Available languages: EnglishHannu Lintu is a prominent conductor known for exploring neglected orchestral repertoire, as well as for promoting contemporary music. Though most of his work has been in his native Finland, his skill as a conductor has taken him throughout the world as a guest conductor. Lintu was born in Rauma, Finland, on October 13, 1967. He trained in piano and cello at the Turku Conservatory and the Sibelius Academy. He studied conducting with Atso Almila, Jorma Panula, and Eri Klas, and he participated in master classes with Ilja Musin and Myung-Whun Chung. In 1994, he won the Nordic Conducting Competition in Bergen, and in 1996, graduated with honors from the Sibelius Academy. Lintu was the chief conductor of the Turku Philharmonic Orchestra from 1998 to 2001, then served as chief conductor and artistic director of the Helsingborg Symphony Orchestra from 2002 to 2005. In 2005, he was the artistic director of the Summer Sounds Festival of the Finnish contemporary music ensemble the Avanti! Chamber Orchestra. From 2009 until 2013, he served as chief conductor of the Tampere Philharmonic Orchestra and as the principal guest conductor of the RTÉ National Symphony Orchestra in Dublin. In 2010, Lintu was named chief conductor designate of the Finnish Radio Symphony, which he began in 2013. He is scheduled to leave this position following the 2020-2021 season. He was named chief conductor of the Finnish National Opera and Ballet in 2019, a role he's set to assume in 2022. In addition to performing with orchestras in Finland and Sweden, he's guest conducted across Europe, North and South America, Asia, and Australia. He has led many of the world's finest orchestras, including the Orchestre de Paris, Netherlands Radio and Los Angeles Philharmonics, the Toronto, Boston, Detroit, and Baltimore Symphony Orchestras, and many others. Lintu has recorded for Ondine, Alba, Naxos, and Hyperion, among others. In 2019, he led the Finnish Radio Symphony on two Ondine albums: Sibelius: Kullervo and Kaija Saariaho: True Fire; Trans; Ciel d'hiver, the latter of which received a Grammy nomination. In 2020, Lintu released Witold Lutoslawski: Symphonies Nos. 2 & 3, again leading the Finnish Radio Symphony.
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1 album gesorteerd op Meest aanbevolen en gefilterd op Bernd Alois Zimmermann
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Klassiek - Verschenen op 8 februari 2019 | Ondine
Hi-Res Booklet Onderscheidingen Choc de Classica - 5 Sterne Fono Forum Klassik
Unlike usual opera sequences, the ones excerpted from Zimmerman’s Die Soldaten (‘The Soldiers’) which he named Vokal-Sinfonie (Vocal Symphony) were created before the opera as proof that the music was playable. Indeed, its final score posed quite the challenge for the singers, the orchestra, the theatres and for the audience: with sixteen singing roles, around ten spoken roles, an orchestra of about one hundred musicians, crazy percussion instruments, film projectors, tape recordings and extra-musical sound effects – it’s enough to make any opera house fear for their budget! Not to mention the fact that the audience was also subject to the strict dodecaphonic system and some of the opera scenes actually overlapped. Zimmermann initially wanted the piece to be performed on twelve different stages that surrounded the audience who would be sitting on swivelling chairs and would rotate themselves accordingly. However, the idea was rejected by the theatre where the first performance was to take place and the composer finally abandoned the idea and remodelled his work to render it – almost – performable. Here, you can listen to Vokal-Sinfonie from 1963 which has some noticeable similarities with Berg’s Wozzeck, particularly in the raw and deeply moving lyricism of the vocal material. The Sinfonie is followed by the 1968 Photoptosis for full orchestra, one of the composer’s last two works before he died two years later after having suffered from severe depression. The score is both dark and light at the same time and is a work of sheer orchestral genius. The album opens with the 1950 Violin Concerto, which despite its supposedly classic form (Sonata-Fantasia-Rondo) explores the world of modernism in an intense and beautifully dark lyricism. © SM/Qobuz