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Alternative en Indie - Verschenen op 18 januari 2019 | Jagjaguwar

Hi-Res Booklet Onderscheidingen Pitchfork: Best New Music
Sharon Van Etten waited five years before releasing a follow up to Are We There, her 2014 album on which she brilliantly juggled between the legacies of Cat Power, Nick Cave, John Cale, Joan As Police Woman, St Vincent, Feist and Fiona Apple. It’s a record on which she was, above all, herself. She confirms this with Remind Me Tomorrow which was conceived when her schedule was overflowing between a role in the series The OA, the writing of the soundtrack for Katherine Dieckmann’s film Strange Weather, the music for comedian Tig Notaro’s show, preparing for a psychology degree, an appearance in the series Twin Peaks and the birth of her first child!Energy is at the heart of this 2019 vintage record on which John Congleton handled the the arrangements. The producer is without a doubt at the forefront of the more rhythmic sequences rather than the more accustomed ones, such as the single Comeback Kid. With less minimalist reflections and more assertive affirmations, Sharon Van Etten hasn’t lost her uniqueness along the way. And what she has added here doesn’t alter the original taste too much. Congleton knew how to find the perfect sound texture to make the singer’s gothic folk universe all the more powerful and charming. With this album one of the most talented artists of her generation continues to grow. © Marc Zisman/Qobuz
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Alternative en Indie - Verschenen op 16 april 2021 | Ba Da Bing!

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Alternative en Indie - Verschenen op 27 mei 2014 | Jagjaguwar

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Alternative en Indie - Verschenen op 7 februari 2012 | Jagjaguwar

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Alternative en Indie - Verschenen op 20 mei 2021 | Jagjaguwar

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Get out the cinemascope, hit the lights and roll out the red carpet: Sharon Van Etten and Angel Olsen will take care of the rest. For this magical pop song, gilded and shining like a diamond, these two American queens of the indie scene, with a (more or less) folk vibe, join forces and pool their lyrical talents. With perfect production from the unmissable John Congleton, Like I Used To is one of those timeless vintage singles that owes as much to sugary sixties girl-group pop as to the silky ballads of the Nashville Sound, or even slightly lounge-inflected pop songs. This duo-for-a-day, eloquent but never overbearing, offer up guitars and piano woven into a fine filigree of the sort that Richard Hawley might have made. Champagne! © Marc Zisman/Qobuz
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Alternative en Indie - Verschenen op 21 september 2010 | Ba Da Bing!

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Alternative en Indie - Verschenen op 13 november 2020 | Jagjaguwar

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Alternative en Indie - Verschenen op 26 mei 2009 | language of stone - sve productions

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Alternative en Indie - Verschenen op 27 maart 2020 | Jagjaguwar

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Alternative en Indie - Verschenen op 9 juni 2015 | Jagjaguwar

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Alternative en Indie - Verschenen op 12 februari 2021 | Jagjaguwar

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Alternative en Indie - Verschenen op 10 augustus 2021 | Jagjaguwar

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Alternative en Indie - Verschenen op 20 april 2013 | Jagjaguwar

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Alternative en Indie - Verschenen op 13 november 2012 | Jagjaguwar

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Originele soundtracks - Verschenen op 3 maart 2017 | 30th Century Records - Columbia

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Alternative en Indie - Verschenen op 20 mei 2009 | Language Of Stone

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Alternative en Indie - Verschenen op 14 oktober 2020 | Jagjaguwar

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Alternative en Indie - Verschenen op 18 maart 2021 | Ba Da Bing!

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Alternative en Indie - Verschenen op 5 februari 2020 | Jagjaguwar

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Alternative en Indie - Verschenen op 4 maart 2021 | Ba Da Bing!

Artiest

Sharon Van Etten in het magazine