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Alternative en Indie - Verschenen op 21 september 1993 | Geffen

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In 1993 brengt de legendarische formatie Nirvana hun derde en laatste studioalbum In Utero uit. Het album wordt, mede dankzij de ongepolijste productie die wordt vormgegegeven door producer Steve Albini, goed ontvangen. In 2013 wordt het album opnieuw uitgebracht, om het twintigjarig jubileum van de plaat te herdenken. De heruitgave biedt ook demo's en geremasterde en geremixte versies van de songs. © TiVo
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Rock - Verschenen op 1 januari 2005 | Geffen

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Pop/Rock - Verschenen op 30 maart 2004 | Polydor

In 1993 brengt de legendarische formatie Nirvana hun derde en laatste studioalbum In Utero uit. Het album wordt, mede dankzij de ongepolijste productie die wordt vormgegegeven door producer Steve Albini, goed ontvangen. In 2013 wordt het album opnieuw uitgebracht, om het twintigjarig jubileum van de plaat te herdenken. De heruitgave biedt ook demo's en geremasterde en geremixte versies van de songs. © TiVo
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Pop - Verschenen op 1 januari 2003 | UMC (Universal Music Catalogue)

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Pop - Verschenen op 1 januari 2003 | UMC (Universal Music Catalogue)

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Alternative en Indie - Verschenen op 29 maart 2021 | Dime Store

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Alternative en Indie - Verschenen op 21 september 1993 | Geffen

In 1993 brengt de legendarische formatie Nirvana hun derde en laatste studioalbum In Utero uit. Het album wordt, mede dankzij de ongepolijste productie die wordt vormgegegeven door producer Steve Albini, goed ontvangen. In 2013 wordt het album opnieuw uitgebracht, om het twintigjarig jubileum van de plaat te herdenken. De heruitgave biedt ook demo's en geremasterde en geremixte versies van de songs. © TiVo
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Rock - Verschenen op 27 september 2016 | Coffee Break Records

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Rock - Verschenen op 18 mei 2018 | UMC (Universal Music Catalogue)

Pop/Rock - Verschenen op 23 mei 2011 | Southworld

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Rock - Verschenen op 9 augustus 2019 | Leftfield media

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Punk en New Wave - Verschenen op 1 januari 2016 | Anglo Atlantic

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Rock - Verschenen op 22 juni 2021 | Carnival

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Rock - Verschenen op 12 april 2019 | Geffen

It's said that the pre-Nevermind Kurt Cobain liked to tell people he intended to be a rock star, but a look at what happened later suggests either stardom was a great deal different than he expected, or that he really didn't imagine he was ever going to become multi-platinum-level rich and famous. If Nevermind wasn't exactly the sound of a happy man, it also had a vitality and brio that were replaced by a haunted, spectral undertow on In Utero and MTV Unplugged in New York. Given how people love to make a great deal of Cobain's fondness for the Beatles, Nirvana's Live at the Paramount could be said to be his corollary to John Lennon's performance in the movie A Hard Day's Night, both of which captured the artists at a moment where success was a pleasure, just before it became a burden. Live at the Paramount was recorded at a hometown show in Seattle on Halloween 1991, about five weeks after Nevermind had been released and just a few days before the album unexpectedly crashed into the Top 40 of the album charts. Playing a packed house as they suddenly went from grunge underdogs to the kings of the hill, Nirvana sound tight, confident, and powerful in these recordings, tearing through the bulk of both Nevermind and Bleach with the agility of a sprinter hitting their stride. Cobain's vocals and guitar work are on point, spontaneous, and in the moment but landing their marks with vigor, while Krist Novoselic and Dave Grohl nail the rhythms with a gleeful lack of mercy. While the set gets off to a subdued start with a cover of the Vaselines' "Jesus Doesn't Want Me for a Sunbeam," the second tune, "Aneurysm," finds the band shifting into fourth gear, and while the pace ebbs and flows, they maintain a tight focus throughout and play the sort of show that earned them their reputation as they toured behind the comparatively muddy and scattershot Bleach. Live at the Paramount may not feature the best recorded Nirvana gig -- Live at Reading has the edge -- but there is a fire and a noisy joy in this set that they would very rarely achieve again. This captures Nirvana as a kick-ass rock band on a great night, not as the unexpected Voices of a Troubled Generation that they were forced to become. And that makes a very, very big difference. © Mark Deming /TiVo
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Punk en New Wave - Verschenen op 1 januari 2016 | Anglo Atlantic

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Pop - Verschenen op 1 januari 1992 | Universal-Island Records Ltd.

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Pop - Verschenen op 1 januari 2003 | UMC (Universal Music Catalogue)

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Alternative en Indie - Verschenen op 4 september 2015 | FMIC

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Alternative en Indie - Verschenen op 6 april 2018 | Iconography

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Rock - Verschenen op 1 januari 2016 | Radioland

Artiest

Nirvana in het magazine
  • Nirvana (almost) resurrected
    Nirvana (almost) resurrected Three of Kurt Cobain's ex-bandmates took to the stage in Hollywood last weekend, joined by Beck and St. Vincent. An eclectic mix indeed!