strongly as it will to closely attentive ones. This is superb choral singing that stands out from the crowd of recordings of unaccompanied English music of the sixteenth century. © TiVo
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Klassiek - Verschenen op 9 maart 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama - Gramophone Editor's Choice
The Tenebræ responsories come from an immense collection of polyphonic music for Holy Week, the Officium Hebdomadæ Sanctæ, published by Victoria in 1585, which brings together several pieces written during the twenty years he spent in Rome. The responsories, brought together here, form part of a much longer Tenebræ, which essentially combined the monastic Hours of matins and lauds, for each of the final three days of the Holy Week. One of the characteristic traits of this service consists in the progressive extinguishing of fifteen votive candles until the church is finally plunged into the darkness from which the ceremony draws its name. The responsory is one part of a much broader liturgy, which was for the most part sung in plainsong. The musical richness of Victoria's polyphonic compositions made a striking contrast to this liturgy. Such an effect is harder to effect in concert, or even on a recording, where we are outside the liturgical context: here, we have uninterrupted polyphony. While the music is very varied, the uninterrupted use of the same mode and the same textures in three or four pieces throughout these 18 Responsories could, at times, give the impression that one is listening to a single piece. To counteract that impression, here and there the Stile Antico vocal ensemble has introduced extracts from readings of the Lamentations, sung in plainsong at the end of each Responsory. And so the contrast is restored. The programme closes with the luminous and oh-so-soothing six-voice motet for Holy Week O Domine Jesu Christi, again published in Rome in 1576. © SM/Qobuz
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Klassiek - Verschenen op 13 november 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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Religieuze vocale muziek - Verschenen op 14 februari 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen Choc de Classica - Hi-Res Audio
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Klassiek - Verschenen op 22 september 2014 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Klassiek - Verschenen op 29 januari 2021 | Decca (UMO) (Classics)

Hi-Res Onderscheidingen 5 de Diapason
Josquin des Prés, who died exactly five centuries ago (1521) in Condé-sur-l'Escaut (in today's Hauts de France region near Valenciennes), is one of the great figures of the Franco-Flemish school and one of the greatest composers in the history of Western music. The reputation of this musician-traveller spread throughout Europe during his lifetime and he was known in Burgundy, France and throughout Italy. He was a member of the Pope's Chapel in Rome, after having assumed offices in Milan and Ferrara in the service of the Sforza family. Widely distributed thanks to the invention of the printing press, his music has survived, in the form of over two hundred and forty works.This album is part of a trilogy of recordings planned by Decca to constitute a portrait of Josquin des Prés according to current practices and knowledge. Recorded in July 2020 by the Stile Antico ensemble, it presents master works: the sublime Messe Pange lingua, with motets and songs, including Vivrai-je tousjours, recorded here for the first time. Coming from the English choral tradition of Oxford and Cambridge, Stile Antico offers us a decanted vision, out of time and stripped of any sensuality, as if to better emphasise the abstraction of Josquin's harmonic research. © François Hudry/Qobuz
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Religieuze vocale muziek - Verschenen op 13 februari 2007 | harmonia mundi

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 15 oktober 2015 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Religieuze vocale muziek - Verschenen op 11 januari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or
The regime of Queen Elizabeth I dealt harshly with supporters of the old Catholic religion. Torn between obedience and conscience, some of England’s most talented musicians – Philips, Dering and Dowland – chose a life of exile abroad. Others chose to remain in spiritual isolation in England, comparing themselves to the exiled Israelites in Babylon. Amongst them were Robert White, whose five-part Lamentations are one of the glories of English music of any age, and William Byrd, whose anguished Catholic music is referenced in Shakespeare’s enigmatic poem The Phoenix and the Turtle, vividly set by Huw Watkins especially for stile antico. © harmonia mundi
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Religieuze vocale muziek - Verschenen op 5 april 2013 | harmonia mundi

Onderscheidingen Diapason d'or
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Religieuze vocale muziek - Verschenen op 2 september 2010 | harmonia mundi

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 27 januari 2017 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 8 juni 2015 | harmonia mundi

Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 25 oktober 2019 | harmonia mundi

Hi-Res Booklet
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Klassiek - Verschenen op 15 oktober 2015 | harmonia mundi

Hi-Res Booklet
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Klassiek - Verschenen op 29 januari 2021 | Decca (UMO) (Classics)

Josquin des Prés, who died exactly five centuries ago (1521) in Condé-sur-l'Escaut (in today's Hauts de France region near Valenciennes), is one of the great figures of the Franco-Flemish school and one of the greatest composers in the history of Western music. The reputation of this musician-traveller spread throughout Europe during his lifetime and he was known in Burgundy, France and throughout Italy. He was a member of the Pope's Chapel in Rome, after having assumed offices in Milan and Ferrara in the service of the Sforza family. Widely distributed thanks to the invention of the printing press, his music has survived, in the form of over two hundred and forty works.This album is part of a trilogy of recordings planned by Decca to constitute a portrait of Josquin des Prés according to current practices and knowledge. Recorded in July 2020 by the Stile Antico ensemble, it presents master works: the sublime Messe Pange lingua, with motets and songs, including Vivrai-je tousjours, recorded here for the first time. Coming from the English choral tradition of Oxford and Cambridge, Stile Antico offers us a decanted vision, out of time and stripped of any sensuality, as if to better emphasise the abstraction of Josquin's harmonic research. © François Hudry/Qobuz