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Symfonische muziek - Verschenen op 3 november 2017 | Chandos

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Qobuzism - 5 étoiles de Classica
Aside from Elgar’s fascinating and obligatory Falstaff composed in 1913 (a Symphonic Study according to the partition, but in reality a symphonic poem in the grand tradition of Strauss— about whom Elgar probably thought when he wrote his masterpiece, and the rather present solo cello cannot help but remind us of Strauss’ Don Quixote, composed sixteen years earlier), the album distinguishes itself by a few melodies with orchestra from the same Elgar, a repertoire unfortunately too often neglected and yet of breathtaking beauty (we hear, in a pinch, the Sea Pictures performed from time to time, but that’s all folks). And when you know that it’s the now very famous baritone Roderick Williams on the mic, we can only applaud the initiative of Andrew Davis and the BBC Philharmonic to feature these splendors once again. Elgar proves to us here that, far from just being a great master of large symphonic-vocal soundscapes in the form of oratorio (we obviously think about The Dream of Gerontius, The Apostles and The Music Makers), he handles the miniature with genius. Roderick Williams, one of the most beautiful voices of today’s British scene, grasps these rarities with a joy that is as rare as these pieces. The album closes on a hilarious wink, the Smoking Cantata, a cantata with a ginormous orchestration but that lasts… only 49 seconds, and whose text is limited to: “Kindly, Kindly, kindly do not smoke in the hall or staircase”. It’s the best British humor! Qobuz technical commentary on sound qualityThe sound quality for this wonderful orchestration is refined; the level ratios are well-judged; and the distances between the consoles are just right, in this airy piece of mixing that renders the lines exceptionally clear. Clear and enveloping reverberation never hides the discourse: the result is a rare evenness between the different families within the orchestra. The tutti certainly aren’t lacking any liveliness, thanks to the remarkably assured dynamic, and when the percussion gets going we discover a beautifully-proportioned hall, which gives the sound room to develop without constraints. Without falling into the very (too?) popular trap of ultra-proximity, and because the acoustics allow it, Chandos has produced a mix which really respects the score, the performance, and the sound scene... what a relief! © SM/Qobuz
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Symfonische muziek - Verschenen op 5 april 2011 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - Choc Classica de l'année - Hi-Res Audio
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Vocale muziek (wereldlijk en religieus) - Verschenen op 1 november 2019 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 étoiles de Classica
Bliss composed The Enchantress in 1951, the year of his sixtieth birthday, for Kathleen Ferrier. The text is a free adaptation of the Second Idyll of Theocritus, made by Henry Reed, and well suited to Bliss’s love of classical Greek authors. Meditations on a Theme by John Blow, from 1955, was written for the CBSO, the first in a number of commissions from the John Feeney Trust. Inspired by John Blow’s Coronation Anthems, the work is a set of variations on a Sinfonia from that collection, each variation reflecting the text of a verse from Psalm XXIII. Described as a sacred cantata, Mary of Magdala was Bliss’s second Feeney Trust commission, composed during 1962 and 1963. For a libretto, Bliss turned to Christopher Hassall, his collaborator on three previous works, including The Beatitudes. Bliss conducted the premiere at the Three Choirs Festival in 1963, and wrote in his programme note: ‘One of the loveliest stories in the New Testament is that in the 20th chapter of St John’s Gospel, telling of how Mary Magdalene, lingering at the sepulchre, was the first to see the risen Christ. She, supposing him to be the gardener.’ The BBC Symphony Orchestra and Chorus give of their best under their former chief conductor Sir Andrew Davis, and the contributions from the soloists, Dame Sarah Connolly and James Platt, are outstanding. © Chandos
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Symfonische muziek - Verschenen op 5 februari 2013 | Chandos

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 1 januari 1987 | Angel Records

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Klassiek - Verschenen op 1 januari 1987 | Warner Classics (Parlophone)

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Klassiek - Verschenen op 1 januari 1987 | EMI Classics

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Klassiek - Verschenen op 1 januari 2005 | EMI Classics

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Symfonische muziek - Verschenen op 19 oktober 2000 | LucasRecords

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Klassiek - Verschenen op 1 januari 1987 | Warner Classics (Parlophone)

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Klassiek - Verschenen op 1 januari 2000 | Angel Records