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Klassiek - Verschenen op 19 augustus 2002 | Globe

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Klassiek - Verschenen op 4 maart 2009 | Onyx Classics

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Klassiek - Verschenen op 26 oktober 2009 | Onyx Classics

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Klassiek - Verschenen op 1 juni 2010 | Onyx Classics

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Klassiek - Verschenen op 3 oktober 2011 | Onyx Classics

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Klassiek - Verschenen op 24 september 2012 | EPR-Classic

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Choc de Classica - Exceptional sound
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Klassiek - Verschenen op 20 april 2015 | EPR-Classic

Hi-Res Booklet
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Klassiek - Verschenen op 27 november 2015 | EPR-Classic

Hi-Res Booklet
Second in a collection of six volumes devoted to Schubert and Brahms duets for cello and piano. The shrewdest on qobuz have already raised an eyebrow at the output of the first volume now know that between the two composers, there’s really only 2 Sonatas by Brahms and the sole Sonata Arpeggione by Schubert. Never mind, cellist Pieter Wispelwey and his regular accompanying pianist Paolo Giacometti have decided to do what has always been done, and consult the transcripts. Suddenly, we find ourselves at the head of several Schubertian fantasies, brought to life by the combined efforts of the duo, as well the Brahms sonatas for clarinet or viola, and some others derived from the flute-piano duet. The volume of the second program includes the First Sonata by Brahms and very virtuoso series of variations of Schubert originally designed for the flute. © SM / Qobuz
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Duo´s - Verschenen op 4 november 2016 | EPR-Classic

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
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Kamermuziek - Verschenen op 9 februari 2018 | EPR-Classic

Hi-Res Booklet Onderscheidingen 5 de Diapason
The cellist Pieter Wispelwey and the pianist Paulo Giacometti have decided to record six albums comprising the complete works for duet of Brahms and Schubert. In other words, the pieces written for an instrument and piano. The instrument in question could be the cello, or the violin, the viola, etc. Because can a virtuoso cellist really resist the temptation to dip their toes into other repertoires than their own? After all, we know full well that the composers themselves wouldn't hesitate to transcribe, or authorise a transcription, of their own work for other instruments. And so here is the fourth volume of this collection, which hinges on Brahms's Sonate Op. 78, which was first written for violin in G major, here transcribed into D major by Paul Klengel in 1897; as well as the First Sonata, originally for clarinet Op. 120, by the very same Brahms. Of the latter work, we know that the composer himself transcribed it for the viola, and this transcription formed the basis for Pieter Wispelwey's own re-reading - very close to the viola part, within which he has simply transposed certain uncomfortably high passages down an octave. By way of overture we have Schubert's Rondo in B minor (1826), written for violin and piano, here brought down an octave (or two) for cello, although the change doesn't make any difference at all to the harmonic perception. © SM/Qobuz
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Klassiek - Verschenen op 10 september 2018 | Channel Classics Records

Booklet
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Klassiek - Verschenen op 10 september 2018 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 10 september 2018 | Channel Classics Records

Booklet
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Klassiek - Verschenen op 10 september 2018 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 10 september 2018 | Channel Classics Records

Booklet
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CD€ 11,99

Klassiek - Verschenen op 10 september 2018 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 10 september 2018 | Channel Classics Records

Booklet
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CD€ 11,99

Klassiek - Verschenen op 10 september 2018 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 10 september 2018 | Channel Classics Records

Booklet
CD€ 11,99

Klassiek - Verschenen op 10 september 2018 | Channel Classics Records

Booklet