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Pop - Verschenen op 11 juni 1986 | Sire - Warner Records

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Pop - Verschenen op 2 juni 1998 | Warner Records - Maverick

Onderscheidingen The Qobuz Ideal Discography
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Pop - Verschenen op 14 november 1984 | Sire - Warner Records

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Pop - Verschenen op 1 januari 1983 | Sire - Warner Records

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Pop - Verschenen op 1 januari 1983 | Sire - Warner Records

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Pop - Verschenen op 14 november 1984 | Warner Records

Onderscheidingen The Qobuz Ideal Discography
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Pop - Verschenen op 25 april 2008 | Warner Records

Onderscheidingen 4 étoiles Technikart
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Pop - Verschenen op 15 juli 1987 | Sire - Warner Records

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Pop - Verschenen op 28 april 2008 | Warner Records

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Pop - Verschenen op 9 november 1990 | Sire - Warner Records

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Pop - Verschenen op 14 juni 2019 | Boy Toy, Inc., Exclusively licensed to Live Nation Worldwide, Inc. Exclusively licensed to Interscop

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Madame X marks the reunion between Madonna and Mirwais, the latter being behind the wheel for 7 of the 13 tracks on the album. Daniel Darc's former colleague from Taxi Girl had already worked on several projects, such as the albums Music in 2000 and American Life in 2003. His role here is to take the delirious musical experimentation to new extremes, all the while keeping in line with Madonna's melodic pop style. The most obvious example of Mirwais’ musical madness is Dark Ballet, a song inspired by Joan of Arc that features a long synthetic-baroque arrangement à la Wendy Carlos as well as a mischievous monologue by Madonna that’s told from the point of view of the Maid of Orléans. Maintaining a style that’s both playful and totally insane, the lively disco strings on God Control are a real highlight. Madonna is also politically engaged in this work, focusing on the failed gun control in America (with a sample from Emma Gonzales’ speech in I Rise) as well as speaking out for minorities (particularly in the postmodern fado Killers Who Are Partying). Speaking of fado, Lusophone culture is one of the album’s main themes – probably due to Madonna’s decision to move to Portugal in 2017. On Batuka she celebrates Cape Verde (the batuque being a kind of Cape Verdean music characterised by a call and response structure). Madonna also pays tribute to Colombia with the reggaeton singer Maluma, with whom she sings (and flirts) on two duets: Medellin and Bitch I'm Loca. Finally, she also mentions Picasso's Spain on I Don't Search I Find (quoted from the painter). The album highlights the malleable aspect of her voice (be it auto-tuned, whispered or spoken) and throughout the work Madonna always strikes a perfect balance between the gravity of political commitment on the one hand and the lightness of the duets and Mirwais’ production on the other. She does complete justice album’s title, Madame X most likely being a reference to Marlene Dietrich from Agent X 27, Joseph Von Sternberg's 1931 biopic of the spy Mata Hari. “Madame X is a secret agent, travelling around the world, changing identities and fighting for freedom. She brings light to dark places,” explained the singer in a teaser video for her project. It’s a masked, playful, freedom-fighting and confident Madonna that we find here as she enters her seventh decade. © Nicolas Magenham/Qobuz
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Pop - Verschenen op 14 november 2005 | Warner Records

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Pop - Verschenen op 30 juli 2021 | Rhino - Warner Records

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Pop - Verschenen op 17 maart 1989 | Sire - Warner Records

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Pop - Verschenen op 18 september 2000 | Warner Records

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Pop - Verschenen op 1 januari 1995 | Warner Records

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Pop - Verschenen op 21 april 2003 | Warner Records - Maverick

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Pop - Verschenen op 16 oktober 1992 | Sire - Warner Records

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Pop - Verschenen op 14 oktober 1994 | Sire - Warner Records

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Pop - Verschenen op 10 maart 2015 | Interscope

Op haar dertiende studioalbum Rebel Heart uit 2015 zet popicoon Madonna nog meer dan op eerdere albums in op stevige danspop. Loodzware bassen worden gecombineerd met opzwepende dancebeats. Toch kent het album ook wel rustpunten bijvoorbeeld in elegante mid tempo-songs en ballads die doen denken aan de sound van het onovertroffen album Ray of Light. Vooral de nummers "Devil Pray" en "Ghosttown" overtuigen met sterke melodieën en een verfijnde productie. © TiVo