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HI-RES€ 35,49
CD€ 30,49

Jazz - Verschenen op 23 maart 2018 | Columbia - Legacy

Hi-Res Booklet Onderscheidingen 4F de Télérama - Indispensable JAZZ NEWS - Pitchfork: Best New Reissue - 5 Sterne Fono Forum Jazz
When you see the names Miles Davis and John Coltrane on the same poster, you feel a shiver down your spine. This sixth instalment of the trumpet player's Bootleg Series that shiver grows – to put it euphemistically – to ecstasy. The Final Tour concentrates on the final chapter of the collaboration between Miles and Coltrane. On four CDs, it takes in performances recorded as part of their 1960 European tour – their last outing together before the saxophonist's death in July 1967. It includes both concerts at the Paris Olympia of 21 March 1960, the two concerts of 22 March in Stockholm, and of 24 March in Copenhagen, all available for the first time on a format other than quarter-inch tape. These five concerts take place about a year after the release of the masterpiece Kind of Blue, which shook the jazz world to its core. Our protagonists' nuclear creative power threaten the quintet with catastrophe at every turn. With pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb, Miles and Trane deliver torrential improvisations in which fusion and opposition battle it out. But miraculously, it all holds together. And how! It's the magic of these five concerts: hearing the five giants all at once, and their ability to match each other's pace, and roar in unison. In terms of the repertoire, this box set is a kind of davisian nirvana: it holds all the greatest themes (not always his own) which made the trumpeter's name: ’Round Midnight, Bye Bye Blackbird, On Green Dolphin Street, Walkin’, All Of You, Oleo, So What and All Blues… Finally, The Final Tour finishes on a jaw-dropping interview given by Coltrane to the Swedish DJ Carl-Erik Lindgren. "Do you feel angry?," asks Lindgren. "No, I don't," says Trane. "I was talking to a fellow the other day, and I told him, the reason I play so many sounds, maybe it sounds angry, I'm trying so many things at one time. I haven't sorted them out." Listening to these 1960 concerts, we can only respond: long live confusion! © Marc Zisman/Qobuz
CD€ 31,99

Jazz - Verschenen op 16 september 2011 | Columbia - Legacy

Onderscheidingen Choc de Classica - Indispensable JAZZ NEWS - L'album du mois JAZZ NEWS - Qobuz Referentie
CD€ 22,49

Funk - Verschenen op 11 oktober 2010 | Warner Records

Onderscheidingen The Qobuz Ideal Discography - Indispensable JAZZ NEWS - Qobuz Referentie
HI-RES€ 16,99
CD€ 14,49

Jazz fusion en jazz rock - Verschenen op 11 oktober 1972 | Columbia - Legacy

Hi-Res Onderscheidingen De Muzikale Rariteiten - Qobuz Referentie - Hi-Res Audio
HI-RES€ 16,99
CD€ 14,49

Jazz - Verschenen op 15 november 2013 | Columbia - Legacy

Hi-Res Booklet Onderscheidingen The Qobuz Ideal Discography - Hi-Res Audio
HI-RES€ 16,99
CD€ 14,49

Jazz - Verschenen op 6 maart 1957 | Columbia - Legacy

Hi-Res Onderscheidingen The Qobuz Ideal Discography - Hi-Res Audio
HI-RES€ 16,99
CD€ 14,49

Jazz - Verschenen op 18 juli 1960 | Columbia - Legacy

Hi-Res Onderscheidingen The Qobuz Ideal Discography - Hi-Res Audio
HI-RES€ 16,99
CD€ 14,49

Jazz - Verschenen op 30 juli 1969 | Columbia - Legacy

Hi-Res Onderscheidingen The Qobuz Ideal Discography - Hi-Res Audio
CD€ 14,49

Jazz - Verschenen op 7 juni 1993 | Columbia - Legacy

Onderscheidingen The Qobuz Ideal Discography - Qobuz Referentie
HI-RES€ 21,99
CD€ 18,99

Jazz - Verschenen op 17 november 1971 | Columbia - Legacy

Hi-Res Onderscheidingen Qobuz Referentie - Hi-Res Audio
HI-RES€ 19,49
CD€ 13,99

Jazz - Verschenen op 1 januari 2013 | Blue Note (BLU)

Hi-Res Onderscheidingen The Qobuz Ideal Discography - Hi-Res Audio
HI-RES€ 16,99
CD€ 14,49

