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Folk - Verschenen op 24 februari 2017 | Nonesuch

Hi-Res Booklet Onderscheidingen Qobuzism
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Folk - Verschenen op 3 mei 2019 | Nonesuch

Hi-Res Onderscheidingen Songlines Five-star review
“It’s the diversity in America that makes the music so powerful!”. Rhiannon Giddens, Gaelic first name, white father, mother of black and Native American (Occaneechi) ancestry, embodies the melting pot that is North American culture. The coloratura soprano that delivers an impenetrable folk, soul, blues, and bluegrass voice more than an opera one, has released her third record. She was discovered by the Coen brothers (Inside Llewyn Devis alongside Elvis Costello) and has collaborated with T-Bone Burnett. She has passed by Carolina Chocolate Drops and the White House and is the author of two acclaimed solo albums and one as Our Native Daughters (with Leyla McCalla, Allison Russell and Amythyst Kiah). The forty-year-old has, indeed, already done a lot.In collaboration with multi-instrumentalist Francesco Turrisi and produced by the excellent Joe Henry in 5 days in Dublin, There Is No Other combines original compositions with covers of classics, over a background of traditional Arabic music with Celtic and Italian influences. Within, one can find I’m Gonna Write Me A Letter by Ola Belle Reed, Brown Baby by the activist Oscar Brown Jr, or (from another genre) the Pizzica di San Vito or the Black Swan by Menotti. A diverse success. © Charlotte Saintoin/Qobuz
HI-RES€ 19,49
CD€ 16,99

Folk - Verschenen op 3 mei 2019 | Nonesuch

Hi-Res
HI-RES€ 15,99
CD€ 13,49

Folk - Verschenen op 9 februari 2015 | Nonesuch

Hi-Res Booklet
Listening to Rhiannon Giddens' debut solo album a few years after its original 2015 release, one can easily see how Tomorrow Is My Turn makes sense both as part of her larger oeuvre and as the opening statement for a solo career that would be defined by a creative tension between the past and the present. After her buzzy success with the Carolina Chocolate Drops' old-timey revivalism, Giddens' first solo outing shifts toward dramatic arrangements of some relatively unheard folk, blues, and country songbook treasures to showcase her clear, powerful voice. Takes on Elizabeth Cotten's "Shake Sugaree" and Sister Rosetta Tharpe's "Up Above My Head" call most clearly back to the vibe of Carolina Chocolate Drops, but for the most part, the album is pointing forward to the rich textural diversity Giddens would explore on future albums. Most of the songs here, ranging from traditional numbers like "O Love Is Teasin'" and a Dolly Parton deep cut "Don't Let It Trouble Your Mind" to more well-known songs like "She's Got You" (made famous by Patsy Cline), evoke the era from which they hail, but the production and arrangements (crafted by Giddens and producer T-Bone Burnett), for the most part, displace them from their origins, turning Giddens into both an interpreter and a new owner. Only one track—"Black is the Color"—fumbles the approach by trying to explicitly merge contemporary production touches with a swinging backing arrangement, but it's followed immediately by a strong, sparse take on "Round About the Mountain" that is emotionally riveting and one of the album's best. Clean, clear production throughout correctly focuses the listener's attention on Giddens' voice, but also allows plenty of room for the organic instrumentation that supports it. © Jason Ferguson/Qobuz
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CD€ 4,99

Folk - Verschenen op 27 november 2015 | Nonesuch

Hi-Res
CD€ 14,99

Folk - Verschenen op 24 februari 2017 | Nonesuch

Booklet
CD€ 13,99

Folk - Verschenen op 6 februari 2015 | Nonesuch

Booklet
Listening to Rhiannon Giddens' debut solo album a few years after its original 2015 release, one can easily see how Tomorrow Is My Turn makes sense both as part of her larger oeuvre and as the opening statement for a solo career that would be defined by a creative tension between the past and the present. After her buzzy success with the Carolina Chocolate Drops' old-timey revivalism, Giddens' first solo outing shifts toward dramatic arrangements of some relatively unheard folk, blues, and country songbook treasures to showcase her clear, powerful voice. Takes on Elizabeth Cotten's "Shake Sugaree" and Sister Rosetta Tharpe's "Up Above My Head" call most clearly back to the vibe of Carolina Chocolate Drops, but for the most part, the album is pointing forward to the rich textural diversity Giddens would explore on future albums. Most of the songs here, ranging from traditional numbers like "O Love Is Teasin'" and a Dolly Parton deep cut "Don't Let It Trouble Your Mind" to more well-known songs like "She's Got You" (made famous by Patsy Cline), evoke the era from which they hail, but the production and arrangements (crafted by Giddens and producer T-Bone Burnett), for the most part, displace them from their origins, turning Giddens into both an interpreter and a new owner. Only one track—"Black is the Color"—fumbles the approach by trying to explicitly merge contemporary production touches with a swinging backing arrangement, but it's followed immediately by a strong, sparse take on "Round About the Mountain" that is emotionally riveting and one of the album's best. Clean, clear production throughout correctly focuses the listener's attention on Giddens' voice, but also allows plenty of room for the organic instrumentation that supports it. © Jason Ferguson/Qobuz
HI-RES€ 2,99
CD€ 2,29

Folk - Verschenen op 20 maart 2019 | Nonesuch

Hi-Res
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Pop - Verschenen op 30 januari 2015 | Nonesuch

HI-RES€ 2,99
CD€ 2,29

Folk - Verschenen op 23 augustus 2020 | Nonesuch

Hi-Res
HI-RES€ 2,99
CD€ 2,29

Pop - Verschenen op 7 mei 2020 | Nonesuch

Hi-Res
CD€ 4,99

Folk - Verschenen op 27 november 2015 | Nonesuch

Folk - Verschenen op 15 december 2014 | Nonesuch

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CD€ 1,19

Klassiek - Verschenen op 3 januari 2018 | Sony Worldwide

Folk - Verschenen op 21 januari 2015 | Nonesuch

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