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Jazz - Verschenen op 1 januari 2002 | OWL

Onderscheidingen The Qobuz Ideal Discography
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Jazz - Verschenen op 1 januari 1991 | Blue Note Records

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Jazz - Verschenen op 30 juli 2012 | Dreyfus Jazz

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Jazz - Verschenen op 26 januari 2015 | Blue Note Records

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Jazz - Verschenen op 1 januari 1995 | Dreyfus Jazz

This CD features a logical combination of two talented Frenchmen, violinist Stéphane Grappelli and pianist Michel Petrucciani, who had never recorded together before. With the assistance of bassist George Mraz and drummer Roy Haynes, the co-leaders romp on a variety of standards. Petrucciani was 32 at the time of this June 1995 set, a mere child compared to the 87-year-old Grappelli. Despite his age, Grappelli's violin playing sounds as youthful and enthusiastic as it had been in the 1930s; the 60 years of practice had not hurt. While Petrucciani's music is usually in the Bill Evans post-bop vein, he was happy to visit Grappelli's turf on this occasion, mostly playing veteran standards. On such songs as "Sweet Georgia Brown," "How About You" (here mistitled "I Love New York in June"), "I Remember April," and "There Will Never Be Another You," Stephane Grappelli is both joyful and masterful. Highly recommended. © Scott Yanow /TiVo
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Jazz - Verschenen op 25 oktober 2019 | Disques Dreyfus

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Jazz - Verschenen op 22 september 1999 | Dreyfus Jazz

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Jazz - Verschenen op 5 januari 2009 | Dreyfus Jazz

Both pianist Michel Petrucciani and bassist Niels-Henning Ørsted Pedersen had considerable discographies and died far too young, Petrucciani in his mid-thirties and Pedersen at 58. Both men were virtuosos on their respective instruments, Petrucciani having played with a number of jazz greats in his all-too-brief career, while Pedersen began playing with visiting and expatriate Americans when only a teenager and especially made his mark in numerous recordings with the great Oscar Peterson. This performance at the Copenhagen Jazzhouse was unrehearsed and possibly the only time the two men played together, but their chemistry is immediate as they tackle a wide swath of standards and familiar jazz compositions. This is hardly a meeting where the bassist is merely accompanying the pianist; they engage in musical dialogues, frequently at a brisk tempo, and each interprets where the other is going in the performance, not an easy task for musicians not familiar with one another. Obvious highlights are the playful, tightrope-walking, and intricate take of Sonny Rollins' "Oleo," the spirited waltzing "Someday My Prince Will Come," the somewhat whimsical setting of "'Round Midnight," and the pulsing take of "Stella by Starlight" (a refreshing change from the typical straight ballad arrangement). It seems odd that this music remained unreleased for nearly 15 years after it was recorded, but this two-disc set is a perfect example of both musicians being very much at the top of their respective games. © Ken Dryden /TiVo
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Jazz - Verschenen op 1 januari 1989 | Blue Note Records

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Jazz - Verschenen op 1 januari 2007 | Dreyfus Jazz

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Jazz - Verschenen op 30 juli 2012 | Dreyfus Jazz

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Jazz - Verschenen op 15 oktober 1997 | Dreyfus Jazz

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Jazz - Verschenen op 11 januari 2019 | SWR Jazzhaus

Booklet
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Jazz - Verschenen op 1 januari 1994 | Blue Note Records

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Jazz - Verschenen op 1 januari 1995 | Dreyfus Jazz

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Jazz - Verschenen op 1 januari 2009 | New Release Catalog

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Jazz - Verschenen op 1 april 2012 | Dreyfus Jazz

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Jazz - Verschenen op 1 januari 2004 | Dreyfus Jazz

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Jazz - Verschenen op 5 januari 2009 | Dreyfus Jazz

Both pianist Michel Petrucciani and bassist Niels-Henning Ørsted Pedersen had considerable discographies and died far too young, Petrucciani in his mid-thirties and Pedersen at 58. Both men were virtuosos on their respective instruments, Petrucciani having played with a number of jazz greats in his all-too-brief career, while Pedersen began playing with visiting and expatriate Americans when only a teenager and especially made his mark in numerous recordings with the great Oscar Peterson. This performance at the Copenhagen Jazzhouse was unrehearsed and possibly the only time the two men played together, but their chemistry is immediate as they tackle a wide swath of standards and familiar jazz compositions. This is hardly a meeting where the bassist is merely accompanying the pianist; they engage in musical dialogues, frequently at a brisk tempo, and each interprets where the other is going in the performance, not an easy task for musicians not familiar with one another. Obvious highlights are the playful, tightrope-walking, and intricate take of Sonny Rollins' "Oleo," the spirited waltzing "Someday My Prince Will Come," the somewhat whimsical setting of "'Round Midnight," and the pulsing take of "Stella by Starlight" (a refreshing change from the typical straight ballad arrangement). It seems odd that this music remained unreleased for nearly 15 years after it was recorded, but this two-disc set is a perfect example of both musicians being very much at the top of their respective games. © Ken Dryden /TiVo

Jazz - Verschenen op 9 december 2008 | Dreyfus Jazz

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Michel Petrucciani in het magazine