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Klassiek - Verschenen op 1 november 2019 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
As one of the finest pianists of his era and an improviser of genius, Ludwig van Beethoven’s preferred vehicle for musical exploration was the piano. His earliest composition, from 1782, was a set of piano variations and he continued to compose for solo piano until the last years of his life. His interest in the concerto form diminished as his deafness forced him to retire from performing. Nonetheless, with his five piano concertos composed between 1788 and 1809, Beethoven not only achieved a brilliant conclusion to the Classical piano concerto, but also established a new model for the Romantic era: a sort of symphony with obbligato piano which remained a reference point well into the beginning of the twentieth. Ronald Brautigam has already recorded these seminal works with the Norrköping Symphony Orchestra, in acclaimed performances released between 2008 and 2010. Since then he has also released all of Beethoven’s solo piano music on the fortepiano to universal praise. When Brautigam now returns to the concertos, it is in the company of conductor Michael Alexander Willens and Die Kölner Akademie playing on period instruments. The same team has previously partnered him in an 11-disc survey of Mozart’s piano concertos and it is plain to hear that all involved clearly relish the opportunity to congratulate Beethoven on the eve of his 250th anniversary. © BIS Records
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Concerten voor klavier - Verschenen op 2 september 2016 | BIS

Hi-Res Booklet Onderscheidingen 4 étoiles Classica - 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 3 februari 2017 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Piano solo - Verschenen op 8 januari 2005 | BIS

Hi-Res Booklet Onderscheidingen Choc de Classica
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Klassiek - Verschenen op 6 november 2012 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Kamermuziek - Verschenen op 1 augustus 2003 | BIS

Hi-Res Booklet Onderscheidingen Diapason d'or
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Concerten voor klavier - Verschenen op 1 april 2016 | BIS

Hi-Res Booklet Onderscheidingen 4 étoiles Classica
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Klassiek - Verschenen op 6 januari 2015 | BIS

Booklet Onderscheidingen 4 étoiles Classica
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Klassiek - Verschenen op 1 april 2014 | BIS

Booklet Onderscheidingen Gramophone Editor's Choice
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Concerten voor klavier - Verschenen op 6 november 2015 | BIS

Booklet Onderscheidingen 4 étoiles Classica
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Klassiek - Verschenen op 19 maart 2021 | BIS

Hi-Res Booklet
Carl Maria von Weber wrote music that has been admired by composers as diverse as Schumann, Berlioz, Tchaikovsky, Debussy, Ravel and Stravinsky. But in his lifetime he was also recognised as one of the finest pianists of the period, with an exceptional technique and a brilliant gift for improvisation. Especially during the 1810s he toured extensively, and like other composer-pianists he wrote works to use as his personal calling cards, among them the two piano concertos recorded here. They were both composed in 1811-12, but while the First Concerto takes Mozart’s concertos as its model, Piano Concerto No. 2 looks towards Beethoven. This change of direction was probably influenced by the fact that Weber had acquired a score of Beethoven’s recently published "Emperor" Concerto. In any case there are some striking similarities between his concerto and Beethoven’s: the use of identical keys, and the inclusion of a slow, subtly orchestrated Adagio and a closing playful rondo in 6/8. Weber is unmistakeably Weber, however: a highly original orchestrator whose music is at turns brilliant, melancholy and charming. These qualities are to the fore also in the Konzertstück from 1821, in which the composer liberates himself from Classical models and finds a new path. Much admired by Liszt, the work is a kind of symphonic poem in four sections, played without a break. © BIS Records
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Klassiek - Verschenen op 6 september 2019 | BIS

Hi-Res Booklet
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Symfonische muziek - Verschenen op 1 januari 1993 | Decca Music Group Ltd.

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Klassiek - Verschenen op 6 november 2020 | BIS

Booklet
‘An ideal mixture of clarity and stylish effervescence’ (International Record Review) and ‘a completely new, crisp “Mozart-feel” for the 21st century’ (Stereoplay) were just a couple of the reactions from reviewers to the fresh, sometimes bracing readings that Ronald Brautigam and the Kölner Akademie offered up during their series of Mozart’s piano concertos. Released between 2010 and 2016, individual installments also received special recommendations from websites and magazines such as Klassik-Heute, Luister, Scherzo and Gramophone, which listed the team’s performances of Concertos No. 18 and No. 22 among its ‘50 greatest Mozart recordings’. The albums have now been collected in a boxed set, with the addition of the double and triple concertos that Brautigam recorded in 2006 with Alexei Lubimov and Manfred Huss as his fellow soloists, accompanied by the Haydn Sinfonietta Wien. The set spans Mozart’s entire career, from the 11-year old budding composer’s so-called ‘pasticcio concertos’ (Nos. 1-4) to Piano Concerto No. 27 in B-flat Major, K. 595, which he gave the first performance of less than a year before his death in December 1791. © BIS Records
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Klassiek - Verschenen op 1 augustus 2000 | BIS

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Klassiek - Verschenen op 3 juni 2016 | BIS

Hi-Res Booklet
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Klassiek - Verschenen op 4 januari 2019 | BIS

Hi-Res Booklet
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Klassiek - Verschenen op 1 mei 2003 | BIS

Hi-Res Booklet
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Klassiek - Verschenen op 1 januari 2005 | BIS

Hi-Res Booklet
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Klassiek - Verschenen op 29 oktober 2013 | BIS

Hi-Res Booklet