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Soul - Verschenen op 30 november 1982 | Epic

Hi-Res Onderscheidingen The Qobuz Ideal Discography - Uitzonderlijke Geluidsopnamen
Thriller was misschien wel berekend om het grootst mogelijke publiek aan te spreken, maar de schaamteloze brutaliteit van die berekeningen (wie anders had eraan gedacht om metal-virtuoos Eddie Van Halen te vragen om mee te spelen in een disco-nummer?) verdwijnt in het niets door het succes ervan. Enkel op dit album kan een lieftallig nummer als "Human Nature" zomaar naast het stoere "Beat It,", de sentimentaliteit van het duet met Paul McCartney "The Girl Is Mine," en het bruisende "P.Y.T.." staan. Hoewel dit inderdaad leuk is, voel je de paranoia van "Billie Jean" en zorgt het uitzinnige "Wanna Be Startin' Something," voor een emotioneel houvast op Thriller. © Stephen Thomas Erlewine /TiVo
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Soul - Verschenen op 4 juli 1983 | Epic

Hi-Res Onderscheidingen The Qobuz Ideal Discography
Met het album Off The Wall uit 1979 maakt de wereld kennis met de volwassen Michael Jackson (1958-2009). Het album markeert de start van zijn carrière als solo-artiest en onder leiding van producer Quincy Jones brengt de Amerikaanse zanger op Off the Wall zijn meest soulvolle muziek. Tot de bekendste nummers van het album worden "Don't Stop 'Til You Get Enough" en "She's Out of My Life" gerekend. © TiVo
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Soul - Verschenen op 14 september 2012 | Epic - Legacy

Hi-Res Onderscheidingen The Qobuz Ideal Discography
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Soul - Verschenen op 16 oktober 2001 | Epic - Legacy

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Soul - Verschenen op 21 maart 2018 | Epic - Legacy

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Bad

Soul - Verschenen op 14 september 2012 | Epic - Legacy

Hi-Res Onderscheidingen The Qobuz Ideal Discography
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Soul - Verschenen op 8 februari 2008 | Epic - Legacy

Onderscheidingen The Qobuz Ideal Discography
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Soul/Funk/R&B - Verschenen op 24 januari 1972 | Motown

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Riding high on the wild success of the Jackson 5, Motown ringleader Berry Gordy assembled every single notable production team member and songwriter in his arsenal to contribute to the solo debut of the J5's boy wonder, Michael. By the time Got to Be There was released, much had changed in the Jackson dynamic, none the least Michael's voice. But this album launched three chart singles: a cover of the bubblegum classic "Rockin' Robin," Leon Ware's "I Wanna Be Where You Are," and the title track. As a cohesive album, Got to Be There is wildly erratic, and his covers of "You've Got a Friend" and "Ain't No Sunshine" show Jackson's versatility as a singer. It was a world away from the politically charged sound of Marvin Gaye's What's Going On and the introspection that would later grace some of the best works of Stevie Wonder. But Got to Be There kept Gordy as king of the sound of young America -- at least for a few months longer. © Rob Theakston /TiVo
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Soul - Verschenen op 29 oktober 2001 | Epic

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Soul - Verschenen op 26 oktober 2009 | Epic

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Soul - Verschenen op 12 mei 2014 | Epic - MJJ

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Soul - Verschenen op 27 september 2017 | Epic - Legacy

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Thirteen of Michael Jackson's most danceable and exciting "spooky" hits, including Ghosts, Torture, Thriller and Dirty Diana, are brought together for the first time on one album. A unprecedented title Blood on the Dance Floor X Dangerous, completes this anthological selection with a brand new energetic mash-up by internationally acclaimed DJ duo The White Panda, based on the titles Blood on the Dancefloor, Dangerous and Leave Me Alone.
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Ben

Soul/Funk/R&B - Verschenen op 4 augustus 1972 | Motown

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Although having just entered his teens, pop prodigy Michael Jackson's star was still very much on the ascent, circa his second full-length release, Ben (1972). This LP should not be confused with the Original Motion Picture Soundtrack from the Phil Karlson-directed "thriller" of the same name, and while blessed with an undeniable visual presence, Jackson was otherwise not involved in the creature feature. Like much of the Motown empire at the time, the title track's multimedia exposure, coupled with strong crossover appeal, insured that "Ben" scored the artist his first Pop Singles' chart-topper. Yet one interesting shift was the lack of participation from the Motown hitmaking machine known collectively as "the Corporation". While the aggregate had dominated most of the Jackson Five's early recordings and contributed their fair share to Jackson's debut, Got to Be There (1971), besides the title track, the only other cut to bear their unmistakable smooth production style is the practically perfunctory midtempo "We've Got a Good Thing Going." The catchy "Greatest Show on Earth" has a cinematic quality that stands out thanks to an excellent arrangement from James Anthony Carmichael -- one of several he scored for the project. While not a cover in the traditional sense, "People Make the World Go 'Round" was actually released within a few weeks of the Stylistics' more familiar hit. Although the reading heard here is equally impassioned, the emotive impact could arguably be greater thanks to the optimism infused with innocence in Jackson's vocals. "Everybody's Somebody's Fool" owes greatly to the Heartbeats' doo wop version, as opposed to Jimmy Scott's earlier classic. Jackson is obviously quite familiar with the former's phrasing while adding an age-defying maturity of his own. Returning back to his Hitsville roots, "My Girl" is updated with a funkier rhythm. The vocalist responds in kind with his own soulful lead that soars over the freshly syncopated chorus. The score includes some call-and-response interaction similar to what he and his brothers had displayed on the Jackson Five's selections "Nobody" and "The Love You Save," among countless others. "What Goes Around Comes Around" is one of Ben's better deep cuts with the vibrant melody perfectly matched to the artist's youthful voice. Of lesser note is the hopelessly dated "message" in the filler track "In Our Small Way." Luckily, a pair of winners conclude the effort with the propulsive and funky "Shoo Be Doo Be Doo Da Day" -- which was co-written by Stevie Wonder -- and the Berry Gordy-penned midtempo "You Can Cry on My Shoulder." Ben -- along with rest of Michael Jackson's recordings for Motown, can be found as part of the excellent and thoroughly annotative three-disc Hello World: The Motown Solo Collection (2009). © Lindsay Planer /TiVo
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Soul - Verschenen op 1 januari 2009 | UNI - MOTOWN

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Soul - Verschenen op 14 december 2010 | Epic

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Soul - Verschenen op 1 januari 1995 | Motown

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Soul - Verschenen op 14 juni 2013 | Epic

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Soul - Verschenen op 1 januari 1995 | Motown

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Soul - Verschenen op 1 januari 1975 | Motown

Michael Jackson's fourth and final new studio album for Motown came nearly two years after its predecessor, Music and Me. It was a more mature effort for the 16-year-old singer but lacked the contemporary dance style that had given Jackson and his brothers a career rebirth with "Dancing Machine" the year before. The album did spawn two minor chart singles, "We're Almost There" and "Just a Little Bit of You" (both produced by Brian Holland of the Holland-Dozier-Holland production team), and a third track, "One Day in Your Life," would chart as a reissue six years later. But though Jackson sang appealingly, the arrangements were noticeably similar to many older Motown charts, and there was little here to hint that, four years hence, on his next solo album, Off the Wall, Jackson would emerge as a major star. © William Ruhlmann /TiVo
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Soul - Verschenen op 1 januari 2009 | Hip-O Select

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Michael Jackson in het magazine