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Concertmuziek - Verschenen op 3 juli 2015 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - Uitzonderlijke Geluidsopnamen - Hi-Res Audio
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Klassiek - Verschenen op 3 juli 2015 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Uitzonderlijke Geluidsopnamen - Hi-Res Audio
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Klassiek - Verschenen op 23 maart 2018 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Uitzonderlijke Geluidsopnamen
After the volumes dedicated to Vivaldi's great instrumental cycles, La Stravaganza (2004), La Cetra (2012) and L’Estro armonico (2015), English violinist Rachel Podger continues her work with her Brecon Baroque ensemble to bring out this version of the Four Seasons, which is rounded off with three violin concertos. Brecon Baroque is an offshoot of the festival of the same name that takes place every year at the end of October, in Wales. A magical place at the confluence of two rivers, where the spectacular countryside draws visitors every year in their hundreds. A passionate fan of the music of Vivaldi and Biber, Rachel Podger, who studied in Germany, demonstrates through her performances just how much the Red Priest's music (and her herself, following Biber) can cloak itself in the mysterious and bizarre, to the point that Vivaldi appears here as a distant descendant of the mannerists from the late Renaissance and early Baroque period. This is a particularly interesting and successful take.
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Klassiek - Verschenen op 10 maart 2015 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Record of the Month
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Klassiek - Verschenen op 27 september 2015 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Choc de Classica - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 22 september 2014 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
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Viool solo - Verschenen op 19 april 2019 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Diapason d'or
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Klassiek - Verschenen op 17 december 2004 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Diapason d'or
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Klassiek - Verschenen op 3 juli 2015 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 3 juli 2015 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 3 juli 2015 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 3 juli 2015 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 3 juli 2015 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 3 juli 2015 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 26 maart 2021 | Channel Classics Records

Hi-Res Booklet
Think of the uncompleted fragments Mozart left behind at his premature death in 1791, and the Requiem is probably the one that springs most easily to mind. However Mozart also left a significant body of unfinished concerti, chamber and piano solo music, and it's four violin and piano fragments that form the basis of this programme from Baroque violinist Rachel Podger with Christopher Glynn: three sonata Allegros in B-flat major, A major and G major, plus a Fantasia in C minor, all dating from Mozart's final decade in Vienna (that's to say, when the violin sonata had developed from its beginnings as what was effectively a piano sonata with violin colour, to a true partnership of equals) and now completed by Royal Academy of Music Deputy Principal Timothy Jones. As for Jones's approach, given that these completions are part of a wider project to use these fragments to improve our understanding of Mozart's music as a whole, he has used them to test out some hypotheses about Mozart's working methods and the evolution of his style: what would happen if he wrote fast; paid attention to the immediate stylistic context of each fragment; kept to each fragment's stylistic principles, but while continuously inventing rather than repeating (because Mozart never repeats himself). Each fragment has been completed multiple times, each testing a different hypothesis, and what has then ended up on this recording are two contrasting options for each of the sonata movements, along with the first of his completions of the Fantasia. This might sound a bit heavy-going if musicological academia is not your thing. But read on, because the good news is that whether musicology gets your pulse racing or has you breaking out in a cold sweat, the bottom line is that this is essentially just good music, beautifully played. From Podger, these are elegantly shaped, cleanly defined and unfussily natural readings, and she's been closely partnered by Glynn on the fortepiano with equally deft articulation and a jewel-like tone that makes his fastest passagework especially lovely. What's more, it's been programmed to sound like a concert rather than a comparative exercise, so rather than each sonata fragment's pair of completions having been placed side by side, they've instead been divided across two groups, separated by the Fantasia. So certainly this is one for Mozart lovers as much as musicological detectives; although once you've familiarised yourselves with the melodic material, you may actually find your appetite growing for some comparative hopping around on your own. Essentially though, there's something for listeners of all shapes here. © Charlotte Gardner/Qobuz
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Klassiek - Verschenen op 16 september 2016 | Channel Classics Records

Hi-Res Booklet
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Duo´s - Verschenen op 19 april 2019 | Channel Classics Records

Hi-Res Booklet
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Viool solo - Verschenen op 19 april 2019 | Channel Classics Records

Booklet
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Klassiek - Verschenen op 1 januari 2000 | Channel Classics Records

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Klassiek - Verschenen op 7 september 2018 | Channel Classics Records

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