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Klassiek - Verschenen op 14 september 2018 | Sony Classical

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Built to specifications set down by Joseph Goebbels for the 1936 Olympic Games as a showcase of triumphant Nazism, this open-air stage was inspired by the ancient theatre of Epidaurus, and had almost perfect acoustics. With the theatre renamed "Waldbühne" (forest stage) and the ghosts of the past exorcised, this gigantic space was used in the 1960s for boxing matches and rock concerts, including the 1965 Rolling Stones show which ended in a veritable riot. There was nothing like that on the July evening in 2018 when Jonas Kaufmann gave his recital, although a very large crowd had come to hear their national tenor deliver a 100% Italian repertoire. It was chilly that night in Berlin, with rainclouds threatening, but the 20,000 spectators gave long ovations for Jonas Kaufmann and the Berlin Radio Orchestra, conducted by Jochen Rieder, in this concert which was also graced by the Georgian mezzo-soprano Anita Rachvelishvili.The programme was calculated to electrify the crowd, and included a recital of the immortal Nessun dorma (Turandot by Puccini) which set off great cries from an audience which Kaufmann had to repay with seven encores. Popular songs, (Volare, Parlami d’amore Mariù) and film music (Le Parrain) rounded off a generous programme covering ground that our most illustrious tenor had first broken with his album "Dolce Vita", released in 2016. A solar voice, approaching a baritone on the lower notes and shining at the top of the scale, Jonas Kaufmann's rude vocal health makes him one of the most thrilling tenors of the early 21st century. © François Hudry/Qobuz

Klassiek - Verschenen op 31 augustus 2018 | Sony Classical

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Klassiek - Verschenen op 15 september 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
This record sees the most francophone (and francophile) of the German tenors take up a few pearls from the French repertoire. What's more, it's not only the big hits: "La fleur que tu m’avais jetée" is up in front, but also – or even, first and foremost – much rarer pearls have been fished up from the shoals of Meyerbeer, Berlioz, Thomas or Lalo. Jonas Kaufmann has succeeded in developing an irreproachable French elocution, in an equally impeccable style, denuded of the base Italianisms – glissandos, cooing, sobs, parasitic diphthongs, fermatas on the high Cs, etc. – that so many tenors (Italians, yes, but also French singers, including some stars...) impose on this music, which is not built to support them. Kaufmann's voice, which almost approaches a baritone, confers a different masculinity onto these roles (which is neither a virtue nor a vice, but a fundamental quality) and a depth for which the roles of Nadir, Don José or Werther all cry out. Moreover, Kaufmann's dynamic palette, from the fullest fortissimo to the suavest murmur, including on the high notes, is a joy to behold. The excellent Ludovic Tézier provides his counterpart in the duo of Pêcheurs de perles, while Sonia Yoncheva takes on the role of the tender Manon - even if the latter's French still leaves a little to be desired. © SM/Qobuz
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Klassiek - Verschenen op 7 april 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 7 oktober 2016 | Sony Classical

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Klassiek - Verschenen op 18 september 2015 | Sony Classical

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Klassiek - Verschenen op 11 september 2015 | Sony Classical

Hi-Res Booklet Onderscheidingen Choc de Classica - 5 Sterne Fono Forum Klassik
The most German of tenors, Jonas Kaufmann, tackles a new Italian recital, following 2013's The Verdi Album, which was released to mark the composer's bicentenary. Today, Kaufmanndedicates an entire disc to the operas of Puccini. The all-important pieces are naturally found in the form of the "Recondita armonia" from Tosca, and "O soave Fanciulla" from La Bohème. Also of note are "No piangere, Liù!", from Turandot, and some special moments on less-performed works such as Le Villi ("Ei giunge!") and Edgar ("Orgia, chimera dall'occhio vitreo").Kaufmann does not seek, in any way, to copy Italian tenors or the Italianate mode of singing. Instead he yearns for a fidelity and purity of expression, as well as an absolute respect for the original works. This tenor moves us subtly away from what we are used to; which will delight some, and astonish the rest. Is this how Puccini really meant for his work to sound?
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Klassiek - Verschenen op 4 september 2015 | Sony Classical

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Klassiek - Verschenen op 15 juni 2015 | Decca Music Group Ltd.

Hi-Res Booklet
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Klassiek - Verschenen op 15 juni 2015 | Decca Music Group Ltd.

Booklet
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Klassiek - Verschenen op 7 augustus 2015 | Sony Classical

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Klassiek - Verschenen op 24 juli 2015 | Sony Classical

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Klassiek - Verschenen op 6 februari 2015 | Sony Classical

Hi-Res Booklet
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Klassiek - Verschenen op 1 januari 2013 | Decca Music Group Ltd.

Booklet Onderscheidingen Diapason d'or - Choc de Classica
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Klassiek - Verschenen op 1 januari 2013 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Choc de Classica - Choc Classica de l'année - Hi-Res Audio
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Klassiek - Verschenen op 1 januari 2009 | Decca Music Group Ltd.

Booklet Onderscheidingen Diapason d'or - Choc de Classica
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Operafragmenten - Verschenen op 1 januari 2010 | Decca Music Group Ltd.

Booklet Onderscheidingen Diapason d'or - Choc de Classica - Exceptional sound
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Klassiek - Verschenen op 1 januari 2009 | Decca Music Group Ltd.

Onderscheidingen Diapason d'or - Choc de Classica - Exceptional sound
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Vocale muziek (wereldlijk en religieus) - Verschenen op 1 januari 2008 | Decca Music Group Ltd.

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Klassiek - Verschenen op 12 september 2014 | Sony Classical

Hi-Res Booklet Onderscheidingen Diapason d'or / Arte - Choc de Classica - Choc Classica de l'année

Artiest

Jonas Kaufmann in het magazine
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