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Klassiek - Verschenen op 1 oktober 2012 | Ambroisie

Hi-Res Onderscheidingen Diapason d'or - Choc de Classica - Uitzonderlijke Geluidsopnamen - Hi-Res Audio
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Klassiek - Verschenen op 6 maart 2020 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or / Arte - Le Choix de France Musique - Choc de Classica
After recording Rachmaninov's 24 Preludes and a recital dedicated to Claude Debussy for his new publisher harmonia mundi, pianist Nikolai Lugansky extends his repertoire even further with a monographic album dedicated solely to César Franck. The list of piano works by this organ-playing composer was not very extensive, so Lugansky chose to perform the Prelude, Fugue and Variation Op. 18, and theChorale No. 2 , on the piano, both in the same key. Written specifically for the piano, the two triptychs Prélude, Choral et Fugue and Prélude, Aria et Final are inspired by both Bach and Liszt and had an obvious influence on later French music, particularly with Albéric Magnard (Symphony No. 3) and all the way up to Francis Poulenc (Concerto for organ ). Nikolai Lugansky constructs these pieces like a builder, with unfailing solidity. He brings out the architecture and the projections with power and fullness, while looking for what he calls "a French sound, a beauty of sonority and refined sound without lourdeur". © François Hudry/Qobuz
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Klassiek - Verschenen op 16 oktober 2015 | naïve

Hi-Res Booklet Onderscheidingen Diapason d'or / Arte - 4 étoiles Classica - 5 Sterne Fono Forum Klassik
Described by the prestigious British music magazine Gramophone as ‘the most innovative and transcendent interpreter of all’ for his work in Rachmaninov and Prokofiev, as well as being capable of a grand refinement and a ‘crystalline beauty’ (The Financial Times) in Mozart and Schubert, Nikolai Luganski is an extraordinarily deep and versatile pianist. His CD recital of sonatas for piano by Rachmaninov won him a Diapason d’or and an ECHO Klassik prize, whilst his recording of the concertos of Grieg and Prokofiev was awarded an ‘Editors Choice’ by Gramophone. His previous recordings were also greeted with many awards, including a second Diapason d’or, the BBC Music Magazine Award, and a prize from ECHO Klassik. Here, he performs one of the ultimate Schubert sonatas, the incredible and titanic Sonata in C minor, which was written in the summer of 1828, a few months before the death of the composer. We hear – and Luganski emphasizes – the resonant impact of the last sonatas by Beethoven, by which Schubert was so fed and freed. The symphonic dimensions of this sonatas require an interpreter with strong shoulders, therefore: enter Luganski. Shortly before this work, Schubert composed his second collection, Impromptus, which hit somewhere between poetry and sombre savagery, as the Russian interpreter endorses here.
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Piano solo - Verschenen op 16 februari 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 5 Sterne Fono Forum Klassik
Unfortunately no, dear reader, there is no such thing as a cycle of “24 Preludes” by Rachmaninoff; however there are indeed 24 Preludes: a collection of ten Op. 23 from 1903, 13 other Op. 32 from 1910 and one isolated Prelude from the Morceaux de fantaisie Op. 3 (Fantasy Pieces) from 1893. In total: 24 Preludes, in which as a simple count shows Rachmaninoff − much like Chopin and of course Bach − illustrated all major and minor tones. Deliberately random, or the involuntary drive to create a reasonably coherent cycle? Contrary to his two illustrious predecessors, Rachmaninoff didn’t order his Preludes according to a specific tonal plan: the musician’s fantasy develops bit by bit. Nikolai Lugansky – described by the famous magazine Gramophone as “the most innovative and transcendent interpreter of all” (so much for the others…), truly an extraordinarily deep and polyvalent pianist – decided to present the Preludes in the order prescribed by partitions, rather than reorganising them according to some hypothetical tonal logic, without knowing if Rachmaninoff would even have recommended or even considered it, particularly as the constant alternation of moods, independently of any tonal consideration, gives the piece a sense of perfect coherence. Finally it’s worth mentioning that Lugansky offers a very “original” interpretation of this divine music, which may feel like a re-discovery to some listeners. © SM/Qobuz
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Klassiek - Verschenen op 30 september 2013 | Ambroisie - naïve

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Hi-Res Audio
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Piano solo - Verschenen op 5 oktober 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 étoiles de Classica
A century after his death on 25 March 1918, many harmonia mundi artists are eager to pay tribute to Claude Debussy, the magician of melody and timbre, the great 'colourist' and father of modern music. After Rachmaninoff's Preludes, Nikolai Lugansky wanted to present a finely nuanced portrait of this composer so fond of travelling! Whether it ranges over time (Hommage à Haydn) or the most vividly imagined open spaces, this freely composed programme is concerned above all with light and colour, in works we can never tire of. © harmonia mundi
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Klassiek - Verschenen op 19 mei 2017 | naïve classique

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Kamermuziek - Verschenen op 31 oktober 2005 | Warner Classics International

Onderscheidingen 4 étoiles Classica
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Klassiek - Verschenen op 13 november 2020 | harmonia mundi

Hi-Res Booklet
Édouard Herriot once said: ‘In Beethoven, everything comes from within. His model is not the rule of the schoolroom.’ This is particularly true of the late sonatas, which contain elements of both intimate journal (Romain Rolland saw in Op. 101 ‘a day in the inner life’ of Beethoven) and total experimentation (the variations of Op. 109!) before attaining the mystical serenity of the very last sonata, Op. 111. Here is Nikolai Lugansky’s long-awaited vision of this pianistic Everest. © harmonia mundi
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Klassiek - Verschenen op 15 december 1999 | Warner Classics International

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Klassiek - Verschenen op 5 januari 2001 | Warner Classics International

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Klassiek - Verschenen op 1 maart 2002 | Warner Classics International

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Klassiek - Verschenen op 17 april 2020 | harmonia mundi

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Klassiek - Verschenen op 17 oktober 2011 | naïve

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Concertmuziek - Verschenen op 1 maart 2005 | Warner Classics International

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Klassiek - Verschenen op 3 februari 2014 | naïve

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Klassiek - Verschenen op 5 maart 2004 | Warner Classics International

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Klassiek - Verschenen op 6 juli 2016 | TRITON

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Klassiek - Verschenen op 1 oktober 2004 | Warner Classics International

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Klassiek - Verschenen op 5 januari 2001 | Warner Classics International