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Liederen - Verschenen op 1 februari 2001 | Cypres

Booklet Onderscheidingen 5 de Diapason
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Vocale recitals - Verschenen op 25 oktober 2010 | naïve classique

Booklet Onderscheidingen Choc de Classica
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Klassiek - Verschenen op 3 september 2012 | naïve classique

Onderscheidingen Stereophile: Record To Die For
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Liederen - Verschenen op 4 oktober 2005 | naïve classique

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Klassiek - Verschenen op 12 oktober 2011 | naïve classique

Booklet
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Klassiek - Verschenen op 13 september 2019 | Warner Classics

Hi-Res Booklet
It was mythological with Ravel’s Ondine for piano, transfigured in Debussy’s scores and mystical on the waterfront of the Villa d’Este in Liszt’s Jeux d'eau… Time and time again, the sea has left its mark on musicians, especially at the turn of the 19th and 20th centuries with which we are concerned here. Its vastness, reflections, shifting colours and capacity to evoke both danger and adventure have motivated these varied works that the composers have in turn translated into irresistible sonic paintings, written for piano as well as for orchestra. Romanticism and symbolism are well suited to this theme, allowing for an abundance of embellishments. Like a mermaid singing on a rock, Marie-Nicole Lemieux has recorded this programme entitled MER(S), meaning “SEA(S)” in English. Her deep voice will not draw you down into the abyss; instead, her warmth keeps you afloat and her almost imperceptible diction adds to the dreamy atmosphere. First stop is Elgar with his Sea Pictures, a little-known but splendid score; then we head over to Chausson’s to taste the harmonic and orchestral sumptuousness of the Poem of Love and the Sea (Irma Kolassi, Jessye Norman, Dame Felicity Lott and Véronique Gens all give impeccable performances); finally, we end with La Mer of Victorin de Joncières, an impressive curiosity sung with a choir (that of the Opéra National de Bordeaux, who are clear, precise and radiant). And the counter-alto’s articulation is perfect. Wagner’s influence on the various musicians is perceptible throughout the programme. Paul Daniel and the Orchestre National de Bordeaux Aquitaine drive the generously dense and delightfully chromatic body of these scores where the harp plays a leading role (Berlioz’s lesson has been learned). An enthralling record that will accompany us for a long time. © Elsa Siffert/Qobuz
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Klassiek - Verschenen op 3 maart 2017 | Erato - Warner Classics

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Klassiek - Verschenen op 7 oktober 2013 | naïve classique

Booklet
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Klassiek - Verschenen op 24 november 2014 | naïve classique

Hi-Res Booklet
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Liederen - Verschenen op 9 maart 2009 | naïve classique

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Klassiek - Verschenen op 18 november 2004 | Analekta

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Klassiek - Verschenen op 26 januari 2011 | Cypres

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Klassiek - Verschenen op 3 maart 2017 | Erato - Warner Classics

Booklet
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Klassiek - Verschenen op 18 november 2004 | Analekta

Booklet
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Klassiek - Verschenen op 10 september 2013 | Audiogram