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Alternative en Indie - Verschenen op 17 april 1989 | 4AD

Onderscheidingen The Qobuz Ideal Discography
After the shock of Surfer Rosa, fans des Pixies found a tighter, less abrasive, but happily no better-behaved second album. The opening punch of Debaser, the saintly nonchalance on I Bleed, the enlightened surf pop of Monkey Gone To Heaven, the gag of La La Love You: Doolittle, released 1989 stored up all manner of gems, some troubling, others fascinating, others still surprising (everything that happens in the two mere minutes of Waves Of Mutilation is mind-bending), without ever looking like just another production of the times. This fusion of punk rock, surf music and pure pop achieves perfection here. After a record like this, we can have a better idea of where Pavement and Nirvana (Cobain named the Pixies as his favourite group) got their inspiration from...© Marc Zisman
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Alternative en Indie - Verschenen op 21 maart 1988 | 4AD

"Seeking fans of Peter, Paul & Mary and Hüsker Dü". It was this simple small-ad that saw Frank Black, then going by "Black Francis" find his Pixies band-mates, surely the most innovative adventure in rock of the late 1980s. Teetering on an unstable bridge linking the wildest, most de-structured punk and the most joyful pop, the Boston quartet shook things up with their changes in rhythm and other bizarre dissonances. For their first recordings from 1987 and 1988, everything and anything was grist to the mill of their genius: surf music, bubblegum pop, art rock, angular post-punk – each great swerve madder than the last. Joey Santiago's guitar is wild with electric shocks; Kim Deal is bouncing off the walls, and Black Francis belches out the craziest stories. A simply spellbinding first album! © Marc Zisman/Qobuz
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Alternative en Indie - Verschenen op 13 augustus 1990 | 4AD

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Alternative en Indie - Verschenen op 3 mei 2004 | 4AD

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Alternative en Indie - Verschenen op 23 september 1991 | 4AD

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Alternative en Indie - Verschenen op 20 november 2020 | Pixies Music

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Alternative en Indie - Verschenen op 24 februari 2020 | Infectious Music

For once-epic bands that restart their careers, recording new music is always fraught with peril, namely being trapped into an unwinnable comparison with their former selves. The Pixies’ first four albums remain utterly timeless, still gleaming with an otherworldliness unlike anything else before or since. Not surprisingly the band was unable to recapture that edge or atmosphere in either of their post-reformation albums, Indie Cindy (2014) or Head Carrier (2016). Pixies purists will argue that the problem with the new records was the reduced role of Kim Deal, whose fractious relationship with Black Francis was the band's creative heart; the hair trigger tensions was what made the band so special before her final departure in 2013. Paz Lenchantin, who was a new addition for Head Carrier , has now settled in as a permanent contributing member, a change that may have inspired Francis to come up with the best collection of original tunes since 1991's Trompe le Monde. With its steady beat, single note guitar signature and opening lines "I set my broken bone/with a twist and a crack," "Bird of Prey" has more than a whiff of earlier, more conventional songs like "Here Comes Your Man," and is easily one of the album's finest classic Pixies-like numbers. In tunes like "Los Surfers Muertos" and "St. Nazaire" where Francis shrieks the album's best couplet, "Her daddy's dead and her eyes are black/Smells like spliff and Armagnac," Beneath the Eyrie is a conventional four piece rock record. It’s gothy, reminiscent of Nick Cave in spots and vividly obsessed with darkness via lyrics that revel in terms like "venom wine" and "poisonous forest" and Black Francis opining that he's "succeeding as a failure" and yet is "ready for love." Recorded with too much compression and a crushing drum sound, the band has nevertheless finally made a worthy new record, one that both gives them a future and honors their towering past. © Robert Baird/Qobuz
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Alternative en Indie - Verschenen op 28 april 2014 | Pixies Music

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Niet verwacht toch gekregen: in 2014 brengen de Pixies een nieuw album uit. Het vijfde album van de legendarische indiepopgroep uit de Verenigde Staten heet Indie Cindy en wordt gematigd positief ontvangen. Hoewel de Pixies het songschrijven duidelijk niet verleerd zijn, menen sommigen dat de bandleden wat teveel op oude roem teren. © TiVo
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Alternative en Indie - Verschenen op 6 oktober 1997 | 4AD

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Alternative en Indie - Verschenen op 28 september 1987 | 4AD

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Alternative en Indie - Verschenen op 30 september 2016 | Pixies Music

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Carrier (2016) is het tweede album dat de Pixies uitbrengen sinds ze weer bij elkaar zijn. Het is tevens het eerste album waar bassist Paz Lenchantin aan meewerkt, de oorspronkelijke bassiste Kim deal bedankte voor de eer. Hoewel de band opnieuw een set degelijke indiepop-songs aflevert, krijgt het album toch gemengde kritieken. Want zo goed als in hun hoogtijdagen willen de Pixies niet meer klinken. © TiVo
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Alternative en Indie - Verschenen op 5 maart 2001 | 4AD

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Alternative en Indie - Verschenen op 15 januari 2021 | Pixies Music

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Alternative en Indie - Verschenen op 16 juli 2021 | Pixies Music

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Alternative en Indie - Verschenen op 24 september 2020 | Infectious Music

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Alternative en Indie - Verschenen op 16 oktober 2020 | Infectious Music

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Alternative en Indie - Verschenen op 19 februari 2021 | Pixies Music

Alternative en Indie - Verschenen op 1 december 2014 | 4AD

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Alternative en Indie - Verschenen op 14 mei 2021 | Pixies Music

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Alternative en Indie - Verschenen op 1 december 2014 | 4AD