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Klassiek - Verschenen op 7 juni 2011 | CapriccioNR

Booklet Onderscheidingen 4 étoiles de Classica
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Klassiek - Verschenen op 4 september 2015 | CapriccioNR

Onderscheidingen Choc de Classica
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Klassiek - Verschenen op 24 augustus 2010 | CapriccioNR

Booklet Onderscheidingen 5 de Diapason
HI-RES€ 35,96
CD€ 23,96

Opera - Verschenen op 20 oktober 2017 | PentaTone

Hi-Res Booklet
CD€ 19,99

Originele soundtracks - Verschenen op 19 januari 2018 | Pan Classics

Booklet
Directed by the Munich conductor Frank Strobel (who also oversaw the mixing), the re-recording of the Metropolis soundtrack took place on the occasion of the restoration of this Fritz Lang classic, 83 years after its release. In 1927, the composer Gottfried Huppertz (1887-1937) was already a recognised film composer. Most notably, he gave the world the music for Nibelungen by the same Fritz Lang, in 1924. With Metropolis, he helped to establish film music as a respected form, at a time when the "genre" was in its infancy. Beyond the precision with which the score is written in terms of its correspondence with the images of a futuristic city, we find several fundamentals which would shape the golden age of a certain aesthetic in film music, in Germany, but also in Hollywood. First of all, it is composed in a tonal mode, epic and neo-romantic; it takes in many leitmotifs which describe both the characters and the themes of the film (love, rebellion, etc.) and finally, in spite of the general classicism, the Huppertz score is also a music of its time, Huppertz not hesitating to call in jazz harmonies and syncopated rhythms. And so this music contains all the elements which will be present across many of the film productions that would follow, including the Star Wars saga! ©NM/Qobuz
CD€ 39,99

Klassiek - Verschenen op 5 mei 2015 | CapriccioNR

Booklet
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Klassiek - Verschenen op 11 mei 2018 | Naxos

Hi-Res Booklet
Being honest, with the exception of Má Vlast – and really just the Moldau – and the opening of The Bartered Bride, the works of Smetana are just not really known, at least not on this side of the Vltava. Of course, everyone knows that he was the founding father of Czech national music, who broke ground later ploughed by Dvořák, Suk, Martinů and Janáček, but his grandfatherly role seems to have won him more honour than it did audiences for his music. In his own time, the very idea of the Czech nation was quite fluid; in 1854, when Smetana wrote his Festive Symphony Op. 6, he worked in various references... including the imperial anthem of the Habsburg monarchy! It's a theme from Haydn, but all the same, the allusion might have ruffled a few nationalist feathers... And it's still ruffling them today! And for that reason, this symphony – the only work by Smetana in this format – has remained largely ignored. So we should welcome this new release. The programme is rounded off with a chance to enjoy re-discovering the vivid overture of The Bartered Bride of 1866, as well as three typical dances which were added to the score three years later: a polka, a furiant and a general dance, all very famous pieces today, and with good reason. © SM/Qobuz
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Klassiek - Verschenen op 1 april 2016 | Naxos

Hi-Res Booklet
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Klassiek - Verschenen op 1 juli 2015 | NMC Recordings

Booklet
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Klassiek - Verschenen op 9 maart 2010 | CapriccioNR

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Klassiek - Verschenen op 6 augustus 2010 | Wergo

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Klassiek - Verschenen op 21 oktober 2011 | Wergo

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Klassiek - Verschenen op 3 augustus 2018 | CapriccioNR

CD€ 59,99

Klassiek - Verschenen op 1 januari 2006 | CapriccioNR

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Klassiek - Verschenen op 1 januari 2005 | CapriccioNR

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Klassiek - Verschenen op 1 maart 2006 | CPO

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Klassiek - Verschenen op 1 januari 1999 | CapriccioNR

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CD€ 11,99

Klassiek - Verschenen op 15 september 2017 | PentaTone

Hi-Res Booklet
Strauss’s bold and passionate tone poem Also Sprach Zarathustra is a riveting work, famous for its startlingly atmospheric opening. With a thrilling and florid orchestral score, it’s a work which Jurowski observes “…launches the whole idea of 20th century music. Written in the 19th century, this is one of those pieces which announces the new century to come.” It is paired with Mahler’s no less gripping Totenfeier which is an early version of the first movement of his Symphony No 2 “Resurrection”. “I find very interesting to compare [the two versions] …”, writes Jurowski, “In many ways, the Totenfeier is less accomplished , but far more honest and genuine.” Juxtaposing the Strauss and Mahler works in this way, Jurowski notes “Zarathustra is all about technical brilliance and accomplishment … in the Mahler the surfaces are much less polished, so there is much more aspiration to go into the depth of things.” © Pentatone
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Klassiek - Verschenen op 1 januari 1989 | CapriccioNR