Your basket is empty

Categories :

Vergelijkbare artiesten

Albums

From
HI-RES€ 14,49
CD€ 9,99

Klassiek - Verschenen op 3 mei 2019 | Signum Records

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Le Choix de France Musique
Fans of the British crown’s splendour will certainly marvel at this double album that reproduces the coronation anthems of the four monarchs of the 20th century: Edward VII in 1902, George V in 1911, George VI in 1937, and current Queen Elizabeth II in 1953. Very few of today’s ceremonies can reach such levels of grandeur.At the crossroads of tradition and innovation, these coronation ceremonies are characterised by the evocation of past heritage works, and the addition of numerous pieces commissioned specifically for the occasion to the best composers in the kingdom. For such events, Westminster Abbey is closed for several months to allow an army of craftsmen to build monumental galleries capable of hosting up to eight thousand guests. Then come the rehearsals with 400-singer choirs, half of them children, an immense orchestra, and the indispensable great organ.This recording is a selection of the best moments of these ceremonies, presented as a single liturgical structure. This ample reconstitution led by Paul McCreesh follows for the most part the 1937 ceremony, dropping however the era’s typical style when interpreting Handel. The musical approach has changed so much that it is presented here in the “baroque” style characteristic of our early 21st century. Some difficult choices were made, particularly regarding the Te Deum, the centrepiece and climax of the ceremony. A Cornelian choice between the ones from Stanford (1902), Parry (1911), Vaughan Williams (1937) and William Walton (1953). The latter was finally chosen, for its radiance and theatrical impetus. © François Hudry/Qobuz
From
HI-RES€ 14,49
CD€ 9,99

Wereldlijke vocale muziek - Verschenen op 6 oktober 2017 | Signum Records

Hi-Res Booklet Onderscheidingen 5 de Diapason
The Gabrieli ensemble, under the direction of their remarkable leader Paul McCreesh, explore here the immensely rich British choral repertoire which is known as partsong, a sort of choral piece made up of a profane song written or arranged for several vocal parts. The theme can originate in folk music (real or imagined), or it can be even older - the term covers a vast range of formats. This is a long way from the rather soppy variety of vaguely pastoral pieces that are widely-spread, but less rich because more constrained in rhythmic, melodic and textual terms: many of the lyrics in this record are great poetry, and represent a corpus of 20th Century madrigals every bit as rich as their glorious Renaissance ancestors. Vaughan Williams and Elgar lead the way, followed by Charles Villiers Stanford, Herbert Howell and Percy Grainger (Australian by birth, but very British at heart), Britten et Warlock (nom de plume and nom de guerre of Philip Heseltine, a flamboyant and louche figure), and finally James McMillan and Jonathan Dive bring us up to the present day. For all its modern elements, the record doesn't neglect its heritage - the iconoclastic avant-garde is dead and buried - making this a real treat for aficionados, and when this excellent music is sung by the Gabrieli ensemble, our happiness is complete. © SM/Qobuz