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Opera - Verschenen op 7 oktober 2016 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Qobuzism
As Mozart wrote to his father in 1778: "I love it when an aria fits a singer as perfectly as a suit". This, by reasoning, means that virtually all of his greatest melodies – for both prima donna and secondary (supporting) roles - were designed for a specific type of voice. This means that anyone who wants to tackle numerous Mozart roles must know how to adapt their suit accordingly – no simple task, to say the least. Swiss soprano coloratura Regula Mühlemann, with her sumptuous, clear and precise vocals, has perfectly adapted to all of these melodies, as well as the wide range of genres, styles and characters explored. Among the works, one will find Exultate, Jubilate and also a melody that Mozart had written to be inserted in The Barber of Seville by Paisiello, although this did not materialize and Mozart left the work unfinished. Regula Mühlemann, whom we have already witnessed in Salzburg, Berlin, Paris, Zurich, and many other prestigious cities and settings, is accompanied here by the Basel Chamber Orchestra conducted by Umberto Benedetti Michelangeli, the nephew of famous Italian pianist Arturo Benedetti Michelangeli. © SM / Qobuz
HI-RES€ 16,99
CD€ 14,49

Klassiek - Verschenen op 8 november 2019 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
HI-RES€ 16,99
CD€ 14,49

Klassiek - Verschenen op 8 september 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
For the present album, star-soprano Regula Mühlemann has chosen works that date from the 17th and 18th centuries and include highly stylised accounts of Cleopatra’s life as well as exotically charged fantasies and entertaining interpretations of a remarkable and epoch-making woman and her fate. Above all, they tell us about the way in which Baroque poets and their composers thought and felt, while also allowing us to sense something of the queen’s true character through the powerful emotions of these works, through their juxtaposition of sensuous sonorities and energy-laden drama and through their simultaneous elements of severity and beauty. Hasse shows us her pride, Sartorio her seductiveness and beguiling nature, Scarlatti opposes her humanity laying behind her superb regality as stressed by Graun. Matheson rather speaks of her death and the soon-to-be ascent of her soul towards the Gods, with the myth of the snakebite – after which she will be reborn through Isis, all the more as the queen considered herself to be the earthly incarnation of the goddess Aphrodite, whose Egyptian counterpart is none other than Isis. The virtuosity of Mühlemann does wonders with these remarkable scores. © SM/Qobuz
CD€ 14,49

Klassiek - Verschenen op 8 september 2017 | Sony Classical

Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
For the present album, star-soprano Regula Mühlemann has chosen works that date from the 17th and 18th centuries and include highly stylised accounts of Cleopatra’s life as well as exotically charged fantasies and entertaining interpretations of a remarkable and epoch-making woman and her fate. Above all, they tell us about the way in which Baroque poets and their composers thought and felt, while also allowing us to sense something of the queen’s true character through the powerful emotions of these works, through their juxtaposition of sensuous sonorities and energy-laden drama and through their simultaneous elements of severity and beauty. Hasse shows us her pride, Sartorio her seductiveness and beguiling nature, Scarlatti opposes her humanity laying behind her superb regality as stressed by Graun. Matheson rather speaks of her death and the soon-to-be ascent of her soul towards the Gods, with the myth of the snakebite – after which she will be reborn through Isis, all the more as the queen considered herself to be the earthly incarnation of the goddess Aphrodite, whose Egyptian counterpart is none other than Isis. The virtuosity of Mühlemann does wonders with these remarkable scores. © SM/Qobuz
HI-RES€ 16,99
CD€ 14,49

Klassiek - Verschenen op 8 november 2019 | Sony Classical

Hi-Res Onderscheidingen 5 Sterne Fono Forum Klassik
Awarded for his Mozart recital in a Qobuzissime, the soprano Regula Mühleman continues her discographic journey with Sony with an album dedicated to an outstandingly romantic theme. Lieder der Heimat is an ambitiously conceived musical work as it merges masterpieces (Schubert, Liszt), unexpected rarities (Rossini) and rarities (Baumgartner, Frey and the very French Marguerite Roesgen-Champion) around a typically German concept. We could translate Heimat as motherland, but we would then be neglecting the affectionate aspect of the German term where one would wander the German countryside in their youth. The atmosphere and expression of feeling in this lied are very much tied to this privileged place. Schubert produces art where melodic and harmonic sophistication are forgotten in the place of natural poetry that speaks straight from the heart. The album also opens with the sound of the pastoral instrument par excellence, the clarinet, here played by Daniel Ottensamer. Its velvety house-hold fireside sound acts as the opener for Regula Mühlemann. The program unravels without warning as her clear, warm voice settles into the repertoire – in German, French, Italian and even Alemannic. We are all awoken from a dreamlike state as La Vieille Chanson de Guggisberg begins. The singer adjusts her timbre to provide colour thanks to supple inflections and an almost subdued vibrato. This a cappella section starts with one voice that is joined by a second then a third – it’s a shame the booklet doesn’t give more details about the additional participants. Be that as it may, Regula Mülemann forms a perfect duo with the pianist Tatiana Korsunskaya. The latter also plays a solo of a rippling page from Années de pèlerinage: Le lac de Wallenstadt. While Konstantin Timokhine signals a return to Schubert with a stroll-like accompaniment of the sound of a natural alpine horn (Auf dem Strom, D. 943), it is two, more operatic pieces that close the record. Schubert’s La Pastorella al prato wraps things up with clarity and luxury along with one of Rossini’s Soirées musicales, La Pastorella dell’Alpi. The composer of Guillaume Tell (Switzerland again!) offers a somewhat butterfly-minded conclusion to the recording. The incredible Regula Mühlemann suits, unquestionably, all outfits. © Elsa Siffert/Qobuz
HI-RES€ 16,99
CD€ 14,49

Klassiek - Verschenen op 7 oktober 2016 | Sony Classical

Hi-Res
As Mozart wrote to his father in 1778: "I love it when an aria fits a singer as perfectly as a suit". This, by reasoning, means that virtually all of his greatest melodies – for both prima donna and secondary (supporting) roles - were designed for a specific type of voice. This means that anyone who wants to tackle numerous Mozart roles must know how to adapt their suit accordingly – no simple task, to say the least. Swiss soprano coloratura RegulaMühlemann, with her sumptuous, clear and precise vocals, has perfectly adapted to all of these melodies, as well as the wide range of genres, styles and characters explored. Among the works, one will find Exultate, Jubilate and also a melody that Mozart had written to be inserted in The Barber of Seville by Paisiello, although this did not materialize and Mozart left the work unfinished. Regula Mühlemann, whom we have already witnessed  in Salzburg, Berlin, Paris, Zurich, and many other prestigious cities and settings, is accompanied here by the Basel Chamber Orchestra conducted by Umberto Benedetti Michelangeli, the nephew of famous Italian pianist Arturo Benedetti Michelangeli. © SM / Qobuz
CD€ 9,99

Klassiek - Verschenen op 21 juli 2017 | Oehms Classics

Booklet
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CD€ 2,49

Klassiek - Verschenen op 18 oktober 2019 | Sony Classical

Hi-Res
HI-RES€ 2,99
CD€ 2,49

Klassiek - Verschenen op 1 november 2019 | Sony Classical

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HI-RES€ 2,99
CD€ 2,49

Klassiek - Verschenen op 25 oktober 2019 | Sony Classical

Hi-Res