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Kamermuziek - Verschenen op 14 oktober 2016 | Audax

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 23 februari 2018 | Audax

Hi-Res Booklet Onderscheidingen Diapason d'or - Preis der deutschen Schallplattenkritik
In 18th Century France, a number of new composers developed "pure music" in a broader sense, and not just music for human voice, with religious works on the one hand and lyrical works on the other. These new works were first and foremost intended for great enthusiasts, in particular for salon harpsichord players. Hence the title "pieces for harpsichord with violin accompaniment", because, strictly speaking, one could do away with the violin part, which in any case doesn't represent a virtuoso level of difficulty. The result, of course, is that the harpsichord is not a simple continuo but beautifully written as harpsichord music, much closer to a virtuoso piece - but an amateur harpsichordist of middling ability will always be able to manage, where as an amateur violinist of an equivalent level would only be able to produce the most frightful screeches from their instrument! All the composers here were born between 1705 and 1720, and died between 1770 and 1799 – some long after Mozart. When in 1740 he published his Pièces de clavecin en sonates avec accompagnement de violon, Mondonville was a forerunner – even Rameau's Pièces de clavecin en concert dates from the following year, even though Rameau was Mondonville's senior by some years. In 1742, Corrette followed suit with his own Sonates pour le clavecin avec accompagnement de violon; the following year, Clément would publish his Sonates en trio pour un clavecin et un violon – the violin part is clearly more developed here than it was in his predecessors' works. In 1745, Guillemain raised the bar a fair way with Pièces de clavecin avec accompagnement de violon in which the violin, in a rather Italian style, became indispensable and is far from being a mere accompaniment (an editor's ploy to make the score more attractive to amateurs?) while the harpsichord part becomes almost virtuoso. In 1747, it was Marchand's turn with his Pièces de clavecin avec accompagnement de violon, hautbois, violoncelle ou viole : the composer is leaving no stone unturned! In 1748, Balbastre stepped up to the chamber music plate, and the fashion was solidly anchored. The last name on our list is Duphly, whose Troisième livre de clavecin offered the option of adding a violin part, probably aimed at amateurs of a wide range of abilities. Harpsichordist Philippe Grisvard is no stranger to the Poème Harmonique, the Chamber Orchestra of Europe, the Nouveaux Caractères and a long list of other great baroque and classical ensembles from across the globe; while violinist Johannes Pramsohler founded the Diderot Ensemble in 2008, and exercises his talents as the solo violinist of the King’s Consort, the Concert d’Astrée and the baroque ensemble Concerto Melante which came from d'Astrée. © SM/Qobuz
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Klassiek - Verschenen op 25 september 2015 | Audax

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
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Klassiek - Verschenen op 3 november 2014 | Audax

Hi-Res Booklet Onderscheidingen 4 étoiles de Classica
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Religieuze cantates - Verschenen op 20 april 2018 | Audax

Hi-Res Booklet Onderscheidingen 5 de Diapason
Continuing their research into the vast hinterland of German cantatas from the early baroque period, Johannes Pramsohler and the musicians of his excellent Diderot Ensemble here dive into the austere and strange music of Biber, but also the less-well-known works of Johann Christoph Bach, great uncle of Johann Sebastian and musicians like Pachelbel, Bruhns and Eberlin. Johannes Pramsohler brings a particular fire and mystical sensuality to this new album (heavenly and earthly delights never being so far apart), and intense celestial flights to his violin playing. A range of international singers have left behind opera and dived with staggering ease into a completely different repertoire. The architects of this success, the supply and airy voice of the Canadian mezzo Andrea Hill, the perfectly gloomy timbre of Spanish tenor Jorge Navarro Colorado and the dark colours of the Argentine bass Nahuel di Pierro, sound the depths of this music driven by a great piety. © François Hudry/Qobuz
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Duo´s - Verschenen op 1 maart 2019 | Audax Records

Hi-Res Booklet
"The clean, lyrical virtuosity from Johannes Pramsohler is of the kind that begs you to simply sit back and soak it all up." – Gramophone "Pramsohler’s assured technique and musicianship are impressive". - The Strad For over ten years, Ensemble Diderot has been known for captivating interpretations of largely unknown repertoire. For five years, the creative group around Johannes Pramsohler has had its own label, Audax Records, and consequently an artistic platform for the development of projects that are not subservient to commercial criteria. The two violinists of Ensemble Diderot present here a striking programme of works for two violins without bass, some of which are premiere recordings. Get a fascinating insight into the champions league of violinists in mid 18th century France and discover works of rare beauty outside of the two famous Leclair collections: Italian virtuosity combined with French elegance! © Audax Records
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Klassiek - Verschenen op 19 oktober 2018 | Audax Records

Hi-Res Booklet
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Klassiek - Verschenen op 16 maart 2012 | Raumklang (edition raumklang)

Booklet
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Duo´s - Verschenen op 30 maart 2015 | Audax

Hi-Res Booklet
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Klassiek - Verschenen op 20 oktober 2017 | Audax

Hi-Res Booklet
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Klassiek - Verschenen op 3 november 2014 | Audax

Hi-Res Booklet
€ 9,49
€ 6,49

Kinderen - Verschenen op 14 oktober 2016 | Audax

Hi-Res