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Concertmuziek - Verschenen op 10 november 2014 | Warner Classics

Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Gramophone Editor's Choice - 4 étoiles Classica
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Klassiek - Verschenen op 13 mei 2016 | Deutsche Grammophon (DG)

Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica
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Klassiek - Verschenen op 17 februari 2014 | Deutsche Grammophon (DG)

Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice
Recorded live in Lucerne, Switzerland, in 2013, shortly before the death of conductor Claudio Abbado (who must have been quite ill at the time), this pair of Mozart piano concertos stands as a fitting valediction to his legacy. The liquid playing of star pianist Martha Argerich is a major contributor to the success of the performances, it's true. But really this is a Mozart performance shaped by the conductor, and Abbado's subtlety in his old age is remarkable to hear. In the Piano Concerto No. 20 in D minor, K. 466, he generates a great deal of tension without resorting to the Beethovenian mode of expression that is the norm for this concerto these days. The turn to D major at the end of the finale is utterly delightful in the hands of Abbado and Argerich, not a Romantic conceit like sunlight breaking through storm clouds but a quintessentially ingenious Mozartian ornament. The Piano Concerto No. 25 in C major, K. 503, Mozart's longest concerto, offers a lot to chew on, with the framework of the vast first movement and its almost neutral thematic material developed in large motions. The live sound is impressively clear, and in general this is a marvelous statement from the last months of a great conductor's life. © TiVo
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Klassiek - Verschenen op 13 mei 2013 | Warner Classics

Booklet Onderscheidingen 5 de Diapason - Gramophone Record of the Month - Gramophone Editor's Choice
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Klassiek - Verschenen op 23 februari 1995 | Deutsche Grammophon (DG)

Hi-Res Onderscheidingen The Qobuz Ideal Discography - Hi-Res Audio
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Concertmuziek - Verschenen op 1 september 2017 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
The previous batch from the 2015 Lugano Festival was especially rich, with many of the chosen moments being particularly thrilling (Brahms’ Trio, Poulenc’s Sonata for two pianos). The 2016 Festival would in turn see one great event: the tremendous Martha agreed to play on stage, for the first time in more than thirty years, Ravel’s Gaspard de la nuit. She was worried at the thought of measuring herself against her own success from forty years ago—she recorded in 1974 for Deutsche Grammophon a Ravel LP featuring Gaspard, Sonatine and Valses nobles et sentimentales, which is still in everyone’s memory despite its disappointing sound recording. On the spot, it’s obviously all the magic from a sound completely revealing itself, and the permanence of a vision. The truly haunted tone of Le Gibet leaves a lasting impression, Scarbo’s goblin literally shatters when Ondine, completely radiant, screams her recollections of Liszt and remembers just as much Une barque sur l’océan written a few years before. The rest of the testimonies from this 2016 Lugano Festival is as varied as usual. We’ll start with the rarity among the musical repertoire that is Busoni’s Violin Concerto, in D major (like the ones from Beethoven, Brahms, Tchaikovsky), also being the opus 35 (like the ones from Tchaikovsky, Korngold), under Renaud Capuçon’s determined bow. As for the two pianos, a classic from Argerich’s repertoire, Mozart Sonata for Two Pianos K. 488 that she’s enjoyed playing regularly with her friends for a few years, here with Sergey Babayan. And let’s not forget the very sincere Horn Trio from Brahms, with the trio Capuçon, Angelich & Guerrier (in 2015, a version without horn was unforgettable), or especially Bach’s Sonata by Martha Argerich and Tedi Papavrami, which could make us forget to not have this duo play the five other works written by Bach for the same formation. We cannot ignore the too short moment from the duo Tiempo & Lechner, as thrilling as ever, here in two Falla’s dances. During this 2016 edition, Argerich also played Ravel’s Concerto in G major. Maybe not in its most extraordinary version, but listening to its phrasings, accents, and nuances that are so personal in the Adagio assai this work remains the source of a rare emotion. May this Lugano Festival resuscitate in a few years with the participation of generous sponsors nostalgic of these incredible moments. © PYL
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Klassiek - Verschenen op 28 februari 2011 | Warner Classics

Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
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Klassiek - Verschenen op 1 januari 1967 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen The Qobuz Ideal Discography
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Concertmuziek - Verschenen op 13 mei 2016 | Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or
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Klassiek - Verschenen op 23 maart 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Diapason d'or
Nestled up cosily with Sergei Babayan, gazing into the distance, rather like Juliet next to Romeo, Martha Argerich seems to have had an eye on marketing when she produced the "Prokofiev for Two" album cover for her longstanding publisher, Deutsche Grammophon. Although well-known, these works haven't yet been released in this format: each of the 19 pieces is an accomplished transcription by Sergei Babayan. More than half of this album is given over to extracts from the ballet Romeo and Juliet, originally a symphonic work, but one that sounds devilishly good when brought to life by these two exceptional pianists. The remainder of the album is made up of various pieces of stage music, from Hamlet, Eugene Onegin and the opera War and Peace. This is a reinvigorating album, with an eighty-year-old Martha Argerich who has lost none of her extraordinary technique. As for the Armenian pianist Sergei Babayan, a student of Mikhail Pletnev and a teacher of Daniil Trifonov, he seems to be having great fun with his own transcriptions alongside his long-time partner and friend. © François Hudry/Qobuz
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Kamermuziek - Verschenen op 19 mei 2014 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 1 januari 1988 | Decca Music Group Ltd.

Onderscheidingen The Qobuz Ideal Discography
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Klassiek - Verschenen op 1 januari 2010 | Deutsche Grammophon (DG)

Onderscheidingen Choc de Classica
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Klassiek - Verschenen op 1 januari 1987 | Deutsche Grammophon (DG)

Onderscheidingen The Qobuz Ideal Discography
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Symfonische muziek - Verschenen op 13 oktober 2017 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen 4 étoiles Classica
This live recording is being billed as a kind of youth-in-old-age romp from the 76-year-old Martha Argerich and the 82-year-old Seiji Ozawa. And so it is. In the Piano Concerto No. 1 in C major of Beethoven, Op. 15, Argerich, despite talk that she is slowing down, is fully her playful self, and a bit of sampling anywhere that soloist and orchestra are both active should convince you of the joy that comes from hearing a soloist and conductor who have done this often enough to have a sixth sense of what's coming from the other, and to act on that knowledge on the fly. This is an unusually strong performance of this concerto, actually Beethoven's second, that catches its brashness and its sense of breaking the mold at every turn. But there's an even better aspect to the album: it's one of just a few documents recording the collaboration between Ozawa and Japan's Mito Chamber Orchestra, an organization he helped found, for which he recruited the musicians, and which he has continued to conduct even as his high-flying international career has continued. The group does not have the pristine sound one may associate with Japanese groups, and that may be all to the good: it is brisk, fresh, and, in Ozawa's hands, a bit brusque. It also has a fabulous sense of ensemble in the Beethoven Symphony No. 1 in C major, Op. 21, which you may find even more compelling than the concerto: the tension in the opening movement from the very first unexpected subdominant harmony reflects the implications of that opening better than other recordings out there. A real find, and a little landmark in Japanese music-making. © TiVo
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Klassiek - Verschenen op 27 mei 2016 | Sony Classical

Booklet Onderscheidingen Diapason d'or
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Klassiek - Verschenen op 1 januari 2012 | Deutsche Grammophon (DG)

Onderscheidingen Diapason d'or
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Klassiek - Verschenen op 23 februari 1995 | Deutsche Grammophon (DG)

Hi-Res Onderscheidingen Hi-Res Audio
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Concertmuziek - Verschenen op 8 mei 2015 | Warner Classics

Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 1 januari 1983 | Decca Music Group Ltd.

Onderscheidingen The Qobuz Ideal Discography

Artiest

Martha Argerich in het magazine
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    De Qobuz Minuut #19 Deze week presenteert De Qobuz Minuut de volgende muziek releases: 5 minuten, 5 artiesten, 5 albums met Zaz, Damien Rice, Isang Enders, Initiative H, Aziz Sahmaoui en een retrospectief op de piano ...