Jazz - Verschenen op 24 februari 1971 | Columbia - Legacy

Hi-Res Onderscheidingen Qobuz Referentie - Hi-Res Audio
CD€ 18,99

Jazz - Verschenen op 21 mei 2009 | Columbia - Legacy

Onderscheidingen The Qobuz Ideal Discography - Qobuz Referentie
CD€ 21,49

Jazz - Verschenen op 21 oktober 2016 | Columbia - Legacy

Onderscheidingen Choc de Classica - Qobuz Referentie
HI-RES€ 30,99
CD€ 21,99

Jazz - Verschenen op 29 januari 1958 | Fontana

Hi-Res Onderscheidingen The Qobuz Ideal Discography
HI-RES€ 16,99
CD€ 14,49

Jazz - Verschenen op 17 augustus 1959 | Columbia

Hi-Res Booklet Onderscheidingen The Qobuz Ideal Discography
Sixty years after the release of Miles Davis' masterpiece, explanations for its everlasting allure and mysterious beauty remain elusive. Over the years—in books, magazines and documentary films—a parade of Miles' contemporaries have struggled to explain this 1959 album, often cited as the best-selling jazz album in history. Recorded in long, whole takes over only two sessions 51 days apart, at Columbia Records' famed 30th Street Studios, Kind of Blue is a landmark in the evolution of jazz as the first modal classic—where the improvising is based on scales rather than the dense clusters of chord changes that powered bebop. This stylish, beloved cornerstone of any jazz collection, with its relaxed tempi, rich colors and sleek silences, also possesses a timeless simplicity that continues to sound familiar and inviting. Captured in great depth and detail by engineer Fred Plaut, brooding opener "So What," upbeat, merry "Freddie Freeloader," Bill Evans' dreamy "Blue In Green," the 6/8 double waltz "All Blues," (an aural sketch of weaving through city traffic), and the album's most purely modal number and closer "Flamenco Sketches," have all endured to become the most atmospheric, resonant and ultimately sexiest single set of recorded tunes in jazz history. Much of its undiminished magnetism comes from Miles' innate genius in building potent chemistry between musicians of contrasting styles. From the leader's icy tone to John Coltrane's muscular cascade of tenor saxophone notes, through Cannonball Adderley's soulful alto sax exuberance and pianist Bill Evans' spacious, incisive contributions, this collision of musical opposites, all driven by the underrated bassist Paul Chambers and steady drummer Jimmy Cobb, creates a mood and defines the jazz ethos of "cool" from the first dark notes of the famous opening bass line. According to Evans' original liner notes, Davis came up with these five explorations the night before the first recording session. It’s proof yet again that spontaneity and serendipity are the soul of jazz, or what Evans accurately summed up here as "collective coherent thinking" where the "direct deed is the most meaningful reflection." © Robert Baird/Qobuz
HI-RES€ 19,99
CD€ 17,49

Jazz - Verschenen op 30 maart 1970 | Columbia - Legacy

Hi-Res Booklet Onderscheidingen The Qobuz Ideal Discography
HI-RES€ 19,49
CD€ 16,99

Jazz fusion en jazz rock - Verschenen op 11 oktober 2010 | Rhino - Warner Records

Hi-Res Onderscheidingen Hi-Res Audio
CD€ 31,99

Jazz - Verschenen op 25 maart 2003 | Columbia - Legacy

Onderscheidingen The Qobuz Ideal Discography
CD€ 18,99

Jazz - Verschenen op 15 januari 2009 | Columbia - Legacy

Onderscheidingen The Qobuz Ideal Discography
Sixty years after the release of Miles Davis' masterpiece, explanations for its everlasting allure and mysterious beauty remain elusive. Over the years—in books, magazines and documentary films—a parade of Miles' contemporaries have struggled to explain this 1959 album, often cited as the best-selling jazz album in history. Recorded in long, whole takes over only two sessions 51 days apart, at Columbia Records' famed 30th Street Studios, Kind of Blue is a landmark in the evolution of jazz as the first modal classic—where the improvising is based on scales rather than the dense clusters of chord changes that powered bebop. This stylish, beloved cornerstone of any jazz collection, with its relaxed tempi, rich colors and sleek silences, also possesses a timeless simplicity that continues to sound familiar and inviting. Captured in great depth and detail by engineer Fred Plaut, brooding opener "So What," upbeat, merry "Freddie Freeloader," Bill Evans' dreamy "Blue In Green," the 6/8 double waltz "All Blues," (an aural sketch of weaving through city traffic), and the album's most purely modal number and closer "Flamenco Sketches," have all endured to become the most atmospheric, resonant and ultimately sexiest single set of recorded tunes in jazz history. Much of its undiminished magnetism comes from Miles' innate genius in building potent chemistry between musicians of contrasting styles. From the leader's icy tone to John Coltrane's muscular cascade of tenor saxophone notes, through Cannonball Adderley's soulful alto sax exuberance and pianist Bill Evans' spacious, incisive contributions, this collision of musical opposites, all driven by the underrated bassist Paul Chambers and steady drummer Jimmy Cobb, creates a mood and defines the jazz ethos of "cool" from the first dark notes of the famous opening bass line. According to Evans' original liner notes, Davis came up with these five explorations the night before the first recording session. It’s proof yet again that spontaneity and serendipity are the soul of jazz, or what Evans accurately summed up here as "collective coherent thinking" where the "direct deed is the most meaningful reflection." © Robert Baird/Qobuz