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Concerten voor klavier - Verschenen op 15 mei 2015 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica - 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 3 november 2014 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 6 september 2011 | harmonia mundi

Hi-Res Booklet Onderscheidingen Choc de Classica - Hi-Res Audio
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Klassiek - Verschenen op 4 november 2013 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama - Hi-Res Audio
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Kwintetten - Verschenen op 6 november 2015 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4 étoiles Classica - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 11 september 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4 étoiles Classica - Hi-Res Audio
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Piano solo - Verschenen op 30 november 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
On the dawn of his fortieth birthday, the Spanish pianist Javier Perianes should be more than proud of his dazzling career. Among the places that regularly welcome him we find Carnegie Hall, the Berliner Philharmoniker, the Philharmonie de Paris, Gewandhaus in Leipzig and La Roque d'Anthéron. Barenboim and Larrocha were his masters. He is particularly fond of the great French repertoire of Debussy and Ravel, though he never focuses solely on them - his previous recordings have taken him to Beethoven, Mompou, Schubert or Granados. Here, he remains in the French world with Debussy's Book I from Preludes and his three Estampes, the composer’s piano masterpiece, which Perianes distils with immense instrumental colour, breathing, contrasts and a magnificent violence that counterbalances a crystal clearness at every moment, as requested by the score. © SM/Qobuz
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Klassiek - Verschenen op 4 maart 2011 | harmonia mundi

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 29 november 2019 | harmonia mundi

Hi-Res Booklet
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Klassiek - Verschenen op 12 juni 2012 | harmonia mundi

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Klassiek - Verschenen op 26 augustus 2016 | harmonia mundi

Hi-Res Booklet
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Klassiek - Verschenen op 26 januari 2018 | harmonia mundi

Hi-Res Booklet
Bartók’s last two orchestral masterpieces, written in exile in the United States, are presented here; two “concertos”, one for solo piano, the other for full orchestra, hence its distinctive name of Concerto for Orchestra. Granted Bartók isn’t the first to have used such a title: it can be found as soon as 1925 with Hindemith, in 1931 with Malipiero, in 37 with Casella, and two years later with Kodály. Composed in one go during an unexpected remission from leukaemia, from August to October 1943, Concerto for Orchestra is the Hungarian’s only orchestral work of such scale. Fascinating in its musical hedonism and virtuosity required from each musician, this work serves as a summary for Bartók’s career. It explores the composer’s favourite writing styles as well as the folklores that have inspired him, from Central Europe to Arabic music. It also reveals the richness of Bartókian harmonics, ranging from the diatonic and modal clarity of popular music to a bitter yet always lyric chromaticism. As for Piano Concerto No. 3, it was almost completed before the composer’s death: only the orchestration of the last seventeen measures was missing. It is the only piano piece Bartók didn’t compose on his own initiative, but for his wife Ditta Pásztory – who never had the heart to play it… With Javier Perianes on the piano, conductor Pablo Heras-Casado gives life to this concerto for orchestra with ardour and clarity, thus restoring all of its modernity. © SM/Qobuz
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Klassiek - Verschenen op 31 januari 2008 | harmonia mundi

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Klassiek - Verschenen op 31 maart 2017 | harmonia mundi

Hi-Res Booklet
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Klassiek - Verschenen op 15 augustus 2006 | Almaviva